š¼ Can The Can ā Single: Apr. 1973
- Suzi Quatro

- Apr 27, 1973
- 6 min read
Suzi Quatro exploded onto the UK charts in spring 1973 with her second solo single, a snarling, leather-clad glam-rock anthem that announced her as a major force in the British scene.
Issued in the UK on 27 April 1973, āCan The Canā (backed with āAināt Ya Somethinā Honeyā) became Suziās first number one hit and one of the defining singles of the glam era.
š The Story
āCan The Canā was written and produced by the hit-making team of Mike Chapman and Nicky Chinn for RAK Records. It was Suziās second solo release after moving from the US to Britain, following the more modest success of her debut solo single āRolling Stone.ā
Backed with the self-penned āAināt Ya Somethinā Honey,ā the single captured Quatroās tough, bass-driven sound perfectly. The trackās aggressive riff, bold vocal delivery, and catchy ācan the canā hook helped it storm straight to the top of the UK Singles Chart in June 1973, spending a week at No.1 and a total of 14 weeks on the chart.
It marked Suzi Quatro as the first female bass guitarist to achieve major rock stardom in the UK and became a cornerstone of her breakthrough success. The song performed strongly across Europe and Australia, though it took until 1976 to reach the US Billboard Hot 100 (peaking at #56).
The singleās striking artwork and Quatroās leather image helped cement her as a glam pin-up with genuine rock credibility.
š Personnel
⢠Suzi Quatro ā Vocals, Bass
⢠(Session musicians under Chinnichap production)
š Key Highlights
⢠Suzi Quatroās first UK No.1 single
⢠Breakthrough glam-rock hit written by Chinn & Chapman
⢠Iconic leather image and powerful riff defined her persona
⢠Strong international success (especially Europe & Australia)
Label: RAK
Format: 7" Vinyl Single
Released: 27 April 1973 (UK)
Side A: Can The Can
Side B: Aināt Ya Somethinā Honey
š UK Variants
⢠7", 45 RPM, Single, Stereo, 4-Prong Push-Out Centre (RAK ā RAK 150)
⢠7", 45 RPM, Single, Solid Centre (RAK ā RAK 150)
⢠7", 45 RPM, Single, 4 prong pushout centre (RAK ā RAK 150)
⢠7", 45 RPM, Single, Misprint (RAK ā RAK 150)
⢠7", 45 RPM, Single, Promo (RAK ā RAK 150)
⢠7", 45 RPM, Single, Misprint (RAK ā RAK 150)
⢠7", 45 RPM, Single, 4 prong pushout centre (RAK ā RAK 150)
⢠7", Single (RAK ā RAK 150)
š UK Chart Performance
⢠Peak position: #1
⢠Total weeks on chart: 14
⢠First chart date: 19 May 1973
ā Here is the updated entry with the new non-UK / International Variants block added cleanly:
š¼ Can The Can ā Single: Apr. 1973
Suzi Quatro exploded onto the UK charts in spring 1973 with her second solo single, a snarling, leather-clad glam-rock anthem that announced her as a major force in the British scene.
Issued in the UK on 27 April 1973, āCan The Canā (backed with āAināt Ya Somethinā Honeyā) became Suziās first number one hit and one of the defining singles of the glam era.
š The Story
āCan The Canā was written and produced by the hit-making team of Mike Chapman and Nicky Chinn for RAK Records. It was Suziās second solo release after moving from the US to Britain, following the more modest success of her debut solo single āRolling Stone.ā
Backed with the self-penned āAināt Ya Somethinā Honey,ā the single captured Quatroās tough, bass-driven sound perfectly. The trackās aggressive riff, bold vocal delivery, and catchy ācan the canā hook helped it storm straight to the top of the UK Singles Chart in June 1973, spending a week at No.1 and a total of 14 weeks on the chart.
It marked Suzi Quatro as the first female bass guitarist to achieve major rock stardom in the UK and became a cornerstone of her breakthrough success. The song performed strongly across Europe and Australia, though it took until 1976 to reach the US Billboard Hot 100 (peaking at #56).
The singleās striking artwork and Quatroās leather image helped cement her as a glam pin-up with genuine rock credibility.
š Personnel
⢠Suzi Quatro ā Vocals, Bass
⢠(Session musicians under Chinnichap production)
š Key Highlights
⢠Suzi Quatroās first UK No.1 single
⢠Breakthrough glam-rock hit written by Chinn & Chapman
⢠Iconic leather image and powerful riff defined her persona
⢠Strong international success (especially Europe & Australia)
[IMAGES HERE ā Single sleeve & label shots]
Label: RAK
Format: 7" Vinyl Single
Released: 27 April 1973 (UK)
Side A: Can The Can
Side B: Aināt Ya Somethinā Honey
š UK Variants
⢠7", 45 RPM, Single, Stereo, 4-Prong Push-Out Centre (RAK ā RAK 150)
⢠7", 45 RPM, Single, Solid Centre (RAK ā RAK 150)
⢠7", 45 RPM, Single, 4 prong pushout centre (RAK ā RAK 150)
⢠7", 45 RPM, Single, Misprint (RAK ā RAK 150)
⢠7", 45 RPM, Single, Promo (RAK ā RAK 150)
⢠7", 45 RPM, Single, Misprint (RAK ā RAK 150)
⢠7", 45 RPM, Single, 4 prong pushout centre (RAK ā RAK 150)
⢠7", Single (RAK ā RAK 150)
š UK Chart Performance
⢠Peak position: #1
⢠Total weeks on chart: 14
⢠First chart date: 19 May 1973
š International Variants
⢠7", 45 RPM, Single, Misprint (RAK ā 3-7SCE) ā Argentina, 1973
⢠7", 45 RPM, Promo (RAK ā F-3592 / 1862) ā Argentina, 1973
⢠7", 45 RPM, Single (RAK ā RAK 10260 / YRAK 150) ā Australia, 1973
⢠7", 45 RPM, Single, Promo (RAK ā RAK 10260 / YRAK 150) ā Australia, 1973
⢠7", 45 RPM, Single, Stereo (RAK ā RAK-10260) ā Australia, 1973

⢠7", Single (RAK ā 4C 006-94453) ā Belgium, 1973
⢠7", 45 RPM, Single, Blue Sleeve (RAK ā 4C 006-94453) ā Belgium, 1973
⢠7", Single (RAK ā 4C 006-94453) ā Belgium, 1973
⢠7", 33 ā RPM, Single, Stereo (Odeon ā S7I-3371) ā Brazil, 1974
⢠7", 45 RPM, Single (Big Tree Records ā BTS 16053) ā Canada, 1975
⢠7", 45 RPM, Single, Solid Centre (Odeon ā MSOD-8918) ā Chile, 1973
⢠7", 45 RPM, Single, 4 prong pushout centre (RAK ā RAK 150) ā Denmark, 1973
⢠7", 45 RPM, Single (RAK ā 150) ā Finland, 1973
⢠7", 45 RPM, Single, Test Pressing, White Label (RAK ā 150) ā Finland, 1973
⢠7", 45 RPM, Single, Stereo (RAK ā 2C 006-94453) ā France, 1973
⢠7", 45 RPM, Single, Stereo (RAK ā 2C 008-94453) ā France, 1973
⢠7", Single, 45 RPM (Columbia ā 1C 006-94 453) ā Germany, 1973
⢠7", Single, Test Pressing (Columbia ā 1C 006-94 453) ā Germany, 1973
⢠7", 45 RPM, Single (Columbia ā SCMG 527) ā Greece, 1973
⢠7", 45 RPM, Single (RAK ā RAK 150) ā Ireland, 1973
⢠7", Single (RAK ā RAK 150) ā Ireland, 1973
⢠7", Single, Solid Centre (RAK ā RAK 150) ā Ireland, 1973
⢠7", 45 RPM, Single, Stereo (RAK ā RAK 150) ā Israel, 1973
⢠7", 45 RPM, Single (Columbia ā 3C 006-94453) ā Italy, 1973

⢠7", 45 RPM, Single, Different Sleeve (Columbia ā 3C 006-94453) ā Italy, 1973
⢠7", 45 RPM, Single, Stereo (Odeon ā EOR-10404) ā Japan, 1973
⢠7", 45 RPM, Single, Reissue (RAK ā ERR-10845) ā Japan, 1975
⢠7", 45 RPM, Single, Red (Odeon ā EOR-10404) ā Japan, 1973
⢠7", Single, Test Pressing (Odeon ā EOR-10404) ā Japan, 1973
⢠7", 45 RPM, Single, Stereo (RAK ā SCRL 145) ā Lebanon, 1973
⢠7", 45 RPM, Single, Fake cover (Capitol Records ā 7432-1) ā Mexico, 1973
⢠7", 45 RPM, Single, Stereo (Columbia ā 5C 006-94453) ā Netherlands, 1973
⢠7", 45 RPM, Single (RAK ā RAK.150) ā New Zealand, 1973
⢠7", 45 RPM, Single (Odeon Del Peru ā 01.01.184) ā Peru, 1973
⢠Flexi-disc, 45 RPM, Shape, Single Sided (Agencja Wydawnicza RSW ā R-0448) ā Poland, 1973
⢠7", 45 RPM, Single (Columbia ā 8E 006-94453 MF) ā Portugal, 1973
⢠7", Single, 45 RPM (Columbia ā 8E 006-94 453) ā Portugal, 1973
⢠7", 45 RPM, Single, Stereo, 4 prong pushout centre (RAK ā 4E 006-94453) ā Scandinavia, 1973
⢠7", Single, 45 RPM (Columbia ā DSA 1061) ā South Africa, 1973
⢠7", 45 RPM, Single (Odeon ā 1 J 006-94.453) ā Spain, 1973

⢠7", 45 RPM, Single (RAK ā 4E 006-94453) ā Sweden, 1973
⢠7", 45 RPM, Single, 4 prong pushout centre (Grafonola ā GTS-10036) ā Turkey, 1973š
šInternational Chart Performance
Strong success across Europe and Australia (No.1 in several territories). Reached #56 on the US Billboard Hot 100 in 1976.
š Context & Notes
⢠First female bass player to become a major rock star in the UK
⢠Solidified Suziās leather-clad image and glam credibility
š Discography
Rolling Stone ā 1972
Can The Can ā 1973
48 Crash ā 1973
š Related Material
Additional material connected to this entry is listed in the tag index at the foot of the page.
š Glam Flashback
A leather-clad Detroit girl with a bass guitar and a killer riff ā Suzi Quatro didnāt just join the glam party, she brought her own thunder.
š Sources
Discogs, 45cat, Official Charts, Billboard.
š Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.









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