David Bowie Aladdin Sane - Album April 13 1973
- David Bowie

- Apr 13, 1973
- 5 min read
Format: LP • Vinyl • Album • Cassette • 8‑Track Cartridge • Promo Editions • International Variants
Label: RCA Victor — RS 1001 / LSP 4852 Country: UK
Release Date: 13 April 1973 Genre: Glam Rock
Style: Harder, American‑influenced glam with avant‑garde piano, cabaret elements, and road‑written narratives
Overview
Aladdin Sane arrived at the height of Ziggy‑mania — a record written on the road, shaped by America, and sharpened by the pressures of sudden superstardom. Bowie described it as “Ziggy goes to America”, a portrait of fragmentation, speed and excess drawn from the 1972–73 US tour.
Released on 13 April 1973, it became Bowie’s first UK No. 1 album, holding the top spot for five consecutive weeks and spending 47 weeks on the chart. Co‑produced with Ken Scott, it was the final studio album recorded with the full Spiders from Mars lineup.
The album’s lightning‑bolt cover — photographed by Brian Duffy — became one of the most iconic images in rock history.




What the Sleeve Shows
The UK LP was issued in a matte thick‑cardboard gatefold sleeve, with:
Front cover photography by Brian Duffy
Design by Duffy & Celia Philo
Printed inner sleeve with lyrics (except “Let’s Spend the Night Together”)
Early copies including a Bowie Fan Club application card
A non‑gatefold UK variant was also issued, supplied with a lyric insert rather than a printed inner.
The lightning‑bolt portrait — uncredited on the sleeve — is now one of the most reproduced images in rock culture.
Track Listing — Side A
Watch That Man — 4:30
Aladdin Sane (1913–1938–197?) — 5:15
Drive‑In Saturday — 4:38
Panic in Detroit — 4:30
Cracked Actor — 3:01
(All tracks written by David Bowie.)
Track Listing — Side B
Time — 5:10
The Prettiest Star — 3:28
Let’s Spend the Night Together — 3:10 (Jagger/Richards)
The Jean Genie — 4:06
Lady Grinning Soul — 3:53


Personnel
David Bowie — lead vocals, guitar, harmonica, saxophone, synthesiser, Mellotron
Mick Ronson — guitar, piano, backing vocals, arrangements, mixing
Trevor Bolder — bass guitar
Mick “Woody” Woodmansey — drums
Mike Garson — piano Ken Fordham — saxophone
Brian “Bux” Wilshaw — saxophone, flutes Juanita “Honey” Franklin — backing vocals Linda Lewis — backing vocals G.A. MacCormack — backing vocals
Composition Locations (as listed on the original RCA label)
A1 – Watch That Man — (New York)
A2 – Aladdin Sane (1913–1938–197?) — (R.H.M.S. “Ellinis”)
A3 – Drive‑In Saturday — (Seattle – Phoenix)
A4 – Panic in Detroit — (Detroit)
A5 – Cracked Actor — (Los Angeles)
Additional Personnel
David Bowie — producer, arrangements Ken Scott — producer, engineer, mixer Mick Moran — engineer
Chart Performance
UK Albums Chart: No. 1 (five consecutive weeks)
Total Weeks: 47
First Chart Date: 05/05/1973
Selected chart run: 1, 1, 1, 1, 1, 2, 3, 3, 3, 6, 5, 5, 5, 3, 3, 2, 3, 5, 5, 4, 5, 3, 9, 8, 9, 8, 10, 14, 15, 16, 16, 15, 35, 32, 32, 24, 24, 12, 18, 18, 17, 25, 33, 23, 33, 31, 39
B1 – Time — (New Orleans)
B2 – The Prettiest Star — (Gloucester Road)
B4 – The Jean Genie — (Detroit and New York)
B5 – Lady Grinning Soul — (London)


Recording Notes
Recorded October 1972 – January 1973 at Trident Studios (London) and RCA Studios (New York), Aladdin Sane was written almost entirely on the road during Bowie’s US tour. Each song was labelled with the city in which it was composed, giving the album a restless, geographical structure.
Musically, the album pushed Bowie into harder, more American‑leaning territory:
Mick Ronson’s guitar at its most aggressive
Mike Garson’s avant‑garde piano dominating tracks like “Aladdin Sane” and “Time”
Cabaret, jazz, and experimental elements woven into glam rock
Lyrically, Bowie explored fame’s darker edges — violence, decadence, dislocation, and the psychological strain of the Ziggy persona. The Rolling Stones influence is explicit, culminating in a glam‑charged cover of “Let’s Spend the Night Together.”
The title — a pun on “A Lad Insane” — reflected Bowie’s own sense of fragmentation during the Ziggy era.



Initial copies included a David Bowie Fan Club application card
UK Variants
LP — RCA Victor – RS 1001 / LSP 4852 — UK — 1973
Gatefold sleeve with printed lyric inner
Non‑gatefold sleeve with lyric insert
Early copies included a David Bowie Fan Club application card
Test pressing — RCA, 1973
Cassette — RCA – PK 2134 — UK — 1973
Tracklist (same sequence as LP): A1 Watch That Man A2 Aladdin Sane (1913–1938–197?) A3 Drive‑In Saturday A4 Panic in Detroit A5 Cracked Actor
B1 Time B2 The Prettiest Star B3 Let’s Spend the Night Together B4 The Jean Genie B5 Lady Grinning Soul
8‑Track — RCA – P8S‑2134 — UK — 1973
Programme Listing: 1. Watch That Man 2. The Jean Genie 3. Panic in Detroit (Part 1)
4. Panic in Detroit (Concluded) 5. Drive‑In Saturday 6. Cracked Actor
7. Time 8. Aladdin Sane (1913–1938–197?)
9. The Prettiest Star 10. Let’s Spend the Night Together 11. Lady Grinning Soul
International Variants (Selective)
United States
LP — RCA Victor — LSP‑4852 — 1973
Cassette — RCA — APK1‑4852 — 1973
8‑Track — RCA — APS1‑4852 — 1973
Japan
LP — RCA — RVP‑6125 — 1973 (with Japanese lyric insert)
Cassette — RCA — RPK‑6125 — 1973
Germany
LP — RCA — LSP‑4852 — 1973
Cassette — RCA — PK‑4852 — 1973
Australia
LP — RCA Victor — RS‑1001 — 1973
Cassette — RCA — PK‑2134 — 1973
Canada
LP — RCA — LSP‑4852 — 1973
Cassette — RCA — APK1‑4852 — 1973
France
LP — RCA Victor — PL‑13792 — 1973
Cassette — RCA — PK‑13792 — 1973
Italy
LP — RCA Italiana — LSP‑4852 — 1973
Cassette — RCA Italiana — PK‑4852 — 1973
Albums Chronology
The Rise and Fall of Ziggy Stardust and the Spiders from Mars — 1972 →
Aladdin Sane — 1973
Pin Ups — 1973
Singles Featured on This Album
The Jean Genie — 24 November 1972 Drive‑In Saturday — 6 April 1973
Time — April 1973
Let’s Spend the Night Together — July 1973

Sources
Discogs 45cat Wikipedia Original UK LP Aladdin Sane (RS 1001 / LSP 4852) — sleeve, inserts, label documentation International discography entries (US, Japan, Germany, Australia, Canada) Official UK chart archives Contemporary reviews (Melody Maker, 1973) Session notes and reissue documentation
Copyright Notice
All album artwork, photographs, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.



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