David Bowie (May 25, 1974) Diamond Dogs Review - Melody Maker

A detailed album review from Melody Maker dated May 25, 1974, written by Michael Watts (MW), examining David Bowie’s new album Diamond Dogs.

SOURCE DETAILS

Publication: Melody Maker Date: May 25, 1974 Country: United Kingdom Section / Pages: Album Review Writer: Michael Watts (MW)

THE STORY The review discusses Bowie’s Diamond Dogs, describing it as a sleek, conceptual work with a well-defined marketing device. It explores the album’s dark, Orwellian vision and post-apocalyptic themes, noting Bowie’s shift away from the Ziggy Stardust character. The piece highlights the theatrical rock elements and reflects on Bowie’s evolving artistic direction.

CONTEXT AND NOTES Released in May 1974, Diamond Dogs marked the end of Bowie’s glam-rock Ziggy era and the beginning of a more dystopian sound. This Melody Maker review captures the critical conversation around Bowie’s bold reinvention during a time when he was one of the most influential figures in British music.

FEATURE HIGHLIGHTS Event: Album review of David Bowie’s Diamond Dogs Era: 1974 – Diamond Dogs / Post-Ziggy period Tone: Analytical and observant Photography: Black-and-white portrait of David Bowie Audience: UK music weekly readers

WHAT THE CLIPPING SHOWS

A full review column with the headline “BOWIE: ‘Diamond Dogs’ (RCA)” and a prominent portrait of Bowie. The text is laid out in classic 1970s music press style with dense columns and a sidebar promoting more album reviews.

RELATED MATERIAL For other relevant posts, see the tags at the foot of the page.

All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.