📰 No Business Like Alice – Feature: Feb. 1973

A two‑page Disc Music Poll Awards feature in which Alice Cooper outlines his plans for 1973 in a candid New York interview with Lisa Robinson.

A vivid, theatrical two‑page Disc feature capturing Alice Cooper in New York — reflecting on fame, fans, touring, and the spectacle of show‑business at the height of the group’s glam‑shock era.

📰 Key Highlights

• Two‑page feature in Disc, February 17, 1973

• Written by Lisa Robinson in New York

• Part of the Disc Music Poll Awards 1973 package

• Includes multiple photographs, including Alice with a snake and a gorilla‑costumed figure

• Covers Cooper’s life in New York, touring reflections, and future plans

📰 Overview

This Disc feature presents Alice Cooper at a moment of peak visibility — a double Poll Award winner, a theatrical provocateur, and a newly minted New York resident. Lisa Robinson’s interview blends humour, candour, and spectacle, offering a rare glimpse into Cooper’s offstage personality and his evolving relationship with fame.

📰 Source Details

Publication / Venue: Disc

Date: February 17, 1973

Issue / Format: Two‑page feature

Provenance Notes: Part of the Disc Music Poll Awards 1973 coverage.

📰 The Story

Lisa Robinson’s two‑page feature opens with a striking photograph of Alice Cooper mid‑performance, snake in hand, embodying the shock‑rock persona that made him a global sensation. The article then shifts into a conversational, often humorous interview conducted in New York, where Cooper had recently taken up residence in a penthouse apartment.

Cooper speaks openly about adjusting to New York life — navigating cabs, discovering the city’s nightlife, and embracing the chaos of urban living. He describes himself as “naive,” comparing his wide‑eyed curiosity to a sitcom character let loose in Manhattan.

The interview touches on his recent Poll Award wins, which Cooper admits he hasn’t fully processed. He expresses genuine surprise and gratitude, noting that the awards feel distant because he wasn’t in Britain to experience the fan reaction firsthand. Still, he recognises the honour: “It’s nice to know they appreciate that we’ve done some things for the rock field — just by coming out and being glamorous and theatrical.”

Robinson’s piece also explores Cooper’s reflections on touring. He recounts wild audience reactions in Scotland (“the craziest in the world”), the surreal atmosphere in Paris, and the quieter but loyal fanbase in Detroit. He hints at future touring plans, including extensive U.S. and Japanese dates, and expresses a desire to return to Britain with a refreshed show.

The article’s photographs — including a playful shot of Cooper posing with a gorilla‑costumed figure — reinforce the theatricality that defined the Alice Cooper Group. Yet Robinson’s writing reveals the thoughtful, strategic mind behind the spectacle: a performer who understands show‑business, embraces its absurdity, and remains committed to pushing its boundaries.

📰 Visual Archive

“No Business Like Alice” feature, Disc, February 17, 1973.

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📰 Closing Notes

This feature captures Alice Cooper at the height of his theatrical power — a performer balancing shock, humour, and show‑business savvy while navigating the demands of global fame.

🏷️ Hashtags (Archive Tags)

#AliceCooper #DiscMagazine #1973 #MusicPollAwards #GlamRock #ShockRock #AliceCooperGroup

📰 Sources

• Disc magazine, February 17, 1973

• Contemporary Alice Cooper press interviews

• 1973 touring and Poll Awards documentation

📝 Copyright Notice

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.