đ° The Man Who Sold The World David Bowie - Advert : Feb. 1974
- David Bowie

- Feb 9, 1974
- 2 min read
A full-page New Musical Express advertisement promoting the re-release of David Bowieâs album *The Man Who Sold The World*.
Bowieâs Album âThe Man Who Sold The Worldâ.
New Musical Express
Date: February 9, 1974
Length: 3 min read
đ° Key Highlights
⢠Large, bold headline announcing âBOWIEâS ALBUM âTHE MAN WHO SOLD THE WORLDââ
⢠Iconic album cover image showing Bowie in his famous dress and high-kick pose
⢠Catalogue number LSP 4816
⢠Emphasis that the album features the original track of âThe Man Who Sold The Worldâ, written, produced and performed by Bowie
⢠Note that the track is currently in the charts (via Luluâs version)
⢠MainMan and RCA Records and Tapes branding
đ° Overview
Published on February 9, 1974, this advert in the New Musical Express highlighted the reissue of Bowieâs early classic *The Man Who Sold The World*, tying it to the contemporary chart success of Luluâs cover of the title track.
đ° Source Details
Publication / Venue: New Musical Express
Date: February 9, 1974
Format: Full-page album reissue advertisement
Provenance Notes: Original 1974 NME advert from RCA Records / MainMan.
đ° The Story
With Luluâs version of âThe Man Who Sold The Worldâ climbing the charts, RCA took the opportunity to promote the original Bowie recording and the full album, reminding fans of his groundbreaking early work and the songâs enduring appeal.
đ° Visual Archive

Prominent reproduction of the classic *The Man Who Sold The World* album sleeve featuring David Bowie in a dramatic pose wearing a dress, set against clean, bold typography on a simple background.
đ° Related
For more similar posts, check out the tags at the bottom of the page.
đ° Closing Notes
This February 1974 NME advert cleverly capitalised on the chart momentum of Luluâs cover to spotlight Bowieâs original visionary recording â a timely reminder of the song and album that helped shape his path to superstardom.
đ Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





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