đ Hot Shot â Single: Sept. 1974
- Barry Blue

- Sep 20, 1974
- 3 min read
A sleek, highâenergy glamâpop stomper, âHot Shotâ captures Barry Blue at his commercial peak with a polished Bell Records sheen and an instantly memorable chorus hook.
Released on September 20, 1974, âHot Shotâ continued Barry Blueâs run of chartâfriendly glamâpop singles for Bell Records. Backed with âHobo Man,â the release showcased Blueâs signature blend of bright melodies, tight arrangements, and radioâready production. Issued as Bell Records catalogue BELL 1379, the single followed earlier hits such as âDancinâ (On a Saturday Night)â and âSchool Love,â reinforcing Blueâs status as one of the labelâs most reliable hitmakers. With its crisp rhythm section, layered backing vocals, and Blueâs distinctive pop phrasing, âHot Shotâ stands as a quintessential example of midââ70s Bell Records glamâpop craftsmanship.
Label: Bell Records
Catalogue Number: BELL 1379
Format: 7" Vinyl Single (Solid Centre)
Released: September 20, 1974 (UK)
đ Track List
UK 7" Single â Bell Records â BELL 1379 â 1974
A. Hot Shot
B. Hobo Man
Written by: Barry Blue, Lynsey de Paul (A) / Barry Blue (B)
Produced by: Barry Blue
Recorded: 1974
đ Key Highlights
⢠Released September 20, 1974
⢠A-side: Glamâpop single co-written with Lynsey de Paul
⢠B-side: âHobo Manâ â Barry Blue composition
⢠Chart debut: October 1974
⢠Performed on: UK popâTV rotation
⢠Recorded at: 1974 sessions for Bell Records
đ The Story
By late 1974, Barry Blue had firmly established himself as one of Bell Recordsâ most successful glamâpop artists. Following the major success of âDancinâ (On a Saturday Night)â and âSchool Love,â Blue continued refining his sound with âHot Shot,â a bright, rhythmâdriven single coâwritten with Lynsey de Paul. Their songwriting partnership had already produced several hits, and âHot Shotâ carried the same melodic confidence and commercial polish.
The trackâs arrangement leaned into the hallmarks of Bellâs midââ70s sound: crisp percussion, layered backing vocals, and a buoyant, radioâfriendly chorus. Blueâs production emphasised clarity and punch, giving the single a clean, modern feel that aligned with the eraâs glamâpop sensibilities.
The Bâside, âHobo Man,â offered a contrasting tone, showcasing Blueâs ability to blend pop hooks with more narrativeâdriven songwriting. Together, the two tracks demonstrated his versatility as both a performer and producer.
While âHot Shotâ did not reach the same chart heights as his earlier hits, it reinforced Blueâs presence on the UK pop scene and contributed to his strong run of singles throughout the midââ70s. The release remains a fan favourite and a representative example of Bell Recordsâ distinctive glamâpop output.
đ Variants (UK)
⢠7", 45 RPM, Single â Bell â BELL 1379 â UK â 1974
⢠7", 45 RPM, Single, Promo â Bell â BELL 1379 â UK â 1974
⢠Issued in standard Bell Records company sleeve
đ Chart Performance
UK â Official Singles Chart
39 â October 26, 1974
29 â November 2, 1974
23 â November 9, 1974
26 â November 16, 1974
36 â November 23, 1974
Total Weeks: 5
đ Context & Notes
⢠A-side: Co-written with Lynsey de Paul
⢠B-side: Barry Blue original
⢠Production: Barry Blue
⢠Sleeve notes: Standard Bell Records company sleeve
⢠Historical placement: Part of Blueâs midââ70s glamâpop run
⢠Reissues / compilation appearances: Included on various Barry Blue collections
đ Related Material
⢠âDancinâ (On a Saturday Night)â (1973)
⢠âSchool Loveâ (1974)
⢠âMiss Hit and Runâ (1974)
⢠*Barry Blue* (1974)
đ Discography
School Love â 1974
Hot Shot â 1974
Miss Hit and Run â 1974
Do You Wanna Dance â 1975
đ MiniâTimeline
⌠1974 â Recorded for Bell Records
⌠Sept 20, 1974 â UK single released
⌠Oct 26, 1974 â Enters UK Singles Chart
⌠Nov 9, 1974 â Peaks at No. 23
⌠Nov 23, 1974 â Completes 5âweek chart run
đ Glam Flashback
A crisp, confident slice of Bell Records glamâpop â catchy, polished, and unmistakably Barry Blue.
đ Sources
Primary reference sources: Bell Records, Discogs, Official Charts Company, contemporary musicâpress documentation, archival references.
đ Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, nonâcommercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





Comments