📰 I’m a Rebel! _ Cover & Feature Mar. 1974
- David Bowie
- Mar 30, 1974
- 3 min read
Updated: Mar 29
Mirabelle
Date: March 30, 1974
Length: 8 min read
A rare teen‑magazine moment where David Bowie speaks directly to young readers, reflecting on rebellion, creativity, family, fashion, and the making of “Rebel Rebel.”
Bowie explains what being a “rebel” really means.
A candid, surprisingly gentle piece in which Bowie writes about inspiration, misunderstanding, personal style, and the philosophy behind his artistic choices — all delivered with warmth and sincerity.
đź“° Key Highlights
• Bowie personally writes the article, signed “With all love, David Bowie”
• Insights into writing and recording “Rebel Rebel”
• Reflections on “Jean Genie,” *Pin Ups*, and *Hunky Dory*
• Bowie discusses fashion, makeup, and public reactions
• Thoughts on family, identity, and his personal “code of style”
đź“° Overview
This *Mirabelle* cover feature from March 30, 1974 presents David Bowie in a uniquely intimate format: a handwritten‑style personal article aimed at young readers. The cover proclaims “I’M A REBEL!” — a bold headline that frames the two‑page spread inside.
The article finds Bowie reflecting on the creation of “Rebel Rebel,” the speed of its recording, and the inspirations behind “Jean Genie.” He contrasts the spontaneity of his London sessions with the more relaxed atmosphere of recording *Pin Ups* in France. Throughout, he addresses the idea of rebellion — not as shock for its own sake, but as a commitment to honesty, individuality, and creative integrity.
Bowie also revisits earlier controversies, such as wearing dresses and makeup, explaining them as natural extensions of fashion history and stage tradition. He emphasises his strong family life with Angie and Zowie, and expresses gratitude for fans who understand the theatricality of his work.
đź“° Source Details
Publication / Venue: Mirabelle
Date: March 30, 1974
Format: Feature / Personal Article
Provenance Notes: Based on the original *Mirabelle* cover and two‑page article written by David Bowie.
đź“° The Story
The article opens with Bowie discussing “Jean Genie,” written during his last U.S. tour, and how the song emerged from New York experiences he wanted to capture. He then shifts to “Rebel Rebel,” describing how the idea, arrangement, and recording all came together within three days — a burst of inspiration he felt compelled to capture immediately.
Bowie addresses comparisons between “Rebel Rebel” and the Rolling Stones, calling such similarities a compliment and praising Mick Jagger and the band as “still tops.” He then moves into a broader reflection on rebellion, misunderstanding, and the emotional depth behind his work.
He recalls the reactions to *Hunky Dory*, his early use of dresses, and his approach to makeup, framing them as extensions of historical fashion and theatrical tradition. He stresses that his so‑called rebelliousness is simply honesty — refusing to hide his thoughts or identity behind a mask.
The article closes with Bowie’s personal philosophy: he always reaches his destination, but in his own way. He signs off with affection: “With all love, David Bowie.”
đź“° Visual Archive
• *Mirabelle* cover featuring Bowie with red hair, blue shirt, and hoop earring
• Two black‑and‑white performance photos of Bowie in a striped jumpsuit
• Handwritten signature: “With all love, David Bowie”
• “EXCLUSIVE!” banner on the article page
David Bowie photographed for *Mirabelle*, 1974 — glamorous, charismatic, and speaking directly to his young audience.
đź“° Check out the tags at the bottom of the post.
đź“° Closing Notes
This *Mirabelle* feature captures Bowie at his most open and reflective, offering young readers a glimpse into his creative process and personal philosophy. It stands as a charming, heartfelt document of Bowie’s relationship with his fans during the height of his glam‑rock era.
đź“ť Copyright Notice
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.
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