Hard Up Heroes (May 4. 1974) – Feature
- David Bowie

- May 4, 1974
- 2 min read
Updated: May 6
Overview
This two‑page NME feature, written by Roy Carr and Charles Shaar Murray, serves as both a retrospective and a promotional companion to the compilation album Hard Up Heroes. The article revisits the British Beat Boom of the early 1960s, tracing its evolution from the post‑Beatles explosion of local bands to the emergence of enduring acts like The Small Faces, The Birds, The Graham Bond Organization, and David Bowie in his London Boys era.
The opening section describes the fierce competition among young groups vying for gigs in the wake of Love Me Do, when “every group was for itself.” Photographs include Bowie, The Birds, and Zoot Money, illustrating the transitional period between beat, mod, and psychedelic styles.
Publication: New Musical Express Date: May 4 1974 Country: United Kingdom Section / Pages: Feature (2 pages) pp. 28–29 Writers: Roy Carr and Charles Shaar Murray Length: 6 min read
Article Summary
Carr and Murray’s narrative blends nostalgia with humor, describing the chaotic rise of British pop groups who “travelled the length and breadth of the British Isles in pursuit of Truth.” The piece highlights the apprenticeship of future stars — Jon Anderson forming Yes, Eric Clapton emerging from The Yardbirds, and Jack Bruce moving from The Graham Bond Organization to Cream.
A sidebar titled “Diary of a Compilation Album” details the making of the Hard Up Heroes LP, produced by Roger Cook and Roger Greenaway, with contributions from Les Reed, Barry Mason, and Steve Clark. The second page continues with reflections on the Northern vs. Southern music scenes, the influence of American R&B, and the eventual shift toward heavier rock by 1967.
Photographs show Small Faces performing, The Mojo’s, and The Graham Bond Organization, capturing the spirit of Britain’s mid‑’60s pop underground.


🧾 Publication Details
New Musical Express (UK)
Issue: May 4 1974
Feature Title: Hard Up Heroes
Writers: Roy Carr and Charles Shaar Murray
Pages: 28–29
Length: Approx. 6 min read
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All magazine scans, photographs, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





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