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đź“° Make Room For 2 Bowie Albums - Advert : Nov. 1972

  • Writer: David Bowie
    David Bowie
  • Nov 11, 1972
  • 2 min read

A striking full-page RCA Records advertisement promoting the availability of two key David Bowie albums with special imported editions.


Make room for 2 Bowie albums — now available on RCA Records and Tapes.


Melody Maker

Date: November 11, 1972

Length: 3 min read


đź“° Key Highlights

• Promotion of two major Bowie albums: *Space Oddity* and *The Man Who Sold The World*

• Specially imported from the U.S.A. and released November 10th

• Each album includes a poster of David Bowie

• Also available: *Ziggy Stardust* and *Hunky Dory* with catalogue numbers for vinyl, cartridge and cassette formats

• Large, intense close-up portrait of Bowie dominating the page


đź“° Overview

Published on November 11, 1972, this advert in Melody Maker encouraged fans to make space in their collections for two essential Bowie albums now available in specially imported editions.


đź“° Source Details

Publication / Venue: Melody Maker

Date: November 11, 1972

Format: Full-page record company advertisement

Provenance Notes: Original 1972 Melody Maker advert from RCA Records.


đź“° The Story

The advert highlights the re-availability of *Space Oddity* and *The Man Who Sold The World* in imported formats, each including a poster, while also listing *Ziggy Stardust* and *Hunky Dory* to capitalise on Bowie’s rapidly growing popularity.


đź“° Visual Archive

Dominant, high-contrast close-up portrait of David Bowie’s face filling most of the page, with two small album cover images (*Space Oddity* and *The Man Who Sold The World*) at the bottom.


đź“° Related

For more similar posts, check out the tags at the bottom of the page.


đź“° Closing Notes

This November 1972 Melody Maker advert reflects the explosive demand for David Bowie’s back catalogue in late 1972 — urging fans to “make room” as Ziggy-mania continued to sweep the country.



📝 Copyright Notice

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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