📰 Melody Maker POP 30 – Chart Listing : Sep. 1972
- T.Rex
- Sep 30, 1972
- 2 min read
The Melody Maker POP 30 for the week published on September 30, 1972 captured a fiercely competitive moment in the UK singles market, with T. Rex’s “Children of the Revolution” rising to No. 1 and Slade’s “Mama Weer All Crazee Now” close behind. The chart reflected the height of glam’s cultural power, balanced with soul, MOR, novelty hits and emerging art‑rock.
Publication: Melody Maker
Date: September 30, 1972
Format: Weekly singles chart
Writer: Melody Maker
A moment of glam‑era dominance, chart volatility and early‑’70s pop diversity.
đź“° Key Highlights
• “Children of the Revolution” by T. Rex at No. 1
• Slade’s “Mama Weer All Crazee Now” at No. 2
• David Cassidy’s “How Can I Be Sure” rising to No. 3
• Roxy Music’s “Virginia Plain” holding strong in the Top 5
• Sweet’s “Wig‑Wam Bam” climbing into the Top 10
• Bowie’s “John, I’m Only Dancing” entering at No. 26
• A tightly packed mid‑chart featuring soul, novelty and reissues
đź“° Overview
This chart captures the UK singles landscape at the height of glam’s commercial power. T. Rex, Slade, Sweet and Gary Glitter all appear prominently, while Roxy Music’s art‑rock breakthrough and David Cassidy’s teen‑pop surge reflect the breadth of early‑’70s taste. Melody Maker’s POP 30 remains one of the clearest snapshots of national listening habits during this transitional, high‑energy period.
đź“° Source Details
Publication / Venue: Melody Maker
Date: September 30, 1972
Format: Weekly singles chart
Provenance Notes: Based on the official Melody Maker POP 30 listing.
đź“° The Story
The chart highlights:
• T. Rex’s continued dominance as glam’s leading force
• Slade’s powerful chart presence during their peak run
• The rise of Sweet’s Chinnichap‑driven singles
• Roxy Music’s breakthrough as art‑rock entered the mainstream
• Bowie’s rapid release cycle keeping him visible in the Top 30
• A competitive lower chart filled with soul, reggae, novelty and reissues
The tone is energetic, eclectic and era‑defining — a chart snapshot of Britain’s shifting musical tastes in late 1972.
đź“° Visual Archive
đź“° Closing Notes
A defining chart of the glam‑rock era, the Melody Maker POP 30 of September 30, 1972 stands as a vivid record of the artists, sounds and cultural forces shaping British pop at the time.
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