Label: Stiff Records Catalogue Number: BUY 123 Format: 7" Vinyl Single Released: August 21, 1981 (UK) A smooth, nostalgic Alvin Stardust crooner — backed with the upbeat rocker Goose Bumps. Issued on Stiff Records, the single became one of Stardust’s biggest ’80s hits. 🔘 Overview Pretend was released on August 21, 1981 as a UK 7" single on Stiff Records (BUY 123). A polished, retro‑styled pop ballad delivered with Alvin Stardust’s trademark velvet baritone, the track marked

A two‑page Beetle magazine feature examining the mid‑’70s British singles scene through the lens of Top of the Pops, teen‑press culture and the evolving landscape of UK pop. Framed as a commentary on the tastes of young record‑buyers, the article explored the rise of glam‑era acts, the power of fan magazines and the shifting dynamics of chart success. Publication: Beetle Date: January 1, 1975 Format: Two‑page article Writer: Beetle Magazine A moment of pop‑culture observat

The Osmonds’ single “Love Me For A Reason” climbed one spot to reach **number one** on the UK Singles Chart as published in *Melody Maker* on **September 14, 1974**. Released on Kolob Records and distributed by MGM, the track served as the title song for their sixth studio album and marked a stylistic shift toward polished pop‑soul balladry. With Merrill Osmond on lead vocals and production by Motown veteran Johnny Bristol, the single blended orchestral swells, clean harmonie

A genre‑blending snapshot of March 1973, with Strawbs, Sweet, Elton John, and Neil Diamond leading the charts.

The *New Musical Express* British Singles Chart for the week published on **January 27, 1973** captured a pivotal moment in early‑’70s pop and glam. With Sweet’s “Blockbuster” taking the top spot and David Bowie’s “The Jean Genie” close behind, the chart reflected the peak of glam‑rock dominance, alongside soul, MOR, and emerging rock crossovers. Compiled from sales up to Tuesday, January 23, the listing remains one of the most iconic snapshots of the era. Publication: New Mu

The *Melody Maker* POP 30 published on **November 18, 1972** captured a vibrant moment in early‑’70s British pop, where glam, soul, MOR and novelty singles all competed for chart space. With Gilbert O’Sullivan’s “Clair” holding the top position and Sweet’s “Wig‑Wam Bam” still present in the Top 30, the chart reflected a transitional period between bubblegum‑glam energy and the rise of softer singer‑songwriter hits. Publication: Melody Maker Date: November 18, 1972 Format: W

The Melody Maker POP 30 for the week published on September 30, 1972 captured a fiercely competitive moment in the UK singles market, with T. Rex’s “Children of the Revolution” rising to No. 1 and Slade’s “Mama Weer All Crazee Now” close behind. The chart reflected the height of glam’s cultural power, balanced with soul, MOR, novelty hits and emerging art‑rock. Publication: Melody Maker Date: September 30, 1972 Format: Weekly singles chart Writer: Melody Maker A moment of

A chart snapshot where glam meets soul, and British tastes collide with American imports — all in one page.

The Melody Maker POP 30 for the week published on February 5, 1972 captured a transitional moment in British pop, with T. Rex’s “Telegram Sam” surging toward the top and the New Seekers’ “I’d Like to Teach the World to Sing” holding firm at No. 1. The chart reflected the early‑’70s blend of glam, MOR, soul and emerging American influences. Publication: Melody Maker Date: February 5, 1972 Format: Weekly singles and albums chart Writer: Melody Maker A moment of glam‑era asce

The New Musical Express chart for the week ending January 22, 1972 captured a richly varied early‑’70s landscape, balancing polished pop, emerging glam, and enduring soul. The New Seekers held the top single with “I’d Like to Teach the World to Sing,” while Cat Stevens led the album chart with *Teaser and the Firecat.* Publication: New Musical Express Date: January 22, 1972 Format: Weekly singles and albums chart Writer: NME Chart Service A moment of melodic optimism, glam