David Bowie & Bob Geldof (September 9, 1979) – “Bob, Blitz & Bowie” Feature – Record Mirror
This Record Mirror feature from September 9 1979 captures David Bowie’s visit to London’s Blitz Club with Bob Geldof, written in the playful, conversational tone typical of late‑1970s British music journalism. The article documents Bowie’s encounter with the emerging New Romantic scene and its eccentric nightlife.
Publication: Record Mirror Date: September 9, 1979 Country: United Kingdom
The piece opens with a humorous vignette describing Geldof inviting Bowie for drinks at Blitz, the Soho nightclub that had become the nucleus of the New Romantic movement.
The writer paints Blitz as a haven for theatrical fashion and self‑expression — “the weirder the better.” Bowie’s presence is portrayed as both casual and symbolic, bridging generations between glam rock and the new wave of style‑driven performers.
The article notes Bowie’s curiosity about Gary Numan’s videos and his fondness for films such as The Man Who Fell to Earth and Cabaret. It mixes gossip, observation, and cultural commentary, portraying Bowie as amused and intrigued by the flamboyant youth surrounding him.
Geldof’s dry humour contrasts with Bowie’s quiet fascination, creating a snapshot of two icons at a cultural crossroads.
CONTEXT AND NOTES
By late 1979, Bowie was re‑emerging in London’s art and fashion circles after his Berlin years.
His appearance at Blitz linked him directly to the rising generation of performers who would soon define the 1980s pop aesthetic — including Steve Strange, Boy George, and Spandau Ballet.
The article’s tone reflects Record Mirror’s tabloid‑style approach, blending reportage with character sketches and nightlife colour.
FEATURE HIGHLIGHTS
Event: Bowie’s visit to Blitz Club with Bob Geldof Era: 1979 – Pre‑Scary Monsters period Tone: Playful and observational Photography: Two black‑and‑white shots of Bowie and Geldof in conversation
WHAT THE CLIPPING SHOWS
Bowie and Geldof at Blitz Club, London
Early press connection between Bowie and the New Romantics
Informal black‑and‑white photographs capturing their conversation
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.
Comments