š Wheels Aināt Coming Down ā Single: Mar. 1981
- Slade

- Mar 27, 1981
- 3 min read
Released: March 27, 1981 (UK)
Catalogue Number: SLADE 3 (Cheapskate Records, UK)
Sladeās postāReading comeback continues with a turboācharged rocker lifted from their revived 1981 album.
Released on March 27, 1981, āWheels Aināt Coming Downā marked Sladeās second single from Weāll Bring the House Down, the album that reignited their career after their triumphant Reading Festival appearance in 1980. Originally appearing on the commercially unsuccessful Return to Base (1979), the track was resurrected for the new album, benefiting from renewed public interest and the bandās revitalised energy.
Backed with āNot Tonight Josephine,ā the single showcased the songwriting partnership of Noddy Holder and Jim Lea at full throttle ā gritty vocals, muscular riffs, and a sense of urgency that reflected the bandās determination to reclaim their place in British rock. Although it only reached No. 60 in the UK, the release remains a key artifact of Sladeās earlyāā80s resurgence.
š Track List
(UK 7" ā Cheapskate SLADE 3)
Side One
Wheels Aināt Coming Down ā Holder/Lea
Side Two
Not Tonight Josephine ā Holder/Lea
Produced by: Slade
Engineers: (Not individually credited on UK 7")
š Variants (DiscogsāVerified Only)
š¬š§ UK ā Cheapskate ā SLADE 3 (1981)
Format: 7" Single
Country: UK
Year: 1981
Notes:
⢠Standard UK picture sleeve
⢠Cheapskate Records labels
⢠Bāside: āNot Tonight Josephineā
⢠Sleeve features band photography and bold red/black typography
š³š± Netherlands ā Cheapskate ā SLADE 3 (1981)
Format: 7" Single
Country: Netherlands
Year: 1981
Notes:
⢠Alternate Dutch sleeve design
⢠Same track list
⢠Cheapskate labels
š¦šŗ Australia ā RCA/Cheapskate ā PB 9451 (1981)
Format: 7" Single
Country: Australia
Year: 1981
Notes:
⢠Issued via RCA
⢠No picture sleeve (company sleeve issue)
⢠Catalogue number differs from UK
š Chart Performance
š¬š§ UK Singles Chart
Peak Position: #60
First Chart Date: April 4, 1981
Weeks on Chart: 3
Top 40: No
Top 75: Yes
Label: Cheapskate
Catalogue Number: SLADE 3
Chart Run: 60ā72āOut
š Context & Notes
Personnel (Verified)
⢠Noddy Holder ā vocals, guitar
⢠Jim Lea ā bass, keyboards, backing vocals
⢠Dave Hill ā guitar
⢠Don Powell ā drums
Recording Notes
⢠Originally recorded for Return to Base (1979)
⢠Reused for Six of the Best EP (1980)
⢠Reāfeatured on Weāll Bring the House Down (1981)
⢠Raw, driving production typical of Sladeās lateāā70s/earlyāā80s sound
Press Reception
⢠Mixed contemporary reviews
⢠Praised by fans for its energy and strong Holder/Lea writing
⢠Seen as a solid followāup to the Top 10 title track
Legacy
⢠A key part of Sladeās Readingāfuelled comeback
⢠Frequently cited as one of the standout tracks from the Return to Base era
⢠Represents the bandās determination to rebuild momentum in the early ā80s
š Visual Archive

A stylised sleeve featuring Slade in performanceāready poses, with bold typography and strong colour contrasts typical of earlyāā80s rock singles.
Slade ā āWheels Aināt Coming Downā UK 7" (1981). Sleeve photography uncredited.
š Related Material
Previous Album: Return to Base (1979)
Next Album: Till Deaf Do Us Part (1981)
Related Artists: Roy Wood, Sweet, Status Quo
š Discography (Selected)
⢠Return to Base (1979)
⢠Six of the Best EP (1980)
⢠Weāll Bring the House Down (1981)
⢠āWheels Aināt Coming Downā (1981 single)
š MiniāTimeline
1979: Song debuts on Return to Base
1980: Included on Six of the Best EP
Aug. 1980: Slade revive their career at Reading Festival
Mar. 27, 1981: Single released
1981: Peaks at No. 60 in the UK
š Glam Flashback
A defiant, fullāthrottle rocker from a band clawing its way back into the spotlight ā Slade refusing to let the wheels fall off.
š Closing Notes
Though not a major hit, āWheels Aināt Coming Downā stands as a testament to Sladeās resilience and creative fire during their earlyāā80s revival ā a track that bridges their lateāā70s struggles with their renewed success.
š Sources & Copyright
⢠Discogs (SLADE 3 UK/NL, PB 9451 AUS)
⢠45cat (UK single entry)
⢠Wikipedia (Slade discography + chart data + historical context)
All artwork and text remain the property of their respective copyright holders.





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