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Slade's "Everyday" b/w "Good Time Gals." was released in the UK as a 7" vinyl single on March 29, 1974. It reached number 3 in the UK Singles Chart and spent seven weeks in the top 50. The single was certified UK Silver by BPI in April 1974, only three days after its release. In 2013, the song was used in a UK advert for the Nexus 7 tablet. As a result, it re-entered the UK chart in late November and peaked at number 69 the following month. The idea for "Everyday" came out of an evening at Lea's house where he was entertaining friends. Responding to the question of how he wrote songs, Lea said "easy, anyone can do it" and each person then attempted to come up with their idea for a song on the spot. Lea's wife Louise had come up with an idea, which formed the basis of "Everyday"s verse. Lea later developed her idea further to become a Slade song. Once he had finished the music and some more of the lyrics, Holder finished the final lyrics off. During the recording of the song, guitarist Dave Hill was abroad on his honeymoon so Lea played the guitar solo. SLADE: "Everyday" (Polydor). By virtue of Chas Chandler's cagey belly-on-the-ground style of management "Every-day" amounts to a kind of Slade Unchained watershed. It's a slowish, piano-dominated tune with none of the scarcely-credible demented obscenities of the band's earlier material. The mood shift began with that Xmas single and carried through into the "Old, New, Borrowed And Blue" album in which this track was first tested (remnants of the belly-on-ground reticence). Especially surprising is the lightness of Noddy's voice light in attack and heavier than ever in emotional stab. Not a great record but a bravish and attractive three minutes. Let's hope Slade freaks understand what's going on. I've a suspicion The Accident was the catharsis that will force them to reach their potential as a Great Band. REVIEW TAKEN FROM MELODY MAKER MARCH 30, 1974 March 29, 1974

Bryan Ferry's Two-Page Article in Melody Maker, September 28, 1974.

Rod Stewart’s Sixth Solo Album Atlantic Crossing was released on August 15, 1975 by Warner Bros. Records. The album marked a significant shift in Stewart’s career, reflecting his move from the UK to the US and a new musical direction. Atlantic Crossing was a pivotal moment for Rod Stewart, symbolizing his departure from the UK for Los Angeles, partly to escape the UK’s high 83% income tax rate for top earners under Prime Minister Harold Wilson’s Labour government. The album title cheekily references this transatlantic move and his shift from Mercury Records to Warner Bros. The album marked Stewart’s evolution from his earlier bluesy, folk-rock roots with The Faces to a more polished, radio-friendly sound blending rock, pop, and soul. This change was controversial among fans and his bandmates in The Faces, who disliked the new direction. Stewart’s decision to record without The Faces, his longtime collaborators, signaled the beginning of the end for the band. Following the album’s success and his move to the US, Stewart announced his exit from The Faces by the end of 1975. The album was recorded between April and June 1975 across five American studios: A&R (New York), Criteria (Miami), Wally Heider’s Studio 3 (Hollywood), Hi Recording (Memphis), and Muscle Shoals Sound Studio (Alabama). Tom Dowd, a legendary producer known for his work with artists like Otis Redding, was brought on board. Dowd’s involvement allowed Stewart to focus solely on his vocals, unlike his previous self-produced album, Smiler, which was considered disappointing. Stewart worked with top-tier American session musicians, including The Memphis Horns and most of Booker T. & the MG’s (Steve Cropper, Donald "Duck" Dunn, Al Jackson Jr.). Other contributors included guitarists Pete Carr, Jesse Ed Davis, and Fred Tackett, bassists Lee Sklar and David Hood, and keyboardists Barry Beckett and Albhy Galuten. This marked a departure from his earlier work with The Faces’ core members like Ronnie Wood and Ian McLagan. The album was divided into a "Fast Side" (rock-oriented tracks) and a "Slow Side" (ballads), reportedly at the suggestion of Stewart’s then-girlfriend, Swedish actress Britt Ekland. This format was repeated in his next two albums. The album consists of 10 tracks, split evenly between the Fast and Slow Sides. Fast Side Three Time Loser (Rod Stewart) – 4:03A bawdy, upbeat rock track about venereal disease, considered one of Stewart’s finest rockers. Its infectious energy and cheeky lyrics made it a standout. Alright for an Hour (Stewart, Jesse Ed Davis) – 4:17A reggae-infused track about a fleeting romance, co-written with guitarist Jesse Ed Davis. All in the Name of Rock ‘N’ Roll (Stewart) – 5:02A high-energy song about the adventures of a rock band touring America. Drift Away (Mentor Williams) – 3:43A cover of the Dobie Gray hit, transformed into a lyrical reggae style. Stewart’s emotive delivery was praised as surpassing the original. Stone Cold Sober (Stewart, Steve Cropper) – 4:12A lively track co-written with Steve Cropper, capturing Stewart’s playful, in-the-alley vibe. Slow Side I Don’t Want to Talk About It (Danny Whitten) – 4:47A heartfelt cover of the Crazy Horse song, later a UK #1 hit in 1977 as a double A-side single with “The First Cut Is the Deepest” (from A Night on the Town). Some critics found it lackluster compared to Stewart’s other performances. It’s Not the Spotlight (Barry Goldberg, Gerry Goffin) – 4:21A slower track that received mixed reviews for its lack of energy. This Old Heart of Mine (Lamont Dozier, Brian Holland, Eddie Holland, Sylvia Moy) – 4:04A cover of the Isley Brothers’ Motown classic, recorded with Al Green’s rhythm section. It reached the UK and US Top 10 but was criticized for not matching the original’s tempo. Still Love You (Stewart) – 5:08A tender, self-written ballad evoking Stewart’s vulnerability, often compared to his classics like “Maggie May” and “Mandolin Wind.” Sailing (Gavin Sutherland) – 4:37The album’s biggest hit, a UK #1 in September 1975 and a Top 3 hit again in 1976 when used as the theme for the BBC series Sailor. Both acoustic and electric guitars were played by Pete Carr. It became one of Stewart’s signature songs, though it had limited success in North America. 2009 Deluxe Edition Bonus Tracks: A 2009 two-disc re-release by Rhino Records included the original album on Disc 1 and additional tracks on Disc 2, such as Covers like “To Love Somebody” and “Holy Cow” with Booker T. & the MG’s. Alternate versions of most original tracks, including “Skye Boat Song” by The Atlantic Crossing Drum & Pipe Band. The album peaked at 1 in the UK (Stewart’s fourth consecutive solo album to do so), Australia, and Norway, and 9 on the US Billboard 200. Certified 4× Platinum in Australia, Platinum in the UK, Gold in the US, Germany, Hong Kong, and Sweden. “Sailing” was a UK 1 hit in 1975 and returned to the Top 3 in 1976. “This Old Heart of Mine” reached the UK and US Top 10. “I Don’t Want to Talk About It” became a UK 1 in 1977 as a double A-side with “The First Cut Is the Deepest.” Critics were divided. Some praised the album’s polished production and Stewart’s emotive vocals, particularly on “Three Time Loser,” “Drift Away,” “Still Love You,” and “Sailing.” Others felt the Slow Side was uneven, with overly saccharine string arrangements and weaker covers like “I Don’t Want to Talk About It” and “This Old Heart of Mine.” Rolling Stone called it “within hailing distance of earlier masterpieces” but criticized the Slow Side’s drop-off in quality. Re-releases: The 2009 Deluxe Edition and Rhino’s 2025 Quadio Blu-ray audio re-release enhanced the album’s legacy with improved sound quality and bonus tracks. Personnel Vocals: Rod Stewart Guitars: Pete Carr, Jesse Ed Davis, Steve Cropper, Fred Tackett, Jimmy Johnson Bass: Lee Sklar, Bob Glaub, David Hood, Donald "Duck" Dunn Drums/Percussion: Al Jackson Jr., Roger Hawkins, Nigel Olsson, Willie Correa Keyboards: Barry Beckett, Albhy Galuten, Booker T. Jones Horns: The Memphis Horns Mandolin/Violin: David Lindley Backing Vocals: Cindy & Bob Singers, The Pets, The Clappers String Arrangements: Arif Mardin, James Mitchell Art Direction/Design: John Kosh Illustration: Peter Lloyd Engineers: Gabby Garcia, Jerry Masters, Rich Blakin, Steve Melton, Willie Mitchell Mastering: Melvyn Abrahams Chart Performance (Select Countries) Australia: #1 UK: #1 Norway: #1 Netherlands: #2 New Zealand: #2 Sweden: #5 Germany: #11 US: #9 Canada: #21

Mott The Hoople’s Half-Page Advert in Melody Maker, January 22, 1972. Sunday 20th Feb 1972. 7.30 p.m. Island Artists Present BRONCO D.J. ANDY DUNKLEY

Ian Hunter's "Once Bitten Twice Shy" One-Page Single Review, April 12, 1975.

Ian Hunter’s "Who Do You Love" One-Page Advert in New Musical Express, August 2, 1975.

David Essex's One-Page Advert in Melody Maker, September 28, 1974.

David Essex's One-Page Advert in Creem Magazine, December 1, 1975.

The planned release of David Cassidy's single "Cherish" backed with "All I Wanna Do Is Touch You" as a 7" vinyl single to be released in the UK on November 26, 1971 was cancelled, although the single did receive releases in mainland Europe, Australasia, Japan, US and Mexico. The track was released on March 30, 1972 as a double A-side along with "Could It Be Forever", the coupling entered the UK Singles Chart on April 8, where it spent 17 weeks peaking at the number 2 place

The Rolling Stones "Angie" was released as a 7" vinyl single on August 20, 1973. There was a widespread rumor that the song was inspired by David Bowie's wife, Angela, who claimed in her autobiography that she found Bowie and Mick Jagger in bed together, a claim Jagger disputes. Rumor has it that Jagger penned the song to appease her, but it was actually Keith Richards, Jagger's bandmate, who composed most of it. Jagger had this to say about it: "People began to say that song was written about David Bowie's wife but the truth is that Keith wrote the title. He said, 'Angie,' and I think it was to do with his daughter. She's called Angela. And then I just wrote the rest of it." Cover of the Spanish release of The Rolling Stones' hit single "Angie," with catalogue number HS 979 and highlighting its status as a number one hit in the USA.

David Bowie's Four-Page Feature in Muziek Express Magazine, September 1, 1973.

Cockney Rebel’s album The Psychomodo was released in the UK on June 2, 1974. According to Harley at the time of its upcoming release, the album generated approximately 12,000 advance sales. Preceding the album was the first single, the title track "Psychomodo". It was released in mid-May 1974, but was quickly withdrawn in the UK as "Judy Teen" continued to climb the charts. It was given a full release in Europe and entered the charts in Belgium. When it was released in June, The Psychomodo proved to be the band's breakthrough in the UK Albums Chart. It reached its peak at number 8 on September 14, 1974, by which time Cockney Rebel had split up. In late July 1974, EMI released "Mr. Soft" as the album's second single. It was a chart success, reaching number 8 in the UK Singles Chart. Harley had to form two impromptu line-ups of Cockney Rebel in order to perform the song on Top of the Pops. EMI did not release The Psychomodo in the US until January 1975 (under the new band name, Steve Harley & Cockney Rebel), with "Tumbling Down" also being issued there as a promotional single. Harley was frustrated by the length of time it took to release the album in the US and told Rock Scene in 1975, "There was over six months lag for Psychomodo. I don't know exactly why. There's no excuse for that really. Maybe someone didn't have faith in us over here until now." The album received its first CD release by EMI in 1990. It included two bonus tracks, Harley's 1974 debut solo single "Big Big Deal", and the B-side of the "Psychomodo" and "Mr. Soft" singles, "Such a Dream". In 2001, BGO Records reissued the album in the UK, but without any bonus tracks. In 2012, the album was included in its entirety on the remastered four-disc box-set anthology compilation album Cavaliers: An Anthology 1973–1974 . The release also included previously unreleased 'early versions' of many of the debut album tracks, as well as B-sides and live tracks from the period.[23] On 24 November 2012, Steve Harley & Cockney Rebel, supported by an orchestra and chamber choir, performed The Human Menagerie and The Psychomodo albums in their entirety live at the Birmingham Symphony Hall. The performance was released in 2013 as CD and DVD releases under the title Birmingham (Live with Orchestra & Choir). The same show was performed live four more times in 2014 at Manchester's Bridgewater Hall, Sage Gateshead, London's Royal Albert Hall, and again at the Birmingham Symphony Hall. Info courtesy of Wikipedia

Alex Harvey's One-Page Advert in Melody Maker, February 2, 1974.

ENO's One-Page Advert in Melody Maker, February 2, 1974.

Alex Harvey's Faith Healer One-Page Advert in Disc, February 16, 1974.

Ringo Starr's Ringo One-Page Review in Circus Magazine, January 1, 1974.

Eno's Three-Page Feature January 1, 1975. As at last result, definition is suspended. The bio-rhythm heartbeat toe-tapping white noise floods normal logic, reducing one to the dumb and numb.

Bryan Ferry's Two-Page Feature in Rock Magazine, January 1, 1976.

Mickey Finn passed on January 11, 2003 aged just 55. Born Michael Norman Finn in Thornton Heath, Surrey. After he joined Tyrannosaurus Rex in late 1969, it was rumoured that Bolan had hired Finn for his good looks, and because he admired his motorcycle, rather than for his musical ability. Finn was unable to recreate the complex rhythmical patterns of his predecessor, Steve Peregrin Took, and was effectively hired as much for a visual foil for Bolan as for his drumming. The BBC news commented on this, saying "Marc Bolan was supposed to have said of Finn: 'He can't sing... but he looks superb.' Mickey Finn stated, on a radio show in Denmark on which he and Marc Bolan were appearing as guest DJs, that his big influence in percussion was the prolific Master Henry Gibson from Curtis Mayfield's band.[citation needed] In 1969–1971, Finn's contribution to Bolan's music, as bongocero, backing vocalist and occasional bass guitarist, was essential, because T. Rex started off as Tyrannosaurus Rex, a duo and Marc needed a replacement for Took. Something of a character both on and off stage, Finn was often to be seen wearing a hat (including a green bowler), a trademark that was adopted by a significant proportion of T. Rex fans. During the late 1980s and early 1990s, Finn made a handful of guest appearances with the West London rock band, Checkpoint Charlie, fronted by Mick Lexington

The film Born To Boogie premiered at Oscar's Cinema in Soho, London, England on December 14, 1972. Marc Bolan and T. Rex were present, along with Elton John and Ringo Starr. By the beginning of 1972 T. Rex had become England's best-selling band, with its album Electric Warrior perched at No. 1 while the group's latest single, "Telegram Sam" became its third No. 1 single (along with two others that had hit No. 2). The press dubbed the attendant fan mania "T. Rextasy", the 1970s equivalent of Beatlemania with levels of frenzied screaming and swooning not heard since the mid-60s. After a brief American tour in February 1972 to capitalize on the top ten success of "Bang a Gong (Get It On)" in that country, two hometown concerts at the Empire Pool in Wembley were scheduled for March. Bolan had the idea of filming the shows for a concert movie and hired Ringo Starr at Apple Films to direct and produce, although the project soon expanded beyond the concert footage The Wembley concerts took place on March 18, 1972, shortly after most of The Slider was recorded in France, garnering front-page media coverage. Melody Maker's Chris Charlesworth later remarked, "All Marc had to do was smile to receive an ovation any artist would envy...every gesture elicited a scream...and his grinning, head-shaking caused a thunderous noise." Looking back, many observers consider these performances the zenith of T. Rextasy. Starr captured both the matinee and evening shows on film, but only the evening's songs were included in the final movie edit, with just fleeting glimpses of the matinee appearing in the end credits (the complete matinee and evening performances were released on DVD in 2005). Sound issues and the band's raw live sound necessitated significant overdubs of new lead and backing vocals, along with additional guitar parts for the film. Marc described Born to Boogie as a film with surrealistic overtones, with some fantasy sequences strongly reminiscent of the look and feel of The Beatles' Magical Mystery Tour. On March 20, Starr filmed Bolan playing guitar in an aircraft hanger at Denim Airfield for the film's opening, as well as several 'dream' sequences which did not make the final edit. Starr and Bolan were also filmed goofing around in a car on the runway, attempting to sing Elvis' 1957 hit "Let's Have a Party". After more recording to finish The Slider, a superstar jam session of T. Rex with Ringo on drums and Elton John on piano was filmed on April 6 at Apple Studios in Savile Row, London.[4] Versions of "Tutti Frutti" and an early, fast take of "Children of the Revolution" made the film, with renditions of "Long Tall Sally" and "The Slider" possibly left on the cutting room floor. On April 24 the Mad Hatter's Tea Party sequence was shot at John Lennon's Tittenhurst Park estate in the same spot as Lennon's own "Imagine" video. Attendees of this scene include Marc, Mickey Finn, Starr, Marc's wife June, PR agent Chelita Secunda (dressed as a nun), Starr's financial advisor Hilary Gerrard and actor Geoffrey Bayldon (who played the master of ceremonies) along with a string quartet. The songs seen performed in the film, in order, are "Jeepster", "Baby Strange", "Tutti Frutti", "Children of the Revolution", "Spaceball Ricochet", "Telegram Sam", "Cosmic Dancer", "Tea Party Medley: Jeepster/Hot Love/Get It On/The Slider", "Hot Love" and "Get It On", with "Chariot Choogle" playing at the end credits. BORN TO BOOGIE PROGRAMME COVER & ALL PAGES BELOW

To promote the general release of the movie 'Born To Boogie', Marc Bolan was interviewed by Tom Gyne for BBC television's 'Pebble Mill At One' on December 29, 1972. The interview was broadcast live and included an extract of 'Children Of The Revolution' from the movie.

One-Page in Circus Magazine, December 1, 1975.

The album Listen To The Band by Glitter Band was released, December 5, 1975. The single "People Like You And People Like Me" / "Makes You Blind" was released in February 1976 from the album. That entered the UK chart on February 26, remained there for 9 weeks, and reached a peak position of number 5. A1 Where Have You Been Written-By – John Springate A2 People Like You And People Like Me Written-By – Gerry Shephard, John Springate A3 My First Mistake Written-By – Peter Phipps* A4 Painted Lady Written-By – John Springate A5 Let Me Love You Written-By – John Springate B1 Dream Baby Written-By – Gerry Shephard B2 Oh Well, Never Mind Written-By – John Springate 3 B3 Watch The Show Written-By – Harvey Ellison B4 Alone Again Written-By – Gerry Shephard, John Springate B5 Makes You Blind Written-By – Gerry Shephard, Mike Leander, Peter Phipps* B6 The Tears I Cried Written-By – G. Shephard* Record Company – EMI Electrola Record Company – EMI Electrola GmbH Phonographic Copyright ℗ – Bell Records Printed By – 4P Nicolaus GMBH Design, Photography By [Front And Centre Back] – Albert's Art Company* Lead Vocals – Gerry* (tracks: A5, B1, B3), Harvey* (tracks: B3), John* (tracks: A1, A2, A4, A5, B2, B6), Pete* (tracks: A3) Management – Rock Artistes Management Photography By [Back Photos] – Mike Putland* Producer – Mike Leander Supervised By [Sound Supervision] – John Hudson

Cat Stevens Cover & Four-Page Feature in Circus Magazine, November 1, 1972

Marc Bolan's Cover, & Three-Page Feature & One-Page Advert in Record Mirror, November 4, 1972.

Humble Pie's One-Page Advert in New Musical Express, October 7, 1972

David Cassidy's Two-Pages in 16 Magazine, October 1, 1973

David Bowie's 1980 Floor Show was recorded at the Marquee Club in London. It was filmed for the American TV show The Midnight Special and served as the grand finale for Bowie’s Ziggy Stardust persona. Filmed over three days (October 18–20, 1973), the show was Bowie’s final performance as Ziggy Stardust, marking the transition to new creative phases. It was not a traditional concert but a staged, theatrical TV special. Purpose: Commissioned by The Midnight Special to introduce Bowie to American audiences, it was a blend of live music, cabaret, and avant-garde performance art, showcasing his glam rock era. Name Origin: The “1980 Floor Show” title was inspired by Bowie’s song “1984,” reflecting his fascination with dystopian themes from George Orwell’s novel. Performance Details Venue: The Marquee Club, a legendary London venue, was transformed into a surreal stage with a small, invited audience of about 200, including members of Bowie’s fan club. Setlist: The show featured songs from Ziggy Stardust, Aladdin Sane, and the then-unreleased Diamond Dogs album, including:“1984/Dodo” (medley) “Sorrow” (a cover of The Merseybeats’ song) “Time” “Space Oddity” “I Got You Babe” (duet with Marianne Faithfull) A cover of The Velvet Underground’s “I’m Waiting for the Man” Guests: Notable performers included Marianne Faithfull, who joined Bowie for a campy duet, and The Troggs, performing “Wild Thing.” Bowie’s backing band, The Spiders from Mars, featured Mick Ronson on guitar. Costumes and Aesthetics: Bowie’s flamboyant outfits, designed by Natasha Korniloff and Freddie Burretti, included fishnet bodysuits, a keyhole bodysuit, and a dramatic black feather ensemble. The show’s visual style was bold, blending glam, cabaret, and sci-fi elements. Production and Broadcast Filming: Directed by Stanley Dorfman, the production was ambitious but constrained by budget and time. The small stage and limited audience created an intimate yet surreal atmosphere. Broadcast: Aired on The Midnight Special in the U.S. on November 16, 1973, it was not shown in the UK due to broadcasting restrictions, making it a rare gem for fans. Recording: The audio was later released as part of the Bowie Rarities collection, and some footage appeared in bootlegs or official releases like The 1980 Floor Show VHS (1981). Significance End of Ziggy: The show marked the symbolic “retirement” of Ziggy Stardust, though Bowie had already announced this at his Hammersmith Odeon concert in July 1973. It was a bridge to his Diamond Dogs era. Cultural Impact: The performance encapsulated Bowie’s ability to merge music, theater, and fashion, influencing future artists and solidifying his reputation as a boundary-pushing icon. Legacy: Though not as widely known as other Bowie performances, the 1980 Floor Show is celebrated for its raw creativity and as a snapshot of his glam rock peak. Availability The full show is not officially available in high quality due to its limited broadcast and preservation issues. Clips circulate online, and some tracks appear in Bowie’s official discography or fan-compiled bootlegs. For a deeper dive, check fan sites or platforms like YouTube for surviving footage, though quality varies.

Bryan Ferry's One-Page Album Advert in Melody Maker, October 13, 1973:

Golden Earring’s Full-Page Ad in Rolling Stone, October 10, 1974

Flo and Eddie's Illegal, Immortal and Fattening Two-Page Advert Creem Magazine October 1, 1975:

Chicory Tip’s One-Page Feature in Valentine Magazine, August 11, 1973

Jobriath Advert Melody Maker September 28, 1974

A Bolan 1975 Vault Glam CD Reissue Released as a 2CD compilation in the UK on August 1, 2025, on Solid Gold Records (catalogue: SG005CD), T. Rex’s The Gilded Cage We Call ’75 was a reissue of the 2021 vinyl — collecting rare 1975 radio broadcasts, studio outtakes, and jingles. Featuring “Funky London Childhood,” “Savage Beethoven,” and “20th Century Boy” (live radio), with guest vocals from Gloria Jones and Flo & Eddie. 4-panel gatefold digisleeve with 12-page booklet. All royalties to Light Of Love Foundation for Marc Bolan School of Music & Film. Album Overview Release Details Label: Solid Gold Records. Format: CD, Compilation, Limited Edition, Reissue. Full Track Listing 1. Deep Beneath An Ancient Shadow (#I) (1:50) 2. Funky London Childhood (2:28) 3. London Boys (2:23) 4. Introduction Capital Radio (0:50) 5. 20th Century Boy (3:47) 6. Interview (7:35) 7. New York City (3:40) 8. Interview (0:55) 9. You Damaged The Soul Of My Suit (3:49) 10. Interview (2:03) 11. Get It On (4:40) 12. Capital (Radio Jingle) (0:40) 13. Dawn Storm (Diff Lyrics, Feb ’75 Mix) (3:44) 14. Savage Beethoven (2:03) 15. Brain Police (2:39) 16. Billy Super Duper (6:45) 17. Flo & Eddie (2:32) 18. King Of The Mountain Cometh (Acoustic Home Demo) (2:06) 19. Depth Charge (#I&II, Piano/Vocal) (1:55) 20. Swahili Boogie Woogie (4:59) 21. Piccadilly (Radio Jingle) (0:20) 22. New York City (3:31) 23. 20th Century Boy (3:29) 24. Teen Riot Structure (1975 Home Demo) (2:28) 25. King Of The Rumbling Spires (1975 Home Demo) (2:42) 26. Universe (Let's Face The Music And Dance) (2:31) 27. Futuristic Dragon (0:56) 28. Deep Beneath An Ancient Shadow (#II) (1:55) - CD, Compilation, Reissue – Solid Gold SG005CD – UK – 1 Aug 2025 officialmarcbolanmerchco.com   Production and Context 1975 radio broadcasts (Capital/Piccadilly jingles), unreleased studio recordings, and TV performances. Special thanks to Michael Warley. Cover images from Rock On with 45* rehearsals and Supersonic “Dreamy Lady” performance. Do you have The Gilded Cage We Call ’75 in your collection? Ready for savage Beethoven? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

A Group Reunion Shock-Rock Return Released as a double vinyl LP in Europe on July 25, 2025, on Ear Music/Alive/Edel (catalogue: 0220680EMU), Alice Cooper’s The Revenge Of Alice Cooper reunited the original Alice Cooper Group (Alice, Michael Bruce, Dennis Dunaway, Neal Smith) for the first time since 1974. Produced/mixed by Bob Ezrin, this 13-track hard rock triumph featured “Black Mamba,” “Up All Night,” and “What A Syd.” Issued in standard stereo, purple marble, yellow transparent, picture disc, and CD+7" box set variants. Peaked at No. 9 on the Official Albums Chart. Album Overview Release Details Label: Ear Music / Alive / Edel. Formats: 2× Vinyl LP 45 RPM (standard, purple marble, yellow transparent, picture disc), CD+7" box set. Full Track Listing Side A 1. Black Mamba 2. Wild Ones 3. Up All Night Side B 1. Kill The Flies 2. One Night Stand 3. Blood On The Sun Side C 1. Crap That Gets In The Way Of Your Dreams 2. Famous Face 3. Money Screams 4. What A Syd Side D 1. Intergalactic Vagabond Blues 2. What Happened To You 3. I Ain't Done Wrong 4. See You On The Other Side EU Variants (all supplied) - 2×12", 45 RPM, Album, Stereo – Ear Music 0220680EMU – Europe – 2025 - 2×12", Limited, Purple Marble – Ear Music 0220680EMU – Europe – 2025 - 2×12", Limited, Yellow Transparent – Ear Music 0220680EMU – Europe – 2025 - 2×12", Limited, Picture Disc – Ear Music 0220680EMU – Germany – 2025 - CD+7", Limited, Numbered Box Set – Ear Music 0220683EMU – Europe – 2025 Production and Context Produced/Mixed by Bob Ezrin. Original Alice Cooper Group reunion. Dedicated to Glen Buxton. Official Albums Chart Data Peak position: 9 1 week – entry August 7, 2025 Do you have The Revenge Of Alice Cooper in your vinyl stack? Ready for black mamba? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

The Water Rats 328 Grays Inn Road London June 27, 2025: Free Rolan CD & T-Shirt For First 100 Tickets Sold

WHO ? ...is the most wanted pop star of the times? Well, there are many, many who are very popular 'with the fans. they've all got huge followings from all sides, and their record and in-person performances are much sought-after But the one single artist who sends the fans a screamin' and a boppin', at all times on all fronts is an elfin fuzzy haired young man, who dresses in way out fab gear, wears eye glitter on stage, rocks and rolls around in the most sensational way and plays the kind of exciting music that gets us all into a tizzy-whatever the occasion ... His name, as if you hadn't guessed MARC BOLAN And now, for his thousands upon thousands of fans we present, for the first time in one magazine, the complete Marc Bolan/T Rex Story, in words and pictures-yes plenty of pictures... Many of you who are reading this will have heard about it through Disco 45 Songbook that you buy every month, but there are probably some of you who just happened to notice this mag in your newsagents and have never heard of Disco 45— especially for you, a short commercial! DISCO 45 SONGBOOK is a monthly the same size as this one, costing only 5p, that features all the words of the top hit singles, fab pics and features on your fave groups and artists, horoscopes, a crossword competition in which you could win TEN TOP SINGLES, plus lots lots more. Why don't you buy the next issue... if you do we're sure you'll become a regular reader, It'll be in your shop on APRIL 21 ... don't forget ... till we meet in Disco 45, then Happiness to everyone, especially yo (extract from page 2)

Featured 25 B-sides & 2 extra tracks from the period 1972 - 1977 Tracks included ‘Born To Boogie (single mix)’, ‘Cadillac’, ‘Life’s An Elevator’, ‘Tame My Tiger’ and ‘Thunderwing’ Complemented the best of 'Bolan Boogie' released at the end of the previous year T. Rex; Bolan B-Sides; 2CD Following the Q4 2024 ‘Bolan Boogie’ definitive hits package, Demon Records thrilled to present a companion piece in the form of ‘Bolan B-Sides’, a brand-new collection of B-sides and extra tracks from T. Rex’s hit-packed 1972-1977 period. T. Rex: Bolan B-Sides 2CD Presented in 2CD Deluxe Gatefold Packaging Before Marc Bolan’s untimely passing in 1977, T. Rex were a cultural phenomenon that defined a generation. The fervour even earned its own name: "Trextasy," a frenzy not seen since the height of Beatlemania. Hidden away on the flips to some of the band’s era-defining singles, were some of Bolan’s most captivating musical moments. The 27-track ‘Bolan B-Sides’ brings them together, representing an alternative journey from ‘Telegram Sam’ to ‘Celebrate Summer’. Despite their flipside positions, many of the tracks included might easily have been hit singles in their own right. Among the many, we’re talking ‘Cadilac’, ‘Thunderwing’, ‘Jitterbug Love’, ‘Lady’, a newly discovered single mix of ‘Born To Boogie’ and ‘Sunken Rags’. The collection also features vocal contributions from Gloria Jones, adding a soulful allure to some tracks. Label: Edsel Format: CD Release Date: April 18, 2025 Cat no:EDSL0233 Barcode:740155743338 Track Listing: CD ONE VOLUME 1: 1972 – 1973 Cadilac Baby Strange Lady Thunderwing Jitterbug Love Sunken Rags Born To Boogie (single mix) Free Angel Midnight Sitting Here Blackjack Squint Eye Mangle CD TWO VOLUME 2: 1974-1977 Satisfaction Pony Explosive Mouth Space Boss Chrome Sitar Do You Wanna Dance? Dock of the Bay Solid Baby Baby Boomerang Life’s An Elevator All Alone Groove A Little Tame My Tiger Ride My Wheels To Know You Is To Love You City Port

A Bolan & Finn Folk-Psych Transition Released as a vinyl album and cassette in the UK, on Regal Zonophone (catalogue: SLRZ 1013 / 1E 062 ○ 91091), on March 13, 1970 Tyrannosaurus Rex’s A Beard Of Stars — their fourth studio album — was the first as a duo (Bolan & Mickey Finn) after Steve Took’s departure. Produced by Tony Visconti, this 14-track folk-psych gem featured “Elemental Child,” “Pavilions Of Sun,” and “A Beard Of Stars.” Issued in fully laminated sleeve with lyric insert, plus cassette variant. Peaked at No. 21 on the Official Albums Chart for 6 weeks. Album Overview Tyrannosaurus Rex's prior album, Unicorn, had seen some success, prompting Bolan to switch to electric. In March 1969, he purchased an electric guitar and used it on both tracks of the July single "King of the Rumbling Spires / Do You Remember". Despite only reaching number 44 on the charts, Bolan was eager to continue his musical evolution but was hindered by worsening relations with his partner, percussionist Steve Peregrin Took, who was heavily involved with drugs and wanted to contribute songs to the group's next album. The initial sessions for the new album in the spring of 1969 were marked by tension. After an American tour in August and September of 1969, Took was quietly dismissed from the group, and Bolan placed an ad in Melody Maker seeking a replacement. By mid-October, he found Mickey Finn through his housemate, Pete Sanders, who also photographed the band's album covers, and sessions for the next album resumed on 31 October. A Beard of Stars was the act's first album with the new lineup and featured Bolan on vocals, guitar, organ and bass with Finn on percussion and bass. It is notable for being the first album on which Bolan played an electric guitar, although that instrument had first appeared on the band's 1969 single "King of the Rumbling Spires" / "Do You Remember". According to Mark Deming of AllMusic, A Beard of Stars "was the turning point where Marc Bolan began evolving from an unrepentant hippie into the full-on swaggering rock star he would be within a couple of years, though for those not familiar with his previous work, it still sounds like the work of a man with his mind plugged into the age of lysergic enchantment". Four tracks from this album - two of which were "Great Horse" and "Wind Cheetah"- were salvaged from May 1969 sessions for a fourth album with original percussionist Steve Peregrin Took in the wake of "King of the Rumbling Spires". These tracks were later overdubbed for release by Finn, Bolan and Visconti, with Took's parts mixed out entirely. A further four tracks from the spring sessions – rejected for the final album – subsequently surfaced on various compilations, three ("Once Upon the Seas of Abyssinia", "Blessed Wild Apple Girl," "Demon Queen") in Bolan's lifetime, the fourth ("Ill Starred Man") posthumously. After a period of rehearsal at Plas Tan Y Bwlch cottage in Wales, sessions resumed at Trident with Mickey Finn on 31 October and finished on 13 November. As with all previous Tyrannosaurus Rex albums, Tony Visconti sat in the producer's chair and later remarked in his autobiography that "The album was made in a really good atmosphere, helped no end by Finn’s positive spirit, which all led to the sessions being very creative and experimental." Marc ended up playing most of the instruments on the record, with Finn contributing minimal additional percussion. The new music was still primarily acoustic based but somewhat simpler and more direct, with more obvious hooks now accentuated by electric guitar and bass. While lyrical content was still heavily grounded in Romantic poetry and Tolkien fantasy imagery, Bolan's enunciation was deliberately easier to understand. During a BBC concert taped on New Year's Day 1970, Bolan introduced "Dove" as his first love song. A Beard of Stars was released in March 1970 by Regal Zonophone in the UK and Blue Thumb in the US. The initial session with Finn on 31 October resulted in "A Day Laye", "Fist Heart Mighty Dawn Dart", "Organ Blues", and the instrumental title track. All songs were completed within two takes, except for "Organ Blues", which required six takes and did not produce a master. Work on "Organ Blues" continued on 3 November, while "Lofty Skies" and "By the Light of a Magical Moon" were recorded on 7 November; the first two takes of "By the Light of a Magical Moon" were fully electric, similar to its live performances. A session on the 12th produced "Prelude", "Dove", and "Dragon's Ear" (recorded in two parts) as well as the master for "Organ Blues". The final session on 13 November recorded "Pavilions of Sun", "Woodland Bop", "Find A Little Wood", and "Elemental Child". "Find A Little Wood" was not included on the album and was instead used as the B-side of "By the Light of a Magical Moon", released in January 1970. The album's closing track, "Elemental Child", had its main body recorded separately from its extended guitar coda, with the two parts later joined in editing. This track, along with "Woodland Bop", "Pavilions of Sun", and "By The Light of a Magical Moon", reflected Bolan's growing interest in playing electric rock, indicating his future direction. He claimed to have taken informal guitar lessons from Eric Clapton prior to its composition. Release Details Label: Regal Zonophone. Formats: Vinyl LP (laminated sleeve), cassette. Full Track Listing Side A 1. Prelude 2. A Day Laye 3. The Woodland Bop 4. Fist Heart Mighty Dawn Dart 5. Pavilions Of Sun 6. Organ Blues 7. By The Light Of A Magical Moon 8. Wind Cheetah Side B 1. A Beard Of Stars 2. Great Horse 3. Dragon's Ear 4. Lofty Skies 5. Dove 6. Elemental Child Cassette Album (TC-SLRZ 1013) – UK Side A/B identical to vinyl. - LP, Album – Regal Zonophone SLRZ 1013 – UK – 1970 - Cassette, Album – Regal Zonophone TC-SLRZ 1013 – UK – 1970 Singles from A Beard of Stars "By the Light of a Magical Moon" Released: 1970 Production and Context Produced by Tony Visconti for Straight Ahead Productions. Lead Vocals/Guitar/Organ/Bass: Marc Bolan. Backing Vocals/Moroccan Clay Drums/Tabla/Bass/Finger Cymbals: Mickey Finn. First Bolan/Finn album — transition to electric T. Rex. Official Albums Chart Data Peak position: 21 6 weeks – March 14, 1970 to May 2, 1970 21 → 48 → 26 → 53 → 51 → 43 Do you have A Beard Of Stars in your vinyl stack? Ready for elemental child? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

Back in the early '70s, as a teenager I wasn’t really into music at all… until Marc Bolan burst onto the scene and changed everything for me. The first single I ever bought was “Ride a White Swan,” and my first album was T. Rex. I can still vividly remember exactly where I got them. That iconic look he shared with Mickey Finn, combined with those magical, poetic lyrics, opened up an entirely new world. Every time I played those records, I felt transported into a glittering, fantastical realm. Like so many fans, I covered every inch of my bedroom walls with Marc Bolan posters and photos – there wasn’t a spare spot left! I bought every single record they released, plus every music paper and magazine I could get my hands on. I even spent money meant for a new school shirt on Electric Warrior (worth it ). What made it all so special was that Marc created everything himself – the music, the lyrics, the imagery, the whole vibe. This account is dedicated to appreciating Marc Bolan and T. Rex, with most posts sharing posters, photos, records, and memories just like these. By the summer of 1972, Glam Rock had taken a full hold on the UK singles charts, with Slade, Sweet, Roxy, and even Bowie donning the silver, glitter, and all. Bowie became my second love after Marc. I think every teenager was seduced by Ziggy male and female alike. Then came a curveball when I first saw the Alice Cooper Group. Not really Glam Rock, more shock rock, but Alice was my introduction to harder rock. Nobody who knew me could understand my love for Alice; maybe that was part of the allure? But I loved how he misled the press, who tried to have him banned from the UK ( Mary Whitehouse), but I saw the messages in the likes of Dead Babies etc. In that summer, I bought "The Slider," "The Rise and Fall of Ziggy Stardust," "School's Out." Then came Rod. I was never taken by "Maggie May," but "You Wear It Well" and "Angel" hooked me in, so the next purchase was "Never a Dull Moment." Interspersed with all the albums were the singles. First, Bowie was "Changes," Alice was "Be My Lover" (ordered from an advert in the press via a classmate), Mott's "Dudes," Roxy's "Virginia Plain." I remember buying Hawkwind's "Silver Machine." I used to go around all the newspaper shops, etc., to find out as much as I could. There was no internet, so it was really hard to source reliable news back in the day. NME, Melody Maker, and Music Star were in high demand, so I managed to build up a collection, and this blog site is a place where you can view these items and more. I hope they bring back some special times, and as Marc says, "You Can't Fool The Children of The Revolution." Who else fell under Marc’s spell back in the day? What was your first Glam record or favorite memory? Drop your stories in the comments – I’d love to hear them!

Bowie's Goblin King Remastered Return Released as a digitally remastered edition on January 21, 2025, the soundtrack to Jim Henson’s 1986 fantasy film Labyrinth — starring David Bowie as the Goblin King and Jennifer Connelly — returned after years out of print on vinyl. This imaginative tale follows 16-year-old Sarah on a 13-hour quest to solve a labyrinth and rescue her baby brother, granted by Bowie’s Jareth. Bowie’s songs dominate side A and B, alongside Trevor Jones’ atmospheric score tracks (“Into The Labyrinth,” “Sarah,” “Hallucination,” “The Goblin Battle,” “Thirteen O'Clock,” “Home At Last”). This was Bowie’s second major soundtrack role (after Christiane F., before The Buddha of Suburbia). Track Listing Side A Opening Title (Including Underground) Into The Labyrinth Magic Dance Sarah Chilly Down Hallucination Side B As The World Falls Down The Goblin Battle Within You Thirteen O'Clock Home At Last Underground Sources Information is drawn from my personal knowledge and supplemented by web sources, including davidbowie.com, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia and BBC Official Charts Company Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

A T. Rex Glam Vault Double CD Released as a double CD in the UK on January 17, 2025, on Easy Action Records (catalogue: EARS175CD), T. Rex’s Easy Action was a collection of alternate versions, working mixes, and rare takes of classic tracks compiled to show T.Rex as a force to be reckoned with as a band . All the material chosen was performed by the classic 4 piece line up of Bolan, Currie, and Finn and Legend. there is no song on here that Bill didn’t drum on. All Royalties as usual go to The Light of Love Foundation era. Gatefold 4-panel digisleeve with 20-page booklet. Artwork by Les Clark & Carlton. Mastered/restored by Anders Peterson. A deep glam vault dive. Album Overview Release Details Label: Easy Action Records. Format: 2× CD, Album, Stereo. Full Track Listing Disc 1 1. Get It On (#3) (6:00) 2. Mambo Sun (#3) (3:46) 3. Life's A Gas (#6) (2:36) 4. Lean Love (Lean Woman Blues) (3:13) 5. Planet Queen (#3) (3:20) 6. Rip Off (#1 Instrumental) (3:29) 7. The Electric Warrior (Poem) (0:23) 8. Electric Boogie (Take 1) (2:10) 9. Electric Boogie (Take 2) (2:08) 10. Jam (9:51) 11. Raw Ramp (Take 1) (2:40) 12. Raw Ramp (Take 2) (2:29) 13. Electric Boogie (Short Mix) (2:08) 14. Thunderwing (3:52) 15. Easy Action (Fast Blues) (4:05) Disc 2 1. Mystic Lady (5:48) 2. Rabbit Fighter (4:05) 3. Chariot Choogle (2:46) 4. Rock On (3:34) 5. Buick MacKane (Denmark) (3:35) 6. Buick MacKane And The Babe Shadow (2:38) 7. Easy Action (Solid Gold) (2:15) 8. 20th Century Boy (Full Unedited Version) (6:23) 9. Left Hand Luke And The Beggar Boys (5:18) 10. Midnight (2:45) 11. All My Love (2:53) 12. Superbad (3:29) 13. Carsmile Smith (2:45) 14. Explosive Mouth (2:33) 15a. Look To Your Soul (Painless Persuasion) (3:25) 15b. (silence) (1:04) 15c. Children Of The Revolution (Jam / Working Version) (12:03) - 2×CD – Easy Action EARS175CD – UK – 17 Jan 2025 Production and Context All recordings alternate versions. Mastered/restored by Anders Peterson. Artwork: Les Clark & Carlton. Liner notes: Bill Legend, Carlton P. Sandercock. Photography: Michael Putland (cover). Do you have Easy Action double CD in your collection? Ready for Thunderwing? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

Artwork recreated by legendary designer Kosh Design, responsible for The Beatles ‘Abbey Road’ & The Who’s ‘Who’s Next!’. Picture disc features rare colour photo of Marc Bolan. Limited to 3000 copies. Tanx is the 1973 studio album by legendary band T. Rex. The eighth album since their debut as Tyrannosaurus Rex in 1968, and the fourth under the moniker T. Rex. T. Rex: Tanx Picture Disc RSD Black Friday 2024 Release Date: November 29, 2024 Recorded at the height of Bolanmania, and produced by Tony Visconti, Tanx was a musical departure from previous works. Still containing tracks in the vein of The Slider, singer and songwriter Marc Bolan showed his interest in soul music, funk and gospel. Tracks include Tenement Lady, Bolan Boogie & Mad Donna. The artwork for this special edition has been recreated by the original designer John Kosh, former creative director at Apple Records and the designer behind iconic album covers like the Beatles’ Abbey Road and The Who’s Who’s Next. This special picture disc edition has a previously unseen colour image of Marc Bolan taken by Peter Howe, from the legendary photo session. Limited to 3000 copies exclusively for RSD Black Friday 2024. It’s a unique collector’s item for fans of T. Rex and vinyl enthusiasts alike, capturing a significant moment in music history with updated and exclusive artwork.

The 36-track 'Bolan Boogie' brought together all the band's biggest hits released between 1970 and 1977 Including hit singles 'Metal Guru', 'Get It On', '20th Century Boy' and more! '20th Century Boy' soundtracked a major Absolut Vodka campaign beginning summer 2024 Also became available as 2LP Coloured Vinyl or 2LP Black Vinyl T. Rex: Bolan Boogie - 2CD Deluxe Gatefold Packaging Presented in 2CD Deluxe Gatefold Packaging Released November 2, 2024 Brand new and definitive collection from T. Rex – the band who brought us the first Glam Rock superstar in the charismatic figure of Marc Bolan and officially kicked off the 1970s Before Marc’s untimely death in 1977 T. Rex were nothing short of a phenomenon. British kids hadn’t seen anything like it since The Beatles in their heyday. They even gave it a name – ‘Trextasy’. The 36-track ‘Bolan Boogie’ brings together all of the band’s biggest hits and greatest tracks including all of the phenomenal hit singles released between 1970 and 1977 and a selection of their most celebrated album tracks and B-sides. When we say hits we’re talking… ‘Hot Love’, Get It On’, ‘Telegram Sam’, and ‘Metal Guru’ (UK No.1’s), ‘Ride A White Swan’, ‘Jeepster’, ‘Children Of The Revolution’, and ‘Solid Gold Easy Action’ (No. 2), and megahits like ‘20th Century Boy’, ‘I Love To Boogie’ and ‘The Groover’. ’20th Century Boy’ will soundtrack a major Absolut Vodka campaign beginning summer 2024. Songs included on this collection have also featured in ‘Hot Fuzz’ (‘Solid Gold Easy Action’), ‘Billy Elliot’ (‘Cosmic Dancer’), and ‘Death Proof’ (‘Jeepster’) Artists influenced by Marc and T. Rex include: Sex Pistols, Duran Duran, Oasis, U2, Kate Bush, Beck, Pixies, Paul Weller, Nick Cave, Alison Goldfrapp, Beck, Peaches, Marc Almond, Siouxsie & The Banshees, Jane’s Addiction, Def Leppard and Tricky. Label: Edsel Format: CD, Compilations Release Date:02/11/2024 Cat no:EDSL0223 Also available: 2LP Limited Edition coloured vinyl / 2LP black vinyl. CD 1 1.20th Century Boy 2.Get It On 3.Children Of The Revolution 4.Jeepster 5.Hot Love 6.Ride A White Swan 7.Metal Guru 8.Telegram Sam 9.Solid Gold Easy Action 10.I Love To Boogie 11.New York City 12.The Groover 13.Truck On (Tyke) 14.Dreamy Lady 15.Light Of Love 16.London Boys 17.Celebrate Summer 18.Teenage Dream CD 2 1.Cosmic Dancer 2.Is It Love? 3.Woodland Rock 4.There Was A Time/Raw Ramp/Electric Boogie 5.Thunderwing 6.Baby Strange 7.Ballrooms of Mars 8.Jitterbug Love 9.Born To Boogie 10.Shock Rock 11.Venus Loon 12.Till Dawn 13.Zip Gun Boogie 14.Dawn Storm 15.Laser Love 16.The Soul Of My Suit 17.Dandy In The Underworld 18.Life 's a Gas

T. Rex’s The Slider National Album Day 2024 Edition was released on October 19, 2024. As part of NAD’s 2024 theme—“Great British Groups”—it honors T. Rex’s pivotal role in shaping Glam Rock. Produced by the legendary Tony Visconti (who also helmed Bolan’s Electric Warrior and David Bowie’s Space Oddity), Released on 140g translucent red vinyl, housed in a standard gatefold sleeve. The translucent effect gives it an ethereal, almost cosmic. A1 Metal Guru A2 Mystic Lady A3 Rock On A4 The Slider A5 Baby Boomerang A6 Spaceball Ricochet A7 Buick MacKane B1 Telegram Sam B2 Rabbit Fighter B3 Baby Strange B4 Ballrooms Of Mars B5 Chariot Choogle B6 Main Man U.K. National Album Day 2024 release Saturday 19th October 2024 2024 theme: GREAT BRITISH GROUPS Standard album sleeve Includes lyric sheet

A T. Rex Glam Essentials Red Vinyl Released worldwide as a vinyl LP compilation on October 4, 2024, on Reprise/Rhino Records (catalogue: 603497824427 / RCV1 726583), T. Rex’s Now Playing — part of the Now Playing series — was a 10-track glam essentials collection on red transparent 180g vinyl. Produced by Tony Visconti, curated hits from Electric Warrior, The Slider, and early singles. A vibrant Bolan celebration. Album Overview Release Details Label: Reprise Records / Rhino Records. Format: Vinyl LP, Compilation, Red Transparent. Full Track Listing Side A 1. Ride A White Swan (2:19) 2. Jewel (2:48) 3. Hot Love (5:00) 4. Bang A Gong (Get It On) (4:24) 5. Raw Ramp (4:15) Side B 1. Jeepster (4:10) 2. Life's A Gas (2:23) 3. Mambo Sun (3:38) 4. Cosmic Dancer (4:26) 5. Planet Queen (3:11) - LP, Compilation, Red Transparent – Reprise/Rhino 603497824427 – Worldwide – 4 Oct 2024 Production and Context Written by Marc Bolan. Produced by Tony Visconti for Tarantula/Straight Ahead Productions. Cover photo: The Estate of Keith Morris. Design: David Torres. Art supervision: Rachel Gutek. Do you have Now Playing red vinyl in your collection? Ready to get it on? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

BORN TO BOOGIE is the Ringo Starr-directed 1972 film that captures Marc Bolan and T. Rex at the height of their popularity, as ‘T. Rextasy’ swept the nation. Centred around the band’s famous Wembley Empire Pool concerts, the film incudes a legendary jam session with T. Rex joined by Ringo Starr and Elton John, and a Mad Hatter’s tea party with Catweazle. Alongside the complete matinee show concert, extra features and Apple Studio outtakes, ‘Born To Boogie’ is the ultimate film of Marc Bolan and superstardom in the early 1970s. Features a Newly-Designed O-Card Includes a 20-page Booklet Directed by Ringo Starr in 1972 The film incudes a legendary jam session with T. Rex joined by Ringo Starr and Elton John, and a Mad Hatter’s tea party with Catweazle Alongside the complete matinee show concert, extra features and Apple Studio outtakes, ‘Born To Boogie’ is the ultimate film of Marc Bolan and superstardom in the early 1970s Released September 27, 2024 T. Rex; Born To Boogie; Blu Ray; Ringo Starr This Film Includes: Born To Boogie – The Motion Picture Original Theatrical Trailer The ‘Premier’ version The Matinee Show Telegram Sam 2016 promo video Newspaper Cuttings Gallery Additional Extras The Matinee Show Setlist: 1. Rosko’s Intro [Emperor Rosko] 2. Cadilac 3. Jeepster 4. Baby Strange 5. Spaceball Ricochet 6. Girl 7. Cosmic Dancer 8. Telegram Sam 9. Hot Love 10. Get It On 11. ‘Just One More?’ [Emperor Rosko] 12. Summertime Blues

A 50th Anniversary Decca Deluxe David Bowie’s self-titled debut album – the 1967 Deram release often called his “Anthony Newley” era – was reissued on deluxe CD on July 26, 2024, via Decca. Product description David Bowie’s groundbreaking debut album is set for a vibrant revival with a reissue on both CD and coloured vinyl, boasting exclusive tracklists to tantalize fans old and new. Critics of the time commented; with the NME praising Bowie’s fresh sound as “all very refreshing” and hailing him as “a very promising talent.” Melody Maker lauds the album as “a singularly rewarding collection” with “excellent” production, while expressing surprise that Bowie hadn’t yet made a bigger impact on the pop scene. Meanwhile, Disc & Music Echo raves about the album, describing it as “a remarkable, creative debut album by a 19-year-old Londoner” and declaring Bowie as “a new talent that deserves attention.” With such illuminating reviews, this reissue promises to reignite Bowie’s early legacy and introduce his visionary artistry to a new generation of listeners. Overview: 30-track 2CD deluxe – 23 tracks fewer than the 2010 deluxe edition of the same album. Track Listings Disc: 1 1 Uncle Arthur 2 Sell Me A Coat 3 Rubber Band 4 Love You Till Tuesday 5 There Is A Happy Land 6 We Are Hungry Men 7 When I Live My Dream 8 Little Bombardier 9 Silly Boy Blue 10 Come And Buy My Toys 11 Join The Gang 12 She’s Got Medals 13 Maids Of Bond Street 14 Please Mr. Gravedigger Disc: 2 1 Rubber Band 2 The London Boys 3 The Laughing Gnome 4 The Gospel According To Tony Day 5 Love You Till Tuesday 6 Did You Ever Have A Dream 7 When I Live My Dream 8 Let Me Sleep Beside You 9 Karma Man 10 In The Heat Of The Morning 11 London Bye Ta-Ta 12 When I’m Five 13 Ching-A-Ling 14 The Laughing Gnome (Vocal Take 1/Mix 1) 15 Sell Me A Coat 16 Space Oddity (Love You Till Tuesday Version) Do you have the original 1967 David Bowie in your collection? Excited for these new editions? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including davidbowie.com, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia and BBC Official Charts Company Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

David Bowie’s self-titled debut album – the 1967 Deram release often referred to as his “Anthony Newley” era – was reissued on July 26, 2024, via Decca in multiple deluxe and coloured vinyl editions. This period showcases Bowie’s early theatrical songwriting, with tracks such as “Uncle Arthur”, “Sell Me A Coat”, “Love You Till Tuesday”, and “When I Live My Dream”. Formats and Exclusive Tracklists 30-track 2CD deluxe – Contains 23 tracks fewer than the 2010 deluxe edition of the same album. 2LP green vinyl edition – 28 tracks, with “Sell Me A Coat (Remix – mono)” as the exclusive 28th track. Indie-exclusive cloudy green vinyl – 28 tracks, with “The Laughing Gnome (Vocal Take 1/Mix 1)” as the exclusive 28th track (neither edition contains both bonus songs). D2C exclusive coloured vinyl – Features “Space Oddity (Love You Till Tuesday Version)” as the 28th track instead of the above bonuses. Track Listings 2LP green vinyl edition Disc: 1 1 Uncle Arthur 2 Sell Me A Coat 3 Rubber Band 4 Love You Till Tuesday 5 There Is A Happy Land 6 We Are Hungry Men 7 When I Live My Dream 8 Little Bombardier 9 Silly Boy Blue 10 Come And Buy My Toys 11 Join The Gang 12 She’s Got Medals 13 Maids Of Bond Street 14 Please Mr. Gravedigger Disc: 2 1 Rubber Band 2 The London Boys 3 The Laughing Gnome 4 The Gospel According To Tony Day 5 Love You Till Tuesday 6 Did You Ever Have A Dream 7 When I Live My Dream 8 Let Me Sleep Beside You 9 Karma Man 10 In The Heat Of The Morning 11 London Bye Ta-Ta 12 When I’m Five 13 Ching-A-Ling 14 Sell Me A Coat Contemporary Reviews (from 1967) NME: Praised Bowie’s fresh sound as “all very refreshing” and hailed him as “a very promising talent.” Melody Maker: Lauded the album as “a singularly rewarding collection” with “excellent” production, while expressing surprise that Bowie hadn’t yet made a bigger impact on the pop scene. Disc & Music Echo: Raved about the album, describing it as “a remarkable, creative debut album by a 19-year-old Londoner” and declaring Bowie as “a new talent that deserves attention.” This reissue revives Bowie’s visionary early artistry and introduces it to a new generation of listeners. Do you have the original 1967 David Bowie in your collection? Excited for these coloured vinyl editions? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including davidbowie.com, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia and BBC Official Charts Company Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.