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One year on – the world still weeps at Garden Lodge gates Freddie Forever, a one-page tribute in Bravo magazine, December 9, 1992. On the first anniversary of Freddie Mercury’s death (November 24, 1992), fans from across the globe gathered at 1 Logan Place, London. Flowers, candles, tears, and a thousand voices singing “We Are the Champions”. Mary Austin joined them; a wax figure was unveiled at Rock Circus; one pregnant fan even legally changed her name to Freddie Mercury. No grave – just the house, the wall, and the love that never died. More Queen heartbeats added weekly. His fans showed their love on the anniversary of his death FREDDIE FOREVER This is how millions of fans around the world knew and loved him: Freddie Mercury in action At the Rock Circus in London's Piccadilly Circus, a girl laid flowers before the newly unveiled wax figure of Freddie Freddie's confidante Mary Austin with her husband This badge (1.) was given out on the anniversary of Freddie's death - this is what it looked like at the entrance to Freddie's house Henneberg-Zimmer, a computer expert from Hanover, brought 30 Queen and Freddie Mercury CDs from home. To honor the deceased, he placed them against the 3.5-meter-high wall surrounding the 4-million-euro estate. Amanda Lewis, a 23-year-old pregnant woman, even changed her name and is now Freddie by first name and Mercury by last name. She says: "This name change cost 150 pounds. I would have paid even more, because Freddie was the greatest to me!" Her boyfriend also wants to be called Freddie in the future. The couple's baby will be named Mercury Despite the typical damp, cold, and rainy weather for London, die-hard fans waited for hours outside his house, singing their favorite songs, such as "We Are the Champions" and "The Show Must Go On." Almost all of them wore a red ribbon from AIDS Charity, the largest English AIDS relief organization. Such a ribbon is given to anyone who has donated to the organization. To mark the anniversary of his death, AIDS Charity had issued a special anniversary badge. Mary Austin (36), who had been Freddie's girlfriend for seven years and inherited his house, was so moved that she came out in the afternoon to sing with the weeping fans. At the same time, a wax figure of the star was unveiled at London's Rock Circus The house in the chic Kensington district has become a place of pilgrimage for millions of fans since Freddie's death, because there is no grave. The singer's remains were cremated, and the urn is kept by his parents at their home on the island of Zanzibar. Mourning, tears, and deeply affected faces: "We will never forget him!" Even a year after his death, Freddie Mercury still has many friends. On November 24, Queen fans from all over the world gathered in London to mourn together in front of Freddie Mercury's house. For on that day, it was exactly one year since the Queen singer died at the age of only 45 from complications of AIDS. Hundreds laid bouquets of flowers in front of the green entrance gate of the house at 1 Logan Place.

A Second Wave of Rock Royalty Queen’s Greatest Hits II LP, was released in the UK on October 28, 1991, on Parlophone Records (catalogue: PMTV2). The album consisted of Queen's biggest hits between 1981 and 1991, from the UK chart-topper "Under Pressure" to "The Show Must Go On". The compilation Greatest Hits II reached number one on the UK Albums Chart and is the tenth best-selling album in the UK, with sales of 3.9 million copies as of 2014. It is the seventh best-selling album in Germany, the thirteenth best-selling album in France, and the best-selling album by a foreign artist in Finland. Accumulated sales (Greatest Hits II and Classic Queen for the US and Canada combined) are in excess of 25 million worldwide. Freddie Mercury designed the crest on the album cover, using the astrological signs of the four members: two Leos (Roger Taylor and John Deacon), one Cancer (Brian May), and one Virgo (Mercury). Content The compilation contains most of Queen's hits from 1981 to 1991. The singles "Body Language," "Back Chat," "Las Palabras de Amor," "Thank God It's Christmas," "Princes of the Universe," and "Scandal" were omitted for this release. "Las Palabras de Amor," "Thank God It's Christmas," "These Are the Days of Our Lives," and "Princes of the Universe" were later included on Greatest Hits III. Album Overview UK 2LP Label: Parlophone – PMTV 2, Parlophone – 168 7 97971 1 Format: 2 x Vinyl, LP, Compilation, Gatefold Country: UK Released: 28 Oct 1991 Track List: A1 A Kind Of Magic Written-By – Taylor* 4:22 A2 Under Pressure Co-producer, Vocals – David Bowie Written-By – David Bowie, Queen 4:02 A3 Radio Ga Ga Written-By – Taylor* 5:42 A4 I Want It All Written-By – Queen 3:58 A5 I Want To Break Free Written-By – Deacon* 4:18 B1 Innuendo Written-By – Queen 6:30 B2 It's A Hard Life Written-By – Mercury* 4:05 B3 Breakthru Written-By – Queen 4:06 B4 Who Wants To Live Forever Written-By – May* 5:12 C1 Headlong Written-By – Queen 4:38 C2 The Miracle Written-By – Queen 5:00 C3 I'm Going Slightly Mad Written-By – Queen 4:22 C4 The Invisible Man Written-By – Queen 3:54 D1 Hammer To Fall Written-By – May* 3:36 D2 Friends Will Be Friends Written-By – Mercury*, Deacon* 4:05 D3 The Show Must Go On Written-By – Queen 4:24 D4 One Vision Written-By – Queen 4:00 Phonographic Copyright ℗ – Queen Productions Ltd. Phonographic Copyright ℗ – Raincloud Productions Ltd. Phonographic Copyright ℗ – David R. Jones Phonographic Copyright ℗ – Mainman S.A. Published By – Queen Music Ltd. Published By – EMI Music Publishing Ltd. Mastered At – The Town House Licensed To – EMI Records Ltd. Pressed By – EMI Records Co-producer – David Richards (tracks: A1, A4, B1, B3, B4, C1-C4, D3), Mack (2) (tracks: A3, A5, B2, D1, D2, D4) Management – Jim Beach (2) Mastered By – Kevin Metcalfe Performer – Brian May, Freddie Mercury, John Deacon, Roger Taylor Producer – Queen Sleeve Notes – Jim Jenkins (2) Sleeve [Design] – Richard Gray (2) This version is not embossed. Comes in a full glossy, gatefold sleeve. Includes printed inner sleeves. Durations do not appear on this release. Timings via stopwatch. UK Variations 2 x Vinyl 1: Format: 2 x Vinyl, LP, Compilation, Gatefold Country: UK Released: 28 Oct 1991 2: Format: 2 x Vinyl, LP, Compilation, Limited Edition, Gold Embossed Gatefold Country: UK Released: 1991 Label: Parlophone – PMTV 2, Parlophone – 168 7 97971 1 3: Format: 2 x Vinyl, LP, Compilation, Gold Bronzing Gatefold Country: UK Released: 1991 Tape Cassette Label: Parlophone – TCPMTV 2, Parlophone – 468 79 7971 4 Format: Cassette, Compilation Country: UK Released: 1991 A1 A Kind Of Magic A2 Under Pressure Featuring – David Bowie A3 Radio Ga Ga A4 I Want It All A5 I Want To Break Free A6 Innuendo A7 It's A Hard Life A8 Breakthru A9 Who Wants To Live Forever B1 Headlong B2 The Miracle B3 I'm Going Slightly Mad B4 The Invisible Man B5 Hammer To Fall B6 Friends Will Be Friends B7 The Show Must Go On B8 One Vision Phonographic Copyright ℗ – Queen Productions Ltd. Phonographic Copyright ℗ – Raincloud Productions Ltd. Phonographic Copyright ℗ – David R. Jones Phonographic Copyright ℗ – Mainman S.A. Copyright © – Queen Productions Ltd. Copyright © – Raincloud Productions Ltd. Licensed To – EMI Records Ltd. Licensed From – Queen Productions Ltd. Mastered At – The Town House Published By – Queen Music Ltd. Published By – EMI Music Publishing Ltd. Record Company – G.T.S. (Fabrications) Limited Design [Sleeve] – Richard Gray (2) Liner Notes – Jim Jenkins (2) Management – Jim Beach (2) Mastered By – Kevin Metcalfe Producer – David Richards (tracks: A1, A4, A6, A8 to B4, B7), Mack (2) (tracks: A3, A5, A7, B5, B6, B8), Queen Written-By – Brian May (tracks: A9, B5), David Bowie (tracks: A2), Freddie Mercury (tracks: A7, B6), John Deacon (tracks: A5, B6), Queen (tracks: A2, A4, A6, A8, B1 to B4, B7, B8), Roger Taylor (tracks: A1, A3) Printed in England. Manufactured in England. UK Variations: 1: Format: Cassette, Compilation Country: UK Released: 1991 2: Format: Cassette, Compilation, Dolby Country: UK Released: 1991 CD Album Label: Parlophone – CDP 79 7971 2, Parlophone – CDPMTV 2, Parlophone – 570 CDP 79 7971 2 Format: CD, Compilation, Stereo, Nimbus Country: UK Released: 28 Oct 1991 Tracklist: 1 Queen– A Kind Of Magic Written-By – Roger Taylor 4:22 2 Queen & David Bowie– Under Pressure Producer – David Bowie Written-By – David Bowie, Queen 3:56 3 Queen– Radio Ga Ga Written-By – Roger Taylor 5:43 4 Queen– I Want It All Written-By – Queen 4:01 5 Queen– I Want To Break Free Written-By – John Deacon 4:18 6 Queen– Innuendo Written-By – Queen 6:27 7 Queen– It's A Hard Life Written-By – Freddie Mercury 4:09 8 Queen– Breakthru Written-By – Queen 4:09 9 Queen– Who Wants To Live Forever Arranged By [Orchestra] – Michael Kamen Written-By – Brian May 4:57 10 Queen– Headlong Written-By – Queen 4:33 11 Queen– The Miracle Written-By – Queen 4:54 12 Queen– I'm Going Slightly Mad Written-By – Queen 4:07 13 Queen– The Invisible Man Written-By – Queen 3:58 14 Queen– Hammer To Fall Written-By – Brian May 3:40 15 Queen– Friends Will Be Friends Written-By – Freddie Mercury, John Deacon 4:08 16 Queen– The Show Must Go On Written-By – Queen 4:23 17 Queen– One Vision Written-By – Queen 4:02 Phonographic Copyright ℗ – Queen Productions Ltd. Copyright © – Queen Productions Ltd. Copyright © – Raincloud Productions Ltd. Licensed To – EMI Records Ltd. Published By – Queen Music Ltd. Published By – EMI Music Publishing Ltd. Mastered At – The Town House Glass Mastered At – Nimbus Edited By [For Cd] – David Richards Management – Jim Beach (2) Mastered By – Kevin Metcalfe Performer – Brian May, Freddie Mercury, John Deacon, Roger Taylor Producer – David Richards (tracks: 1, 4, 6, 8 to 13, 16), Mack (2) (tracks: 3, 5, 7, 14, 15, 17), Queen Sleeve Notes – Jim Jenkins (2) Sleeve, Design – Richard Gray (2) ℗ 1991 The copyright in this compilation is owned by Queen Productions Ltd. under exclusive license to EMI Records Ltd. © 1991 Queen Productions Ltd. / Raincloud Productions Ltd. logo: Parlophone Made in UK Disc glass mastered by Nimbus All tracks published by Queen Music Ltd. / EMI Music Publishing Ltd. Tracks edited for CD. Mastered at The Townhouse. Tracks 1, 9, 15: ℗ 1986 Original sound recording made by Queen Productions Ltd. Track 2: ℗ 1981 Original sound recording made by Raincloud Productions Ltd. / David R. Jones / Mainman S.A. Tracks 3, 5, 7, 14: ℗ 1984 Original sound recording made by Raincloud Productions Ltd. Tracks 4, 8, 11, 13: ℗ 1989 Original sound recording made by Queen Productions Ltd. / Raincloud Productions Ltd. Tracks 6, 10, 12, 16: ℗ 1991 Original sound recording made by Queen Productions Ltd. Track 17: ℗ 1985 Original sound recording made by Raincloud Productions Ltd. / Queen Productions Ltd. Comes in a jewel case with a 24 page illustrated booklet containing the tracklist, release credits and on page 4 to 24 liner notes by Jim Jenkins, where a bief history of each track is given including the song writer, the producer, the original release date, the album it was taken from and the chart postion. CD mentioned: Made in UK UK Variations: 1: Format: CD, Compilation, Stereo, Nimbus Country: UK Released: 28 Oct 1991 2: Format: CD, Compilation, EMI SWINDON Country: UK Released: 28 Oct 1991 3: Format: CD, Compilation, Stereo, Capitol Jax Country: UK Released: 1991 4: Format: CD, Compilation, DADC Austria Country: UK Released: 28 Oct 1991 5: Format: Box Set, Compilation, Promo CD, Compilation VHS, Compilation, PAL Country: UK Released: 1991 Track List: Greatest Hits II CD-01 A Kind Of Magic CD-02 Under Pressure CD-03 Radio Ga Ga CD-04 I Want It All CD-05 I Want To Break Free CD-06 Innuendo CD-07 It's A Hard Life CD-08 Breakthru CD-09 Who Wants To Live Forever CD-10 Headlong CD-11 The Miracle CD-12 I'm Going Slightly Mad CD-13 The Invisible Man CD-14 Hammer To Fall CD-15 Friends Will Be Friends CD-16 The Show Must Go On CD-17 One Vision Greatest Flix II VHS-01 Intro VHS-02 A Kind Of Magic VHS-03 Under Pressure VHS-04 Radio Ga Ga VHS-05 I Want It All VHS-06 I Want To Break Free VHS-07 Innuendo VHS-08 It's A Hard Life VHS-09 Breakthru VHS-10 Who Wants To Live Forever VHS-11 Headlong VHS-12 The Miracle VHS-13 I'm Going Slightly Mad VHS-14 The Invisible Man VHS-15 Hammer To Fall VHS-16 Friends Will Be Friends VHS-17 The Show Must Go On VHS-18 One Vision VHS-19 God Save The Queen (Closing Titles) Promotional box set comprising of 'Greatest Hits II' CD album, 'Greatest Flix II' PAL video and a 96-page 'Greatest Pix II' softback book. Housed in a 9Ѕ" x 11Ѕ" x 2" blue box bearing a gold embossed Queen crest. CD: All credits, ℗ & © etc. as in Queen - Greatest Hits II (DADC pressing) VHS: All credits, ℗ & © etc. as in Queen - Greatest Flix II Book: IMP Books © 1991 Queen Productions Ltd under exclusive licence to International Music Publications. Do you have Greatest Hits II in your vinyl stack? Which ‘80s anthem rocks your turntable? Share in the comments! Sources Discogs: Greatest Hits II (1991) 45cat: Queen Singles Official Charts Company: Queen Albums AllMusic: Greatest Hits II Wikipedia: Greatest Hits II Billboard Chart History: Queen YouTube: Greatest Hits II Full Album (2014 upload, 3M+ views)

A Hard Rock Comeback Slade’s “Radio Wall of Sound” 7-inch vinyl single, was released in the UK on October 7, 1991, on Polydor Records (catalogue: PO 180). Backed with “Lay Your Love On The Line,” this vibrant R&B-infused rocker, written and produced by bassist Jim Lea, marked Slade's return after a four-year hiatus, promoting the Wall of Hits compilation. Noddy Holder's soaring vocals and the band's tight rhythm drove the track, peaking at No. 21 on the UK Singles Chart on its entry spot on October 20, 1991 - October 26, 1991—their final Top 30 hit. Housed in a colorful sleeve with the band's ‘90s image, it captured Slade's enduring glam spirit amid a new wave landscape. Single Overview A-Side: “Radio Wall of Sound” (3:59)Written by Jim Lea. A high-energy R&B rocker with radio DJ soundbites, pulsating bass, and Holder's gritty vocals, echoing Slade's ‘70s stomp. Produced by Lea for Perseverance Ltd., it celebrated rock 'n' roll escapism with a modern edge. B-Side: “Lay Your Love On The Line” (3:22)Written by Jim Lea. A punchy, guitar-driven ballad with romantic lyrics and Lea’s multi-instrumental flair, offering a softer contrast to the A-side's drive. Also produced by Lea, it highlighted the band's versatility. Release Details: Label: Polydor Records (UK pressing, 45 RPM). Formats: 7-Inch Vinyl (PO 180): “Radio Wall of Sound” / “Lay Your Love On The Line.” In a picture sleeve with band artwork. 12-Inch Vinyl (PZ 180): Includes “Cum On Feel The Noize” as a bonus. CD Single (PZCD 180): Three tracks, with “Cum On Feel The Noize.” Notes: ℗ & © 1991 Polydor Ltd. / Perseverance Ltd. Runout etched by George “Porky” Peckham. From Wall of Hits. Production and Context Recorded in 1991 at Jim Lea's home studio, the single was produced and arranged by Lea for Perseverance Ltd., marking Slade's return after You Boyz Make Big Noize (1987). The lineup: Noddy Holder (vocals, guitar), Dave Hill (guitar), Jim Lea (bass, keyboards, backing vocals), Don Powell (drums). “Radio Wall of Sound” featured DJ Mike Read's voiceovers, blending R&B with glam stomp. Released after Polydor approached the band for Wall of Hits, it aimed to recapture their ‘70s glory amid Britpop's rise, but “Universe” (follow-up) flopped, ending their chart era. Singles Released and Chart Performance The single was a standalone release from Wall of Hits, with no further singles from it: Chart Performance: UK: No. 21 (Official Singles Chart), charting for 5 weeks—their 23rd Top 30 hit and final chart entry. Ireland: No. 12. Netherlands: No. 39 (Single Top 100). Germany: No. 45 (GfK). Australia: No. 88 (ARIA). Other Countries: No chart entries in US, Canada, France, Sweden, or New Zealand. EP Chart Performance As a single, it peaked at No. 21 in the UK, charting for 5 weeks. Wall of Hits reached No. 34 UK. Have you got this Slade comeback in your vinyl stack? Does it echo their glam glory? Share in the comments!

A Slade Xmas Evergreen Reborn Released as a 7-inch vinyl single reissue in the UK on November 26, 1990, on Polydor Records (catalogue: PO 112 / 979 268-7), Slade’s “Merry Xmas Everybody” — their 1973 Christmas No. 1 — returned with “Don't Blame Me.” The 12-inch (PZ 112) added the Peter Hammond & Jimmy Lea Extended Remix (5:18) and original 7" version. Issued in silver injection labels (small/large centre), black plastic injection, and 12-inch. A festive glam classic recharged. Single Overview Release Details Label: Polydor Records. Formats: Vinyl, 7", 45 RPM, Single Reissue (silver/black injection labels), 12". Full Track Listing 7" Single (PO 112) – all UK pressings Side A Merry Xmas Everybody (3:29) Side B Don't Blame Me (2:33) 12" Single (PZ 112) Side A Merry Xmas Everybody (Extended Remix Version) (5:18) – Remix: Jimmy Lea, Peter Hammond Side B 1. Merry Xmas Everybody (7" Version) (3:29) 2. Don't Blame Me (2:33) UK Variants (all supplied) - 7", 45 RPM, Single – Polydor PO 112 – UK – 1990 (silver/black injection labels) - 12", 45 RPM – Polydor PZ 112 – UK – 1990 Production and Context Original production: Chas Chandler (1973). 1990 extended remix by Jimmy Lea & Peter Hammond. 1990 reissue of the 1985 Polydor reissue — second Polydor re-release. Chart Performance No new chart entry (1990 reissue). Legacy and Collectibility “Merry Xmas Everybody” is Slade’s immortal glam Christmas No. 1 — perennial festive re-entry king. 1990 Polydor pressings (silver injection labels) fetch £10–£30 on eBay/Discogs, 12" £15–£40. Verify catalogue PO 112 / PZ 112. This reissue is a must-have for Slade Christmas collectors. Do you have the 1990 Merry Xmas Everybody reissue in your vinyl stack? Is it Christmas every day? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube What’s the next classic vinyl you’d like to feature? Share in the comments! Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

A Duet Dynamite Revival Rod Stewart & Tina Turner’s “It Takes Two” 7-inch vinyl single, was released in the UK on November 12, 1990, on Warner Bros. Records (catalogue: ROD 1 / 5439-19493-7). Backed with “Hot Legs (Live),” this soul-pop cover of the Marvin Gaye/Kim Weston classic, written by William Stevenson and Sylvia Moy, was produced by Bernard Edwards and Rod Stewart. The A-side’s electrifying chemistry and Turner’s courtesy of Capitol Records appearance peaked at No. 5 on the UK Singles Chart for 8 weeks. Issued in plastic injection labels, paper labels, 12-inch extended remix, and promo VHS variants, it’s a high-energy ‘90s highlight. Single Overview A-Side: “It Takes Two” (Rod Stewart & Tina Turner) Written-By – Moy, Stevenson. Producer – Bernard Edwards, Rod Stewart. B-Side: “Hot Legs (Live)” (Rod Stewart) Written-By – Rod Stewart. Producer – Rod Stewart. From Absolutely Live. Release Details: Label: Warner Bros. Records (UK pressing, 45 RPM). Published By – Jobete Music (UK) Ltd. (A), Cardinal Music Ltd. (B). Phonographic Copyright ℗ – WEA Records B.V. (1990 A/B1, 1982 B). Copyright © – WEA International Inc. Pressed By – Lyntone Recordings Ltd. (LYN 47673 in some). Mastered At – Musitech. UK Formats: Vinyl, 7", 45 RPM, Single Plastic Injection Labels (ROD 1 / 5439-19493-7): A: “It Takes Two” (Rod Stewart & Tina Turner) – Producer – Bernard Edwards, Rod Stewart – Written-By – Moy, Stevenson B: “Hot Legs (Live)” (Rod Stewart) – Producer – Rod Stewart – Written-By – Rod Stewart Vinyl, 7", 45 RPM, Single Paper Labels (ROD1 / 5439-19493-7) A: “It Takes Two” (Rod Stewart & Tina Turner) – Producer – Bernard Edwards, Rod Stewart – Written-By – Moy, Stevenson B: “Hot Legs (Live)” (Rod Stewart) – Producer – Rod Stewart – Written-By – Rod Stewart Vinyl, 12", 45 RPM, Single (ROD1T / ROD 1 (T) / 7599-21815-0): A: “It Takes Two (Extended Remix)” – Remix – Nick Launay B1: “It Takes Two” B2: “Hot Legs (Live)” Plated/Pressed By – P.R. Records Limited. VHS, Promotional Single : “It Takes Two.” Notes: Labels: A Warner Communications Company. Sleeve: A Time Warner Company. Tina Turner courtesy of Capitol Records. Barcode on labels/sleeve. UK (Warner Bros. ROD 1 / 5439-19493-7): Released November 12, 1990. 7-inch (plastic/paper labels), 12-inch, promo VHS. Country Variations The single was released in the UK along with France - Warner Bros. - 1990 Germany - Warner Bros. - 1990 Italy - Warner Bros. - 1990 Australia - Warner Bros. - 1991 Production and Context Produced by Bernard Edwards/Rod Stewart (A/B1), Rod Stewart (B2). Recorded in 1990. The lineup: Rod Stewart (vocals), Tina Turner (vocals). “It Takes Two” was a duet revival, while “Hot Legs (Live)” from Absolutely Live. Released amid Stewart’s Vagabond Heart era, it competed with Mariah Carey and The Righteous Brothers. Singles Released and Chart Performance “It Takes Two” was a standalone duet single: Chart Performance: Entry Date: November 24, 1990. Peak: No. 5 (December 1, 1990). Weeks on Chart: 8 (Nov 24, 1990 – Jan 12, 1991). Chart Run: No. 12 (Nov 24), No. 5 (Dec 1), No. 7 (Dec 8), No. 19 (Dec 15), No. 32 (Dec 22), No. 33 (Dec 29), No. 35 (Jan 5), No. 53 (Jan 12). Legacy and Collectibility “It Takes Two” is a Stewart-Turner duet dynamo, with “Hot Legs (Live)” a rowdy B-side. Original UK 7-inch vinyls fetch £3–£8 on eBay/Discogs, 12-inch (£5–£15), promo VHS (£10–£25). Verify catalogue ROD 1. Streams on Spotify via compilations preserve the analog fire. This single is a must-have for Stewart/Turner fans and ‘90s pop collectors. Have you snagged this duet dynamite in your vinyl collection? Does It Takes Two take you? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

Band Overview Formed: 1966 in Carshalton, Surrey, England Classic line-up (1973–1976 peak): Les Gray – lead vocals Rob Davis – guitar Ray Stiles – bass Dave Mount – drums Style & Sound Pure Chinnichap bubblegum-glam: stomping drums, handclaps, infectious choruses, cheeky lyrics, and massive sing-along appeal. Mud were one of the most commercially successful British glam acts of the 1970s, scoring 15 Top 40 singles between 1973 and 1976, including three UK No. 1s. Essential UK Singles (with peak positions) Tiger Feet – No. 1 (Jan 1974) The Cat Crept In – No. 2 (Apr 1974) Rocket – No. 6 (Jul 1974) Lonely This Christmas – No. 1 (Dec 1974) The Secrets That You Keep – No. 3 (Feb 1975) Oh Boy – No. 1 (May 1975) Moonshine Sally – No. 16 (Jul 1975) L-L-Lucy – No. 10 (Nov 1975) Cut Across Shorty / We’ve Got to Know – No. 35 (Feb 1976) Shake It Down – No. 12 (Sep 1976) Essential Albums Mud Rock (1974) – No. 1 UK Mud Rock Volume 2 (1975) – No. 6 UK Use Your Imagination (1975) – No. 33 UK Mudpack (compilation, 1977) – strong seller in budget bins Collectibility & Rarities Original UK RAK picture sleeves (especially Tiger Feet, Lonely This Christmas, Oh Boy) – £15–£50 mint Dutch & German variants with unique picture sleeves – £20–£80 The 1977 “Mud Giants” RAK Replay 3-track maxi (Tiger Feet / Oh Boy / Dyna-mite) – £10–£40 French & Australian misprint sleeves – sought after by completists Signed items (Les Gray especially) – £100–£300+ Quick Facts Produced almost exclusively by Nicky Chinn & Mike Chapman (same team behind Sweet, Suzi Quatro, Smokie). “Lonely This Christmas” is still a staple Christmas song on UK radio. Mud were one of the few glam acts to survive into the late 1970s with consistent chart success. The band continued in various forms after Les Gray’s death in 2001; Ray Stiles still tours with a Mud line-up. Recommended Starting Points Tiger Feet (the definitive glam stomp) Lonely This Christmas (holiday classic) Oh Boy (perfect 1950s revival) Mud Rock (1974) album (the peak glam sound) Do you collect Mud singles or LPs? Which track is your favourite? Let me know in the comments! Sources: Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia and BBC Official Charts Company

A 1973 BBC Sessions Raw Glory Released as a vinyl LP in the UK on December 4, 1989, on Band Of Joy Records (catalogue: BOJLP001), Queen At The Beeb was the band’s first official live release — eight tracks from two BBC Radio 1 Sound Of The 70s sessions (February 5 & December 3, 1973) at Langham 1. Produced by Bernie Andrews, this raw document featured early Queen and Queen II material, including the only official release of “Ogre Battle” from the first session. Peaked at No. 67 UK. Issued in standard sleeve, with CD and cassette companions. Later expanded in On Air (2016). Album Overview Release Details Label: Band Of Joy (by arrangement with BBC/EMI). Formats: Vinyl LP, CD, cassette. Full Track Listing Side A – Session 1 (February 5, 1973) 1. My Fairy King (4:06) 2. Keep Yourself Alive (3:48) 3. Doing All Right (4:11) 4. Liar (6:28) Side B – Session 2 (December 3, 1973) 1. Ogre Battle (3:57) 2. Great King Rat (5:59) 3. Modern Times Rock ’n’ Roll (2:00) 4. Son And Daughter (7:08) Reissues & Global Variants - LP – Band Of Joy BOJLP001 – UK – 4 Dec 1989 - CD – Band Of Joy BOJCD001 – UK – 1989 - Cassette – Band Of Joy BOJMC 001 – UK – 1989 Production and Context Produced by Bernie Andrews for BBC Radio 1 *Sound Of The 70s*. Recorded at Langham 1, London. First official Queen live release — raw early performances before fame. Album Chart Performance - UK: 67 (1989) Legacy and Collectibility Queen At The Beeb is Queen’s raw 1973 BBC debut — the only place to hear the original “Ogre Battle” session. Original UK Band Of Joy vinyls fetch £40–£100 on eBay/Discogs. Verify catalogue BOJLP001. This album is a must-have for early Queen collectors. Do you have Queen At The Beeb in your vinyl stack? Is 1973 your favourite Queen era? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

The Melancholy Houston Bonus Released as a 7-inch vinyl single in the UK on November 27, 1989, on Parlophone Records (catalogue: QUEEN 15), Queen’s “The Miracle” was the fifth and final single from the album of the same name. The title track (produced by Queen & David Richards) was backed with the blistering live “Stone Cold Crazy” from the Rainbow 1974 and, on 12"/CD, the Houston 1977 “My Melancholy Blues.” Peaked at No. 21 on the Official Singles Chart for 5 weeks. Issued in paper labels, silver injection labels, limited holographic poster edition, 12-inch, and CD formats. Single Overview Release Details Label: Parlophone Records. Formats: Vinyl 7" (paper/silver injection labels), 12", CD, cassette (plays same both sides). Full Track Listing by Format 7" Vinyl (QUEEN 15) – all UK pressings Side A The Miracle (5:02) – Producer, Arranged By, Engineer: David Richards, Queen Side B Stone Cold Crazy (Live At The Rainbow, London ’74) (2:11) – Written-By: Queen 12" Vinyl (12 QUEEN 15) & CD Single (CD QUEEN 15) Side A / Track 1 The Miracle (5:02) Side B / Tracks 2–3 1. Stone Cold Crazy (Live At The Rainbow, London ’74) (2:11) 2. My Melancholy Blues (Live At Houston, Texas ’77) (3:48) Cassette Single (TCQUEEN15) Both sides identical 1. The Miracle 2. Stone Cold Crazy (Live At The Rainbow, London ’74) UK Variants - 7", 45 RPM, Single, Paper Labels – Parlophone QUEEN 15 – UK – 1989 - 7", 45 RPM, Single, Silver Injection Labels – Parlophone QUEEN 15 – UK – 1989 - 7", Single, Limited Edition, Paper Sleeve – Parlophone QUEENH 15 – UK – 1989 - 12", 45 RPM – Parlophone 12 QUEEN 15 – UK – 1989 - CD, Single – Parlophone CD QUEEN 15 – UK – 1989 - Cassette, Single – Parlophone TCQUEEN15 – UK – 1989 Production and Context “The Miracle” produced/arranged/engineered by Queen & David Richards. Live tracks from *Rare Live* video. Last single of the 1980s for Queen. Official Singles Chart Data Peak position: 21 5 weeks – December 9, 1989 to January 6, 1990 21 → 27 → 44 → 46 → 73 Legacy and Collectibility “The Miracle” is Queen’s final ‘80s single — a majestic title track with classic live B-sides. Original UK pressings (especially poster edition) fetch £10–£40 on eBay/Discogs. Verify catalogue QUEEN 15. Streams on Spotify preserve the miracle. This single is a must-have for Queen collectors. Do you have The Miracle in your vinyl stack? Did it work its magic? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

Bowie's Band's Moody Muse Tin Machine’s “Prisoner of Love” 7-inch vinyl single, was released in the UK on October 30, 1989, on EMI Records (catalogue: MT 7630). Backed with a live version of “Baby Can Dance,” this brooding rocker, written by the band (David Bowie, Reeves Gabrels, Hunt Sales, Tony Sales), was the third single from their self-titled debut album. Produced by Tin Machine and Tim Palmer, the track’s dark lyrics and Gabrels’ angular guitar marked Bowie’s punk-infused band era, peaking at No. 46 on the UK Singles Chart for 3 weeks. Issued in a picture sleeve with band artwork, it’s a key artifact of Bowie’s collaborative 1980s phase. Overview 7" Vinyl Single Label: EMI USA – MT 76 Format: Vinyl, 7", 45 RPM, Single, Stereo Country: UK Released: 30 Oct 1989 A Prisoner Of Love (Edit) B Baby Can Dance (Live) Phonographic Copyright ℗ – David Bowie Licensed To – EMI USA Copyright © – EMI USA Record Company – Capitol Records, Inc. Published By – EMI Music Publishing Ltd. Manufactured By – EMI Records Ltd. Pressed By – EMI Records Design – Reiner Design Consultants, Inc. Photography By [Photo] – Cesar Vera Producer – Tim Palmer, Tin Machine ℗ 1989 The copyright in this sound recording is owned by David Bowie under exclusive license to EMI USA. A division of Capitol Records Inc. © 1989 EMI - USA A division of Capitol Records Inc. Manufactured in the UK by EMI Music Limited [B] Mobil Recording Services courtesy of Westwood One. Live track recorded at La Cigale, Paris on June 25, 1989. For the envelope-style box/sleeve version see Tin Machine - Prisoner Of Love. Chart Performance: UK: No. 46 (Official Singles Chart), charting for 3 weeks. US: No. 80 (Billboard Hot 100, 4 weeks). Australia: No. 50 (Kent Music Report, 2 weeks). Netherlands: No. 50 (Single Top 100, 3 weeks). Germany: No. 44 (GfK, 5 weeks). Ireland: No. 25 (Irish Singles Chart, 2 weeks). New Zealand: No. 28 (RMNZ, 3 weeks). Canada: No. 67 (RPM, 2 weeks). Belgium: No. 29 (Ultratop Flanders, 4 weeks). France: No. 38 (SNEP, 3 weeks). Sweden: No. 20 (Sverigetopplistan, 2 weeks). Norway: No. 10 (VG-lista, 3 weeks). UK Chart Data: Entry Date: November 4, 1989. Peak: No. 46 (November 11, 1989). Weeks on Chart: 3 (Nov 4–Nov 25, 1989). Chart Run: No. 46 (Nov 4), No. 46 (Nov 11), No. 50 (Nov 18), No. 55 (Nov 25). Note: The single’s modest performance was overshadowed by Tin Machine’s debut album (No. 3 UK, 1989), but it highlighted the band's live prowess. Single Chart Performance “Prisoner of Love” peaked at No. 46 in the UK, charting for 3 weeks, and saw limited international success, peaking at No. 10 in Norway and No. 20 in Sweden, reflecting Tin Machine’s niche appeal. 12" Vinyl Single Label: EMI USA – TCMT 76 Format: Cassette, Single Country: UK Released: Oct 1989 A1 Prisoner Of Love (Edit) A2 Baby Can Dance (Live) B1 Prisoner Of Love (Edit) B2 Baby Can Dance (Live) CD Single Label: EMI USA – CDMT 76, EMI USA – 2035742 Format: CD, Single Country: UK Released: Oct 1989 1 Prisoner Of Love (Edit) 2 Baby Can Dance (Live) 3 Crack City (Live) 4 Prisoner Of Love (LP Version) Cassette Single Label: EMI USA – TCMT 76 Format: Cassette, Single Country: UK Released: Oct 1989 A1 Prisoner Of Love (Edit) A2 Baby Can Dance (Live) B1 Prisoner Of Love (Edit) B2 Baby Can Dance (Live) 7" Vinyl Single Box Set Label: EMI USA – MTS 76, EMI USA – MT 76 Format: Box Set, Stereo Vinyl, 7", 45 RPM, Postcards Country: UK Released: 1989 A Prisoner Of Love (Edit) B Baby Can Dance (Live) Comes in a metallic finish, envelope-style box/sleeve and includes 4 postcards of the band members. 7" Vinyl Single Shaped Picture Disc Label: EMI USA – MTPD 76 Format: Vinyl, 7", Shape, Picture Disc Country: UK Released: Oct 1989 A Prisoner Of Love (Edit) B Baby Can Dance (Live) 7" Vinyl Single Shaped Picture Disc (Uncut) Label: EMI USA – MTPD 76 Format: Vinyl, 7", Picture Disc, Test Pressing, Uncut Country: UK Released: Oct 1989 A Prisoner Of Love (Edit) B Baby Can Dance (Live) Legacy and Collectibility “Prisoner of Love” is a Tin Machine standout, with Bowie’s Iggy-inspired lyrics and Gabrels’ guitar, while the live B-side captures the band’s energy. Original UK 7-inch vinyls fetch £3–£10 on eBay/Discogs, with Japanese pressings (£8–£20) prized for obi strips. Verify catalogue MT 7630. Streams on Spotify via Tin Machine deluxe editions preserve the analog bite. This single is a must-have for Bowie and Tin Machine collectors. Have you snagged this Tin Machine rarity in your vinyl collection? Does “Prisoner of Love” haunt you? Share in the comments! Sources Discogs: Prisoner of Love (1989) Official Charts Company: Tin Machine Singles AllMusic: Tin Machine Discography Wikipedia: Tin Machine Discography Billboard Chart History: Tin Machine YouTube: Prisoner of Love Official Video (2009 upload, 1M+ views)

A Metallic KO Michigan Palace Relic Released as a limited, numbered 7-inch clear glitter vinyl single in the UK on November 30, 1988, on Jungle Records (catalogue: JUNG 61), Iggy And The Stooges’ “(I Got) Nothing” b/w “Cock In My Pocket” was taken from the legendary final Stooges show at Michigan Palace, February 9, 1974 — immortalised on the Metallic KO album. Remastered from the original Skydog tapes, this raw, chaotic live assault with Ron Asheton (bass), Scott Asheton (drums), James Williamson (guitar), Scott Thurston (electric piano), and Iggy Pop (vocals) — is pure Stooges anarchy. Distributed by EFA, no chart entry. A cult collector’s holy grail. Single Overview Release Details Label: Jungle Records. Format: Vinyl, 7", 45 RPM, Single, Limited Edition, Numbered, Remastered, Clear Glitter. Full Track Listing Side A (I Got) Nothing – Written-By: Iggy Pop, James Williamson Side B Cock In My Pocket – Written-By: Iggy Pop, James Williamson Global Variants UK-only limited pressing. Production and Context Recorded live at Michigan Palace, Detroit – February 9, 1974 (last ever Stooges show). Originally released on Skydog’s *Metallic KO* (1976). Sleeve by Bazooka Prod. (Loulou Picasso, José Perfeccion). Photography: Joe Stevens. Legacy and Collectibility “(I Got) Nothing” / “Cock In My Pocket” is the final documented Stooges roar — from the infamous bottle-throwing Michigan Palace meltdown. Original 1988 clear glitter numbered 7"s fetch £80–£250+ on eBay/Discogs. Verify catalogue JUNG 61. Streams on Spotify via *Metallic KO* reissues preserve the chaos. This single is a must-have for Stooges/Iggy completists. Do you have (I Got) Nothing in your vinyl stack? Is the cock still in your pocket? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Glam Revival Hit Bryan Ferry’s “Let’s Stick Together (Westside ’88 Remix)” 7-inch vinyl single, was released in the UK on October 17, 1988, on EG Records (catalogue: EGO 44). Backed with Roxy Music’s “Trash,” this release reimagined Ferry’s 1976 hit, a cover of Wilbert Harrison’s 1962 R&B classic, with a modernized remix by Bruce Lampcov and Rhett Davies for Westside Studios. Issued to promote Ferry’s solo career revival and Roxy Music’s legacy, the single tapped into ‘80s nostalgia, peaking at No. 12 on the UK Singles Chart. Single Overview A-Side: “Let’s Stick Together (Westside ’88 Remix)” (2:55)Written by Wilbert Harrison. Originally from Ferry’s 1976 solo album Let’s Stick Together, this remix updates the soulful R&B cover with punchy ‘80s production, emphasizing Ferry’s suave vocals, Chris Spedding’s guitar, and a tighter rhythm section. The track retains its danceable energy, with lyrics like “Let’s stick together, come on, come on” celebrating romantic commitment. B-Side: “Trash” (2:14) – Roxy MusicWritten by Bryan Ferry and Phil Manzanera. From Roxy Music’s 1979 album Manifesto, this gritty, new wave-inflected track features Ferry’s urgent vocals and Manzanera’s angular guitar. A nod to the band’s post-glam sound, it was a fitting B-side to bridge Ferry’s solo and Roxy Music eras. Release Details: Label: EG Records (UK pressing, 45 RPM). Formats: 7-Inch Vinyl (EGO 44): “Let’s Stick Together (Westside ’88 Remix)” / “Trash.” Housed in a picture sleeve featuring Ferry in a slick, suited pose. 12-Inch Vinyl (EGO 44T): Includes extended remixes of “Let’s Stick Together” (e.g., 12” Mix, 4:45) and “Trash.” CD Single: Features additional tracks or extended mixes, such as “Let’s Stick Together (Extended Westside ’88 Remix)” and “Trash.” Notes: ℗ 1988 E.G. Records Ltd. The single promoted The Ultimate Collection (1988), a compilation of solo and Roxy Music hits. Matrix numbers (e.g., EGO 44 A-1U) confirm authenticity. Production and Context The A-side remix was produced by Bruce Lampcov and Rhett Davies at Westside Studios, London, refreshing the 1976 original (recorded at AIR Studios) for ‘80s airplay. The original featured Bryan Ferry (vocals, keyboards), Chris Spedding (guitar), John Wetton (bass), and Paul Thompson (drums). “Trash” was produced by Roxy Music from their 1979 Manifesto sessions, featuring Ferry, Manzanera, Andy Mackay (saxophone), and Thompson. Released amid Ferry’s solo resurgence and Roxy Music’s hiatus, the single capitalized on ‘80s retro trends, competing with acts like Duran Duran in a synth-pop-heavy chart. Chart Performance “Let’s Stick Together (Westside ’88 Remix)” was a solid hit: UK: No. 12 (Official Singles Chart), charting for 7 weeks, driven by radio play and The Ultimate Collection promotion. International: Australia: No. 38 (ARIA Charts). Netherlands: No. 39 (Single Top 100). Ireland: No. 18. New Zealand: No. 42.No significant US chart impact, as the release focused on European markets. The original 1976 version had peaked at UK No. 4, setting a high bar. Legacy and Collectibility The 1988 remix revitalized “Let’s Stick Together” for a new audience, with its video featuring Ferry’s dapper charm airing on MTV. “Trash” remains a fan favorite for Roxy Music completists, highlighting their new wave evolution. Original UK 7-inch vinyls fetch £5–£20 on Discogs, with 12-inch (£8–£25) and CD singles (£10–£30) valued for extended mixes—check for intact picture sleeves. Streams on Spotify, via The Ultimate Collection or Manifesto reissues, preserve the tracks’ analog warmth. This single bridges Ferry’s solo swagger with Roxy Music’s legacy—a gem for ‘80s collectors. Have you got this Ferry remix in your vinyl stash? Does it capture his suave style? Share in the comments!

Noddy & Jim's Ooh La La In L.A. Released as a 7-inch vinyl single in the UK on November 27, 1987, on Cheapskate Records (catalogue: BOYZ 2), Slade’s “We Won't Give In” was their defiant late-’80s anthem. Backed with “Ooh La La In L.A.,” both written by Noddy Holder & Jim Lea — “We Won't Give In” produced by Jim Lea, “Ooh La La In L.A.” by John Punter — this final classic-lineup single did not chart. Licensed from RCA-BMG, issued in picture sleeve. The last hurrah before the band’s 1991 split. Single Overview Release Details Label: Cheapskate Records. Format: Vinyl, 7", 45 RPM, Single. Full Track Listing Side A We Won't Give In – Producer: Jim Lea – Written-By: Lea, Holder Side B Ooh La La In L.A. – Producer: John Punter – Written-By: Lea, Holder Reissues & Global Variants No known international or reissue variants. Production and Context “We Won't Give In” produced by Jim Lea. “Ooh La La In L.A.” produced by John Punter. Final single with Noddy Holder before his 1992 departure. A-side became a fan favourite and staple of later live shows. Chart Performance No UK chart entry. Legacy and Collectibility “We Won't Give In” is Slade’s final classic-lineup single — a proud, anthemic curtain call. Original Cheapskate pressings fetch £10–£30 on eBay/Discogs. Verify catalogue BOYZ 2. Streams limited (often on You Boyz Make Big Noize expanded editions). This single is a must-have for Slade die-hards. Do you have We Won't Give In in your vinyl stack? Did Slade ever give in? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

This Halloween, we’re rising from the crypt in full sequined resurrection—platform boots stomping on graves, eyeliner sharp enough to summon demons, and glitter that outshines the moon. 🌙⚡ Tag your coven & show us your most outrageous glam looks—best one gets a shoutout from the undead stage! 👻🎤 #GlamRockHalloween #SpookyAndSparkly

Alice Cooper's " He's Back" one page advert in Smash Hits magazine October 18, (1986)

Sparks’ “Music That You Can Dance To” / “Fingertips” was released on October 13, 1986, the single was the second release from their fourteenth studio album, Music That You Can Dance To , issued through various labels, including MCA Records in the US (MCA-52966 for the 7" and 12") and Consolidated Allied Records in the UK (TOON 3 for the 7", TOON T3 for the 12"). Written and produced by Ron Mael (keyboards) and Russell Mael (vocals), with engineering by Dan Lacksman at Synsound Studios in Brussels, this 7" single leaned into the hi-NRG and synth-funk of the mid-’80s, aiming squarely for club play. Cover of "Music That You Can Dance To" by Sparks, released in the UK on October 13, 1986, under the Consolidated Allied label. With a runtime of approximately 4:05 for the A-side and 4:21 for the B-side, it captured Sparks’ ironic take on dance music while showcasing their knack for quirky covers. Let’s unpack the story, tracks, chart performance, reissues, and legacy of this lesser-known but vibrant Sparks single. The Background: Riding the Hi-NRG WaveBy late 1986, Sparks were deep into their electronic evolution, having pioneered synth-pop with Giorgio Moroder on No. 1 in Heaven (1979) and flirted with new wave on albums like Whomp That Sucker (1981). Their prior single, also titled “Music That You Can Dance To” (paired with “Change,” August 1986), set the stage for their self-produced album—a tongue-in-cheek nod to the era’s club culture, where Stock Aitken Waterman and house music ruled. Recorded with their core band—guitarist Bob Haag, bassist Leslie Bohem, and drummer David Kendrick (his final Sparks outing)—the album and its singles embraced pulsating sequencers and Russell’s operatic falsetto, tempered by Ron’s sardonic lyricism. The second single paired the album’s title track with “Fingertips,” a cover of the 1963 Stevie Wonder hit, reworked as a synth-heavy, Motown-meets-hi-NRG romp. The choice reflected Sparks’ love for reinterpreting classics (like their 1979 take on “Tryouts for the Human Race”). The single’s release coincided with promotional efforts like UK TV spots (notably Wogan) and US club pushes, but it faced stiff competition from pop giants like Madonna and Pet Shop Boys. As a bridge between Sparks’ art-pop past and their stripped-down future (Interior Design, 1988), it marked the end of their full-band era before the Maels went duo-centric. Back cover art for Sparks’ 1986 UK release "Music That You Can Dance To / Fingertips," under the label Consolidated Allied, featuring a striking star design. Original Track Listing (1986 7" and 12" Vinyl Singles) The single was issued in 7" and 12" formats, with the 7" (e.g., UK TOON 3, US MCA-52966) designed for radio and the 12" (TOON T3 / MCA-52966) tailored for clubs with extended mixes. All tracks were credited to Ron and Russell Mael, except “Fingertips,” written by Clarence Paul and Henry Cosby. The picture sleeve, designed by Michael Diehl with photography by Rocky Schenck, echoed the album’s neon-lit, futuristic aesthetic. A-Side Music That You Can Dance To (4:05) – The album version: A hi-NRG anthem mocking highbrow music (“So what’s it gonna be? A symphony tonight?”) for “stark naked modern music” that “cracks you like a whip.” Driven by Ron’s Fairlight CMI synths, Bohem’s funky bass, and Russell’s soaring vocals, it’s Sparks’ satirical love letter to the dancefloor. B-Side Fingertips (4:21) – A cover of Stevie Wonder’s “Part 2” hit, transformed into a synth-funk party track with layered vocals and dog-bark samples (a Sparks quirk). Russell’s delivery adds campy glee, while the arrangement nods to Motown’s bounce but swaps harmonica for electronic flourishes. Extended 12" Versions (e.g., UK TOON T3 / US MCA-52966) The 12" (45 RPM) amplified the club appeal with remixes: A1. Music That You Can Dance To (Extended Club Version) (6:34) – Remixed by the Maels and John Thomas; extended with longer breakdowns and a bolder bassline. A2. Music That You Can Dance To (Album Version) (4:05) – As above. B1. Fingertips (Extended Version) (6:03) – A club-ready remix with stretched grooves and extra synth effects. B2. Fingertips (Album Version) (4:21) – Standard track. Total 12" runtime: ~21:03. The UK 12" added trendy scratching effects to the “Music” mix, which some fans found gimmicky. Cover of "Music That You Can Dance To" by Sparks, featuring a distinctive artistic design under the Curb label, released in Germany with catalogue number INT 112.726. Reissue Track Listings “Music That You Can Dance To” / “Fingertips” hasn’t had standalone reissues but appears on album reissues and Sparks compilations, often with remastered audio. Digital platforms preserve both tracks, with occasional bonus mixes. Key reissues include: 1990 Curb Records CD: The Best of Sparks: Music That You Can Dance To Track 1: Music That You Can Dance To (4:05) – Album version. Track 2: Fingertips (4:21) – Album version. Total relevant tracks: 2; runtime ~8:26. This misnamed “best-of” was the full album, criticized for poor mastering by George Marino but including both single tracks. 2011 Repertoire Records CD Remaster (UK/EU) From the Music That You Can Dance To album reissue: Track 1: Music That You Can Dance To (4:05). Track 2: Fingertips (4:21). Bonus: Includes liner notes on the album’s production. Total: 2 tracks; runtime ~8:26. Remastered for improved clarity, fixing earlier Curb issues. 2018/2023 Digital Remasters (Spotify/Apple Music) Music That You Can Dance To (4:05) – Standard version, with Extended Club Mix (6:34) on some playlists. Fingertips (4:21) – Standard, with Extended Version (6:03) occasionally bundled. Appears in The Essential Sparks (2009 digital comp, Tracks 12–13). Total: 2–4 tracks; runtime ~8:26–19:03. High-res audio; widely available. The tracks also feature in All Sparks Electrical Goods – The Fall and Rise of Sparks 1971–2008 (2008, 5-CD box, Disc 3, Tracks 6–7). No major vinyl reissues exist, though fan bootlegs circulate as 180g pressings.Chart PositionsReleased amid a crowded 1986 pop landscape, “Music That You Can Dance To” / “Fingertips” found its niche in clubs rather than mainstream charts. The first “Music” single (August 1986, with “Change”) hit No. 15 on the US Billboard Dance/Club Play chart, and this follow-up sustained that momentum. Below are key positions (based on Billboard and OCC data): Single Charts Chart Peak Position Weeks on Chart Certification Notes UK Singles (OCC) - - - No chart entry; limited UK promo. US Billboard Hot 100 - - - Promo-only; no mainstream traction. US Billboard Hot Dance Music/Club Play 6 10 - Strong club play; driven by 12" remixes. The album itself missed major charts, underscoring Sparks’ cult status. Estimated global sales for the single: ~30,000 units, mostly via US club DJs and European fans.The Music: Satire Meets GrooveThe A-side, “Music That You Can Dance To,” is Sparks at their sardonic best: Ron’s pulsating Fairlight synths and Kendrick’s crisp drums lay a hi-NRG foundation, while Russell’s falsetto mocks musical snobbery with lines like “lip-smacking good” and “cracks you like a whip.” It’s a dance track that winks at its own excess, blending Pet Shop Boys polish with Sparks’ quirky DNA. Rate Your Music users rate it 3.4/5, praising its “infectious irony.”The B-side, “Fingertips,” reimagines Stevie Wonder’s classic as a synth-funk rave-up. Russell’s layered vocals and the Maels’ dog-bark samples add a surreal twist, while Bohem’s bass keeps the Motown soul intact. It’s less ironic than the A-side but just as danceable, a nod to Sparks’ love for bold covers. Critics like Billboard called it “a curious but effective club cut,” though some purists grumbled about the Wonder overhaul. Legacy and Promotion Promoted through US club circuits and a UK Wogan appearance (Russell’s theatrical dance moves a highlight), the single targeted DJs with its 12" mixes. It followed the first “Music” single’s club success but struggled against pop heavyweights. The track’s live performances during Sparks’ 1986–87 tours (often with “Fingertips” as a medley) showcased their stage charisma, captured in bootlegs like the Live at the Ritz fan recording. The single marked the end of Sparks’ full-band era, as Kendrick joined Devo and the Maels pivoted to a leaner sound. Its legacy endures in club culture—remixes surfaced in 1990s house sets—and it’s a fan favorite, performed in their 2023 50th Anniversary Tour. The 2021 documentary The Sparks Brothers highlights this era’s ambition, cementing the track’s cult status. For collectors, the US 12" (MCA-52966) is a prize for its extended mixes; streamers can find both tracks on the 2011 remaster. Sparks’ dancefloor detour proves their genius: Even their “sellout” is a masterclass in subversion. What’s your favorite Sparks dance bop? Share below! Notes: The October 13, 1986, release date you provided aligns with trade reports (e.g., Billboard archives) for the US and UK markets. If you need specifics on a particular region, format, or live performance, let me know!

A Glam Xmas Reissue Revival Released as a 7-inch vinyl single reissue in the UK on November 29, 1985, on EMI/RAK Records (catalogue: RAK 187), Mud’s “Lonely This Christmas” — their 1974 glam Christmas No. 1 — returned with “I Can't Stand It” on the B-side. The 12-inch edition (12 RAK 187) added “The Cat Crept In.” Direct Metal Mastered pressing, black EMI labels with silver text, generic sleeve in wraparound picture sleeve. Re-entered the Official Singles Chart at No. 61. A festive glam classic reborn. Single Overview Release Details Label: EMI / RAK Records. Formats: Vinyl, 7", 45 RPM, Single Reissue (DMM); Vinyl, 12", 45 RPM, Single Reissue. Full Track Listing 7" Single Reissue (RAK 187) Side A Lonely This Christmas – Written-By: N. Chinn-M. Chapman Side B I Can't Stand It – Written-By: Mount, Gray, Stiles, Davis 12" Single Reissue (12 RAK 187) Side A Lonely This Christmas Side B 1. I Can't Stand It 2. The Cat Crept In – Written-By: N. Chinn-M. Chapman Reissues - 7", 45 RPM, Single Reissue – EMI/RAK RAK 187 – UK – 1985 - 12", 45 RPM, Single Reissue – EMI/RAK 12 RAK 187 – UK – 1985 (first time on 12") Production and Context Produced by Nicky Chinn & Mike Chapman. Original 1974 No. 1 Christmas single reissued for the 1985 festive season. Official Singles Chart Data Peak position: 61 1985 re-entry only (original 1974 run peaked at No. 1). Legacy and Collectibility “Lonely This Christmas” is Mud’s glam Christmas No. 1 — reissued in DMM glory. 1985 UK EMI/RAK pressings fetch £5–£20 on eBay/Discogs, 12" £10–£30. Verify catalogue RAK 187 / 12 RAK 187. Streams on Spotify keep the turkey tears flowing. This reissue is a must-have for glam Christmas collectors. Do you have the 1985 Lonely This Christmas reissue in your vinyl stack? Is it turkey time again? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Charity Christmas Comeback Released as a 7-inch vinyl single in the UK on November 22, 1985, on RCA Records (catalogue: PB 40449), Slade’s “Do You Believe In Miracles” was their charity Christmas single — all publishing royalties donated equally to Band Aid Trust and British Children in Need (NSPCC). Backed with the swing version of “My Oh My,” produced by John Punter (A) and Monty Babson (B). Peaked at No. 54 on the Official Singles Chart for 6 weeks. Issued in standard 7", special 2×7" edition with bonus Christmas single, and 12" maxi. A heartfelt ‘80s Slade return. Single Overview Release Details Label: RCA Records. Formats: Vinyl, 7", 45 RPM, Single; 2×7" special edition; 12" maxi-single. Full Track Listing 7" Single (PB 40449) Side A Do You Believe In Miracles – Arranged By, Producer: Jim Lea Side B My Oh My (Swing Version) – Arranged By: Stan Butcher – Producer: Monty Babson – Performed with The Swing Collection 2×7" Special Edition (PB 40449 D / PB 40549) – Fold-out PVC wallet Record 1 A. Do You Believe In Miracles B. My Oh My (Swing Version) Record 2 – Bonus Christmas Single A. Santa Claus Is Coming To Town B1. Auld Lang Syne B2. You'll Never Walk Alone 12" Maxi-Single (PT 40450) Side A Do You Believe In Miracles Side B 1. My Oh My (Swing Version) 2. Time To Rock – Arranged By, Producer: Jim Lea Global Variants - 7", Single – RCA PB 40449 – UK – 1985 - 2×7" Special Edition – RCA PB 40449 D / PB 40549 – UK – 1985 - 12", Maxi-Single – RCA PT 40450 – UK – 1985 - 7", Single – RCA – Netherlands – 1985 Production and Context “Do You Believe In Miracles” arranged/produced by Jim Lea. “My Oh My (Swing Version)” arranged by Stan Butcher, produced by Monty Babson. Charity release for Band Aid & NSPCC. Official Singles Chart Data Peak position: 54 6 weeks – November 30, 1985 to January 4, 1986 59 → 54 → 57 → 54 → 69 → 63 Legacy and Collectibility “Do You Believe In Miracles” is Slade’s charity Christmas comeback. Original UK RCA pressings fetch £5–£20 on eBay/Discogs, 2×7" special edition £20–£50, 12" £15–£35. Verify catalogue PB 40449. This single is a must-have for Slade and ‘80s charity collectors. Do you have Do You Believe In Miracles in your vinyl stack? Do you believe? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Blue Jean Soul Duet Echo Released as a 7-inch vinyl single in the UK on November 26, 1984, on EMI America (catalogue: EA 187), David Bowie’s “Tonight” — featuring Tina Turner — was the title track and second single from the Tonight album. Backed with “Tumble And Twirl,” this reggae-tinged Iggy Pop co-write (Bowie/Pop) — produced by Bowie, Derek Bramble, and Hugh Padgham — peaked at No. 53 on the Official Singles Chart for 5 weeks. Issued in paper labels, silver injection labels, and limited poster sleeve variants, with 12-inch extended mixes. A soulful ‘80s Bowie moment. Single Overview Release Details Label: EMI America. Formats: Vinyl, 7", 45 RPM, Single (paper/silver injection labels, poster sleeve), 12". Full Track Listing 7" Vinyl (EA 187) – all UK pressings Side A Tonight (3:42) – Written-By: D. Bowie, I. Pop – feat. Tina Turner Side B Tumble And Twirl (4:56) – Written-By: D. Bowie, I. Pop 12" Vinyl (12EA 187) Side A Tonight (Vocal Dance Mix) (4:29) Side B 1. Tumble And Twirl (Extended Dance Mix) (5:03) 2. Tonight (Dub Mix) (4:16) Reissues & Global Variants - 7", 45 RPM, Single, Paper Labels – EMI America EA 187 – UK – 1984 - 7", 45 RPM, Silver Injection Labels – EMI America EA 187 – UK – 1984 - 7", Single, Limited Edition, Poster Sleeve – EMI America EA 187 – UK – 1984 - 12", 45 RPM – EMI America 12EA 187 – UK – 1984 - 7", 45 RPM, Single – EMI America – Australia/Canada/France/Germany/Netherlands/Portugal/Spain/USA – 1984 - 7", 45 RPM, Single – EMI America – New Zealand – 1985 Production and Context Produced by David Bowie, Derek Bramble, Hugh Padgham. Title track duet with Tina Turner. Reggae-infused cover of Iggy Pop’s 1977 song. From *Tonight* (1984). Official Singles Chart Data Peak position: 53 5 weeks – December 8, 1984 to January 19, 1985 58 → 53 → 59 → 64 → 94 Legacy and Collectibility “Tonight” is Bowie’s soul-reggae Iggy duet with Tina Turner. Original UK EMI America pressings (especially poster sleeve) fetch £10–£40 on eBay/Discogs. Verify catalogue EA 187. Streams on Spotify preserve the blue jean vibe. This single is a must-have for ‘80s Bowie collectors. Do you have Tonight in your vinyl stack? Is the night still young? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube.

A Non-Album Festive Queen Classic Released as a 7-inch vinyl single in the UK on November 26, 1984, on EMI Records (catalogue: QUEEN 5), Queen’s “Thank God It's Christmas” was their first original Christmas song — a non-album single written by Brian May & Roger Taylor. Backed with “Man On The Prowl” and “Keep Passing The Open Windows” (both from *The Works*), produced by Queen & Mack. Peaked at No. 21 on the Official Singles Chart for 6 weeks. Issued in paper labels, silver injection labels, and promo variants, with a 12-inch extended version. A perennial festive Queen staple. Single Overview Release Details Label: EMI Records. Formats: Vinyl, 7", 45 RPM, Single (paper/silver injection labels, promo), 12" 45 RPM. Full Track Listing 7" Vinyl (QUEEN 5) – all UK pressings Side A Thank God It's Christmas (4:19) – Written-By: May, Taylor Side B 1. Man On The Prowl (3:28) – Written-By: Mercury 2. Keep Passing The Open Windows (5:21) – Written-By: Mercury 12" Vinyl (12 QUEEN 5) – UK Side A 1. Thank God It's Christmas (4:19) 2. Man On The Prowl (Extended Version) (6:04) Side B Keep Passing The Open Windows (Extended Version) (6:47) Global Variants - 7", 45 RPM, Single, Paper Labels – EMI QUEEN 5 – UK – 1984 - 7", 45 RPM, Single, Silver Injection Labels – EMI QUEEN 5 – UK – 1984 - 7", 45 RPM, Single, Promo – EMI QUEEN 5 – UK – 1984 - 12", 45 RPM – EMI 12 QUEEN 5 – UK – 1984 - 7", 45 RPM, Single – EMI – Brazil – 1984 - 7", 45 RPM, Single – EMI – Germany – 1984 - 7", 45 RPM, Single – EMI – Ireland – 1984 - 7", 45 RPM, Single – EMI – Italy – 1984 - 7", 45 RPM, Single – EMI – Netherlands – 1984 - 7", 45 RPM, Single – EMI – Portugal – 1984 - 7", 45 RPM, Single – EMI – South Africa – 1984 Production and Context Produced by Queen & Mack (Reinhold Mack) for Raincloud Productions Ltd. Non-album A-side, B-sides from The Works (1984). A Queen Christmas original. Official Singles Chart Data Peak position: 21 6 weeks – 08/12/1984 to 12/01/1985 36 → 21 → 22 → 32 → 44 → 69 Singles Released and Chart Performance UK Official Singles Chart : 21 (6 weeks) – entry 8 Dec 1984 Legacy and Collectibility “Thank God It's Christmas” is Queen’s beloved festive non-album single. Original UK EMI pressings (paper/silver labels) Verify catalogue QUEEN 5. Streams on Spotify make it a perennial Christmas re-entry. This single is a must-have for Queen Christmas collectors. Do you have Thank God It's Christmas in your vinyl stack? Is it turkey time yet? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

David Bowie's Cover & three-page article in TV Times October 27, 1984

David Bowie's cover and four-page feature in Rolling Stone magazine October 25, 1984

The Oh My That Rocked '83 Slade’s “My Oh My” 7-inch vinyl single, was released in the UK on November 11, 1983, on RCA Records (catalogue: RCA 373 / PB 68119). Backed with “Keep Your Hands Off My Power Supply,” this anthemic rock ballad, written by Noddy Holder and Jim Lea, was produced by John Punter for Perseverance Ltd. The A-side’s soaring chorus and heartfelt lyrics peaked at No. 2 on the UK Singles Chart for 11 weeks, with limited editions adding “Merry Xmas Everybody (Live & Kickin')”. Issued in solid centre, knockout centre, Damont/Ta1pe, and Utopia lacquer variants, plus a 12-inch with “Don't Tame A Hurricane,” it’s a festive glam-rock triumph. Single Overview A-Side: “My Oh My” (Holder, Lea) Written-By – Lea, Holder. Producer – John Punter. Produced for Perseverance Ltd. B-Side: “Keep Your Hands Off My Power Supply” (Holder, Lea) Written-By – Lea, Holder. Producer – Jimmy Lea. Produced for Perseverance Ltd. Release Details: Label: RCA Records (UK pressing, 45 RPM). Published By – Whild John Music Ltd. (A, B2 in limited), Barn Publishing (Slade) Ltd. (B1 in limited). Phonographic Copyright ℗ – RCA Ltd. Copyright © – RCA Ltd. Marketed By – RCA Ltd. Design – Shoot That Tiger! Photography By – Pete Turner. Formats: Vinyl, 7", 45 RPM, Single Solid Centre (RCA 373 / PB 68119): A: “My Oh My” (Holder, Lea) – Producer – John Punter – Written-By – Lea, Holder B: “Keep Your Hands Off My Power Supply” (Holder, Lea) – Producer – Jimmy Lea – Written-By – Lea, Holder Limited Edition, Stereo, Damont/Ta1pe Pressing (RCA 373 / PB 68119): A: “My Oh My” (Holder, Lea) – Producer – John Punter B1: “Merry Xmas Everybody (Live & Kickin')” (Holder, Lea) – Producer – Jimmy Lea B2: “Keep Your Hands Off My Power Supply” (Holder, Lea) – Producer – Jimmy Lea Pressed By – Damont – Mastered At – Tape One – Mastered By – Pounda Limited Edition, Stereo, Utopia Lacquer (RCA 373 / PB 68119): A: “My Oh My” (Holder, Lea) – Producer – John Punter B1: “Merry Xmas Everybody (Live & Kickin')” (Holder, Lea) – Producer – Jimmy Lea B2: “Keep Your Hands Off My Power Supply” (Holder, Lea) – Producer – Jimmy Lea Pressed By – EMI Records – Lacquer Cut At – Utopia Studios Knockout Center (RCA 373 / PB 68119): A: “My Oh My” (Holder, Lea) – Producer – John Punter – Written-By – Lea, Holder B: “Keep Your Hands Off My Power Supply” (Holder, Lea) – Producer – Jimmy Lea – Written-By – Lea, Holder Vinyl, 12", 45 RPM, Single (RCAT 373): A: “My Oh My” (Holder, Lea) – Producer – John Punter B1: “Keep Your Hands Off My Power Supply” (Holder, Lea) – Producer – Slade B2: “Don't Tame A Hurricane” (Holder, Lea) – Producer – Slade Mastered At – Utopia Studios Notes: (P) 1983 RCA Ltd. (A, B2), (P) 1982 RCA Ltd. (B1 in limited). Track B produced for Perseverence Limited (label typo). Country Variations France - RCA Victor - 1983 Germany - RCA Victor - 1983 Ireland - RCA - 198 Netherlands - RCA - 1983 Norway - RCA Victor - 1983 Brazil - RCA - 1984 El Salvador - RCA - 1984 Japan - RCA - 1984 Mexico - RCA Victor - 1984 New Zealand - RCA Victor - 1984 South Africa - RCA Victor - 1984 Zimbabwe - RCA Victor - 1984 UK (RCA RCA 373 / PB 68119): Released November 11, 1983. Standard, limited, 12-inch. Production and Context Produced by John Punter (A), Jimmy Lea/Slade (B). Recorded in 1983 during The Amazing Kamikaze Syndrome sessions. The lineup: Noddy Holder (vocals), Dave Hill (guitar), Jim Lea (bass), Don Powell (drums). “My Oh My” was a comeback ballad, while “Keep Your Hands Off My Power Supply” added rock edge. Limited editions included live “Merry Xmas Everybody.” Released amid Slade’s revival. Chart Performance: UK: No. 2 (Official Singles Chart), charting for 11 weeks + 1 re-entry. UK Chart Data: Entry Date: November 19, 1983. Peak: No. 2 (December 24, 1983 – January 7, 1984). Weeks on Chart: 11 (Nov 19, 1983 – Jan 28, 1984) + 1 (Mar 3, 1984). Chart Run: No. 73 (Nov 19), No. 36 (Nov 26), No. 15 (Dec 3), No. 5 (Dec 10), No. 3 (Dec 17), No. 2 (Dec 24), No. 2 (Dec 31), No. 2 (Jan 7), No. 11 (Jan 14), No. 30 (Jan 21), No. 55 (Jan 28), No. 100 (Mar 3). Note: Slade’s first Top 10 since 1974. Legacy and Collectibility “My Oh My” is Slade’s ‘80s comeback anthem, with limited “Merry Xmas” live a holiday bonus. Original UK 7-inch vinyls fetch £3–£10 on eBay/Discogs, limited editions (£8–£20), 12-inch (£10–£25). Verify catalogue RCA 373. Streams on Spotify via reissues preserve the analog roar. This single is a must-have for Slade fans and ‘80s rock collectors. Have you snagged this Slade stunner in your vinyl collection? Does My Oh My power your supply? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube What’s the next classic vinyl you’d like to feature? Share in the comments!10.8sFast

A Dark Synth-Rock Swan Song Alice Cooper’s DaDa LP, was released in the UK on November 4, 1983, on Warner Bros. Records (catalogue: 92-3969-1). This 9-track concept album, Cooper’s overall fifteenth studio album, blended dark synth-rock with theatrical horror, produced by Bob Ezrin. It peaked at No. 93 on the UK Albums Chart for 1 week. The final chapter of Cooper’s Warner trilogy (Special Forces, Zipper Catches Skin). The album was produced at ESP Studios in Buttonville, Ontario, Canada, featuring local musicians. Contributions included those from Juno Award-winning vocalist and keyboardist Graham Shaw, bassist Prakash John, and vocalist Lisa Dal Bello, who would later adopt the stage name Dalbello. Primarily centered around synthesizers, the album heavily utilized the Fairlight CMI, a cutting-edge digital sampling synthesizer of the time. In 2014, guitarist and co-songwriter Dick Wagner disclosed that during the recording of DaDa, Cooper had relapsed into heavy drinking. He suggested that the album was created to fulfill a contractual obligation, which Warner Bros. was dissatisfied with and thus did not promote. However, Warner Bros. has neither confirmed nor denied this claim. These and other details, such as the real-life cocktail waitresses who inspired "Scarlet and Sheba," are included in his autobiography, Not Only Women Bleed (2011). DaDa is the last of three albums that Cooper describes as his "blackout" albums, with the previous ones being the studio albums Special Forces (1981) and Zipper Catches Skin (1982), attributed to substance abuse. Cooper mentioned, "I wrote them, recorded them, and toured them, but I don't remember much of any of that," although he only toured for Special Forces, with the tour concluding in February 1982. In 1996, Cooper stated that DaDa was the most frightening album he had ever created, and he admitted that he never understood its meaning. There was no tour to support DaDa, and its songs have never been performed live. Album Overview Release Details: Label: Warner Bros. Records (UK). Formats: 12-inch vinyl LP (no cassette format was released) ℗ & ©: 1983 Warner Bros. Records. Recorded at ESP Studios, Buttonville, Ontario, 1982–1983. Matrix numbers (e.g., 92-3969-1 A-1) confirm authenticity. UK Release Formats and Track Listings DaDa was released in the UK on November 4, 1983 and September 28, 1983 (US) in 1983 as a 12-inch vinyl LP. 12-Inch Vinyl LP (Catalogue: 92-3969-1): Side One: A1 DaDa 4:46 Written-By – Ezrin A2 Enough's Enough 4:19 Written-By – Cooper, Ezrin, Wagner, Shaw A3 Former Lee Warmer 4:07 Written-By – Cooper, Ezrin, Wagner A4 No Man's Land 3:48 Written-By – Cooper, Ezrin, Wagner A5 Dyslexia 4:25 Written-By – Cooper, Ezrin, Wagner, Shaw Side Two: B1 Scarlet And Sheba 5:19 Written-By – Cooper, Ezrin, Wagner B2 I Love America 3:47 Written-By – Cooper, Shaw B3 Fresh Blood 6:53 Written-By – Cooper, Ezrin, Wagner B4 Pass The Gun Around 5:43 Written-By – Cooper, Wagner Personnel Credits are adapted from the DaDa liner notes. Musicians Alice Cooper – vocals Dick Wagner – guitar; bass guitar; backing vocals Graham Shaw – Oberheim OB-X; Roland Jupiter; backing vocals Bob Ezrin – Fairlight CMI programming; keyboards; drums; percussion Richard Kolinka – drums ("Scarlet and Sheba", "Former Lee Warmer", "Pass the Gun Around") John Anderson – drums ("Fresh Blood") Prakash John – bass guitar ("Fresh Blood") Karen Hendricks – backing vocals Lisa DalBello – backing vocals Sarah Ezrin – DaDa Production Shep Gordon: Executive Producer Produced by Bob Ezrin; associate producers: Dick Wagner and Robert (Ringo) Hrycyna Recording and mix by Bob Ezrin Track 1 copyright Under-Cut Co. Inc. Tracks 2 and 5 copyright Ezra Music Inc./Mystery Man Music/Rightsong Inc. /G. Shaw Music Publishing Ltd./Under-Cut Co. Inc. Tracks 3, 4, 6 and 8 copyright Ezra Music Inc./Mystery Man Music/Rightsong Inc./Under-Cut Co. Inc. Track 7 copyright Ezra Music Inc./G. Shaw Music Publishing Ltd. Track 9 copyright Ezra Music Inc./Mystery Man Music/Rightsong Inc. Singles Released and Chart Performance Single 12" Vinyl (Commercial) in Picture Sleeve "I Love America" Released: November 18, 1983 (UK) Exclusive 12" Label: Warner Bros. Records Inc. – ALICE 1T (920166-0) Format: Vinyl, 12", Single A1 I Love America B1 Fresh Blood B2 Pass The Gun Around The release failed to achieve any chart success This LP is a must-have for Cooper fans and ‘80s hard rock collectors. Do you have DaDa in your vinyl stack? Which track chills your spine? Share in the comments! Sources Discogs: DaDa (1983) 45cat: Alice Cooper Singles YouTube: DaDa Full Album (2014 upload, 500K+ views) Wikipedia: DaDa Official Charts Company: Alice Cooper Albums AllMusic: DaDa Billboard: N/A (No US chart data for this album)

A Raw Velvet Underground Cover October 1983 on RCA Records (catalogue: RCA 372 / PB 13660). Backed with “Cracked Actor,” this live cover of The Velvet Underground’s 1968 classic, written by Lou Reed, was recorded during Bowie’s 1973 Ziggy Stardust tour and featured on the Ziggy Stardust – The Motion Picture soundtrack. Produced by Bowie, the single showcased his raw vocal energy and the Spiders from Mars’ gritty performance, entering the BBC Singles Chart on October 30, 1983 - November 5 1983 at number 65 spending three weeks on the chart. Issued in a picture sleeve with Bowie’s iconic Ziggy-era imagery, it’s a vibrant artifact of his glam rock peak. Single Overview A-Side: “White Light/White Heat” (3:55, Lou Reed) A blistering live cover of The Velvet Underground’s proto-punk classic, recorded at the Hammersmith Odeon, London, on July 3, 1973. Bowie’s intense vocals and Mick Ronson’s searing guitar give it a glam edge. Produced by David Bowie, it captures the chaotic energy of the Ziggy Stardust tour’s final show. B-Side: “Cracked Actor” (2:51, David Bowie) A live track from the same July 3, 1973, performance, originally from Aladdin Sane (1973). Its sleazy rock vibe complements the A-side’s rawness. Also produced by Bowie, it highlights the Spiders’ tight chemistry. Release Details: Label: RCA Records (UK pressing, 45 RPM). Formats: 7-Inch Vinyl (RCA 372 / PB 13660): “White Light/White Heat” / “Cracked Actor.” In a picture sleeve with Ziggy-era artwork. No cassette or CD formats for this single in 1983; later included in CD reissues of Ziggy Stardust – The Motion Picture. Notes: ℗ & © 1983 RCA Records. Matrix numbers (e.g., RCA 372 A-1) confirm authenticity. The single promoted the Ziggy Stardust – The Motion Picture soundtrack (1983). Country Variations The single was released in several countries with minor variations: UK (RCA 372 / PB 13660): Released September 1983. Standard tracklist, picture sleeve with Ziggy imagery. US (RCA PB-13660): Released September 1983. Same tracklist, catalogue PB-13660, similar sleeve with RCA branding. Germany (RCA PB-13660): Released 1983. Same tracklist, catalogue PB-13660, German sleeve with localized text. Japan (RCA RPS-141): Released 1983. Same tracklist, catalogue RPS-141, with obi strip and Japanese liner notes. Australia (RCA 104205): Released 1983. Same tracklist, catalogue 104205, company sleeve. Canada (RCA PB-13660): Released September 1983. Same as US, catalogue PB-13660. Production and Context Recorded live on July 3, 1973, at the Hammersmith Odeon, London, during the final Ziggy Stardust concert, the single was produced by David Bowie. The lineup featured Bowie (vocals), Mick Ronson (guitar), Trevor Bolder (bass), Woody Woodmansey (drums), and Mike Garson (piano). “White Light/White Heat” paid homage to Lou Reed, a key influence on Bowie, while “Cracked Actor” reflected his own glam mythology. Released in 1983 to promote the Ziggy Stardust – The Motion Picture film and soundtrack, it rode the wave of Bowie’s Let’s Dance commercial peak, competing with new wave acts like The Police. Singles Released and Chart Performance “White Light/White Heat” was the second single from the Ziggy Stardust – The Motion Picture soundtrack, following “Space Oddity”: Legacy and Collectibility “White Light/White Heat” is a fiery tribute to The Velvet Underground, with Bowie’s live energy and Ronson’s guitar work shining, while “Cracked Actor” captures the Ziggy era’s raw glamour. Streams on Spotify via Ziggy Stardust – The Motion Picture preserve the live intensity. This single is a must-have for Bowie fans and glam rock collectors. Have you snagged this Ziggy-era gem in your vinyl collection? Does “White Light/White Heat” spark your turntable? Share in the comments! Sources Discogs: White Light/White Heat (1983) Official Charts Company: David Bowie Singles AllMusic: David Bowie Discography Wikipedia: David Bowie Discography Billboard Chart History: David Bowie

Elton's Dreamboat Double-Pack Elton John’s “Kiss The Bride” 7-inch vinyl single, was released in the UK on October 7, 1983, on The Rocket Record Company (catalogue: EJS 2). Backed with the previously unreleased “Dreamboat,” this upbeat pop-rock track, written by Elton John and Bernie Taupin, was the third single from the album Too Low For Zero. Produced by Chris Thomas and recorded by Bill Price, the A-side’s catchy synths and Elton’s vocals peaked at No. 20 on the UK Singles Chart for 7 weeks. Issued in a picture sleeve, with also a limited double-pack and 12-inch edition. Single Overview A-Side: “Kiss The Bride” (4:22) Written-By – Elton John/Bernie Taupin. Producer – Chris Thomas. Recorded By – Bill Price. B-Side: “Dreamboat” (previously unreleased) (3:52) Written-By – Gary Osborne, Tim Renwick. Written-By, Producer – Elton John. Producer – Clive Franks. Release Details: Label: The Rocket Record Company (UK pressing, 45 RPM). UK Formats: Vinyl 7" , Single (EJS 2): “Kiss The Bride” / “Dreamboat.” In a picture sleeve. A-Side: “Kiss The Bride” (4:22, Elton John/Bernie Taupin) – Producer – Chris Thomas – Recorded By – Bill Price – Written-By – Elton John/Bernie Taupin B-Side: “Dreamboat” (3:52, Elton John/Gary Osborne/Tim Renwick) – Producer – Clive Franks, Elton John – Written-By – Gary Osborne, Tim Renwick – Written-By, Producer –Elton John 2 x Vinyl, 7" , Limited Edition, Double-Pack (EJS 212): Disc 1 A-Side: “Kiss The Bride” (4:22, Elton John/Bernie Taupin) – Producer – Chris Thomas – Recorded By – Bill Price – Written-By – Elton John/Bernie Taupin Disc 1 B-Side: “Dreamboat” (3:52, Elton John/Gary Osborne/Tim Renwick) – Producer –Clive Franks – Written-By – Gary Osborne, Tim Renwick – Written-By, Producer – Elton John Disc 2 A-Side: “Ego” (3:59, Elton John/Bernie Taupin) – Producer – Clive Franks, Elton John – Written-By – Elton John/Bernie Taupin Disc 2 B-Side: “Song For Guy” (6:34, Elton John) – Producer – Clive Franks – Written-By, Producer – Elton John Vinyl, 12" (EJS 212): A-Side: “Kiss The Bride” (album version) B-Side: “Dreamboat” (previously unreleased) Country Variations The single was a UK release with limited international distribution: Ireland - The Rocket Record Company - 1983 Australia - The Rocket Record Company - 1984 Production and Context Recorded in 1983 at AIR Studios, Montserrat, during Too Low For Zero sessions. Produced by Chris Thomas (A-side), Clive Franks/Elton John (B-side). The lineup: Elton John (vocals, piano), Davey Johnstone (guitar), Dee Murray (bass), Nigel Olsson (drums). “Kiss The Bride” was a wedding-themed rocker, while “Dreamboat” was an unreleased gem. Released amid Elton’s comeback, it followed Too Low For Zero (No. 7 UK, 1983). Chart Performance: UK: No. 20 (Official Singles Chart), charting for 7 weeks. Legacy and Collectibility “Kiss The Bride” is an Elton ‘80s pop-rock staple, with “Dreamboat” a fan-favorite B-side. Original UK 7-inch vinyls fetch £3–£8 on eBay/Discogs, with double-packs (£10–£20) and 12-inch (£8–£15) rarer. Verify catalogue EJS 2. Streams on Spotify via Too Low For Zero reissues preserve the analog bounce. This single is a must-have for Elton fans and ‘80s pop collectors. Have you snagged this Elton gem in your vinyl collection? Does “Kiss The Bride” steal your heart? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A 10×7" Glam Career Retrospective Released as a limited 10×7" box set in the UK on December 3, 1982, on RCA Records (catalogue: BOW 100), David Bowie’s Fashions was a career-spanning retrospective curated from Space Oddity to Scary Monsters . Featuring 20 tracks — including classics “Space Oddity,” “Changes,” “Ziggy Stardust,” “Rebel Rebel,” “Golden Years,” and “Ashes To Ashes” — each single in its own picture sleeve, with a booklet (The New Singles No. 955). No chart entry (collectors’ item). A stunning RCA-era Bowie celebration. Album Overview Release Details Label: RCA Records. Format: 10× Vinyl 7", 45 RPM, Single, Box Set, Limited Edition. Full Track Listing (10 singles) Single 1 A. Space Oddity B. Changes / Velvet Goldmine Single 2 A. Life On Mars? B. The Man Who Sold The World Single 3 A. The Jean Genie B. Ziggy Stardust Single 4 A. Rebel Rebel B. Queen Bitch Single 5 A. Sound And Vision B. A New Career In A New Town Single 6 A. Drive-In Saturday B. Round And Round Single 7 A. Sorrow B. Amsterdam Single 8 A. Golden Years B. Can You Hear Me? Single 9 A. Boys Keep Swinging B. Fantastic Voyage Single 10 A. Ashes To Ashes B. Move On 10×7" Box Set – RCA BOW 100 – UK – 3 Dec 1982 Production and Context Compiled from Bowie’s RCA catalogue 1969–1980. Booklet: The New Singles No. 955. Last major Bowie RCA release before EMI/Parlophone era. Singles Released and Chart Performance No new chart entry (retrospective box set). Legacy and Collectibility Fashions is Bowie’s iconic 10×7" RCA-era retrospective. Original 1982 box sets (complete with booklet) fetch £95–£250+ on eBay/Discogs. Verify catalogue BOW 100. This box is a must-have for Bowie collectors. Do you have Fashions in your collection? Which single is your fashion? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

A Zipper Catches Skin Sci-Fi Rocker Released as a 7-inch vinyl single in the UK on November 26, 1982, on Warner Bros. Records (catalogue: K 15004), Alice Cooper’s “I Am The Future” was taken from the soundtrack to the film Class Of 1984 (and later included on Zipper Catches Skin ). Backed with “Zorro's Ascent,” this hard rock anthem — co-written with Gary Osborne & Lalo Schifrin (A) and Cooper/Billy Steele/Erik Scott/John Nitzinger (B) — was produced by Alice Cooper & Erik Scott. No UK chart entry. Issued worldwide with no UK variants. A cult ‘80s Cooper classic. Single Overview Release Details Label: Warner Bros. Records. Format: Vinyl, 7", 45 RPM, Single. Full Track Listing Side A I Am The Future (Remix) (3:42) – Written-By: Gary Osborne, Lalo Schifrin Side B Zorro's Ascent (3:54) – Written-By: Alice Cooper, Billy Steele, Erik Scott, John Nitzinger – from *Zipper Catches Skin* Global Variants - 7", 45 RPM, Single – Warner Bros. K 15004 – UK – 1982 - 7", 45 RPM, Single – Warner Bros. – Colombia/Ecuador/Germany/Netherlands/Portugal/Sweden – 1982 - 7", 45 RPM, Single – Warner Bros. – Italy/New Zealand/Spain – 1983 Production and Context Produced by Alice Cooper & Erik Scott. “I Am The Future” co-written with Lalo Schifrin for Class Of 1984 soundtrack. “Zorro's Ascent” from Zipper Catches Skin (K 57021). Chart Performance No UK chart entry. Legacy and Collectibility “I Am The Future” is Alice Cooper’s sci-fi hard rock soundtrack gem. Original UK Warner pressings fetch £8–£25 on eBay/Discogs. Verify catalogue K 15004. Streams on Spotify via Zipper Catches Skin reissues preserve the future. This single is a must-have for ‘80s Cooper collectors. Do you have I Am The Future in your vinyl stack? Are you the future? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube What’s the next classic vinyl you’d like to feature? Share in the comments! Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

A Christmas Duet For The Ages Released as a 7-inch and 12-inch vinyl single in the UK on November 26, 1982, on RCA Records (catalogue: BOW 12), David Bowie & Bing Crosby’s “Peace On Earth / Little Drummer Boy” was the legendary 1977 TV duet from Bing Crosby’s Merrie Olde Christmas , finally issued five years after Crosby’s death. Backed with Bowie’s “Fantastic Voyage” from Lodger, this timeless holiday pairing — written by Ian Fraser, Larry Grossman, & Buz Kohan (Peace On Earth) and traditional (Little Drummer Boy) — soared to No. 3 on the Official Singles Chart for 10 weeks. Issued in solid centre, 4-prong push-out centre, promo, and limited 12-inch variants. The ultimate Christmas classic. This recording initially appeared as a bootleg single, paired with "Heroes," which Bowie also performed on the 30 November 1977 TV special "Bing Crosby's Merrie Olde Christmas." Bowie was hesitant to sing "Little Drummer Boy," so Ian Fraser, songwriter Larry Grossman, and show scriptwriter Buz Kohan arranged the Katherine K. Davis song "Peace on Earth" for Bowie to sing in a duet with Crosby. Bowie and Crosby recorded the duet at Elstree Studios on 11 September 1977. Unfortunately, Crosby passed away shortly before the show was broadcast. In 1982, RCA released the recording as an official single, including the dialogue and accompanied by a 12" version. The B-side features "Fantastic Voyage" from the "Lodger" album. Single Overview Release Details Label: RCA Records. Formats: Vinyl, 7", 45 RPM, Single (solid / 4-prong push-out centre / promo), 12" limited. 7" Vinyl (BOW 12) – all UK pressings Side A Peace On Earth / Little Drummer Boy – Executive-Producer: Frank Konigsberg – Producer: Konigsberg Company Side B Fantastic Voyage – Producer: David Bowie, Tony Visconti – Written-By: Brian Eno, David Bowie 12" Vinyl (BOWT 12) – limited Side A Dialogue (Peace On Earth) + Peace On Earth / Little Drummer Boy (full unedited version) Side B Fantastic Voyage Reissues & Global Variants - 7", 45 RPM, Single, 4-Prong Push-Out Centre – RCA BOW 12 – UK – 1982 - 7", 45 RPM, Single, Solid Centre – RCA BOW 12 – UK – 1982 - 7", Single, Promo – RCA BOW 12 – UK – 1982 - 12", 45 RPM, Single, Limited Edition – RCA BOWT 12 – UK – 1982 - 7", 45 RPM, Single – RCA – Australia/Belgium/Canada/Germany/Ireland/Japan/Netherlands/New Zealand/Portugal/USA – 1982 Production and Context Recorded September 11, 1977 for Bing Crosby’s Merrie Olde Christmas . Bowie famously disliked “Little Drummer Boy” and requested the counter-melody “Peace On Earth”. First aired posthumously for Crosby, released 1982 after years of demand. Official Singles Chart Data Peak position: 3 10 weeks – November 27, 1982 to January 29, 1983 73 → 39 → 22 → 10 → 3 → 3 → 9 → 46 → 93 → 91 Legacy and Collectibility “Peace On Earth / Little Drummer Boy” is the definitive Bowie Christmas classic — a duet for the ages. Original UK RCA pressings (solid/4-prong centre) fetch £10–£40 on eBay/Discogs, 12" limited £30–£80. Verify catalogue BOW 12. Streams on Spotify make it a perennial festive No. 1 contender. This single is a must-have for Bowie and Christmas collectors. Do you have Peace On Earth / Little Drummer Boy in your vinyl stack? Is it the greatest Christmas single ever? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Absolutely! From now on every post will end with: **Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.** 💜

A Glam Ghost Revival Alvin Stardust’s “A Picture Of You” 7-inch vinyl single, was released in the UK on November 12, 1982, on Stiff Records (catalogue: BUY 160). Backed with “Hold Tight,” this nostalgic glam cover, written by Oakman and Beveridge, was produced by Peter Collins for Loose End Productions. The A-side’s retro charm and Stardust’s brooding vocals did not chart in the UK. Pressed by CBS Aston Clinton and lacquer cut by ARUN, it was issued in standard and promo variants, with international releases following. A throwback to Stardust’s ‘70s heyday . Single Overview A-Side: “A Picture Of You” (2:28, Oakman, Beveridge) Written-By – Oakman, Beveridge. Producer – Peter Collins. Produced for Loose End Productions. B-Side: “Hold Tight” (2:25, Alvin Stardust) Written-By – Alvin Stardust. Producer – Alvin Stardust. Release Details: Label: Stiff Records (UK pressing, 45 RPM). Published By – Southern Music Pub. Co. Ltd. (A), MCA Music Ltd. (B). Phonographic Copyright ℗ – Stiff Records. Pressed By – CBS Pressing Plant, Aston Clinton. Lacquer Cut By – ARUN. Formats: Vinyl, 7", 45 RPM, Single (BUY 160) A: “A Picture Of You” (2:28, Oakman, Beveridge) – Written-By – Oakman, Beveridge – Producer – Peter Collins B: “Hold Tight” (2:25, Alvin Stardust) – Written-By – Alvin Stardust – Producer – Alvin Stardust Vinyl, 7", 45 RPM, Single, Promo (BUY DJ 160) A: “A Picture Of You” (2:28, Oakman, Beveridge) – Written-By – Oakman, Beveridge – Producer – Peter Collins B: “Hold Tight” (2:25, Alvin Stardust) – Written-By – Alvin Stardust – Producer – Alvin Stardust: Same tracklist. Promo. Notes: Publishers: Southern Music Publishing Co. Ltd. (label). Country Variations: UK (Stiff BUY 160) Australia (Stiff 1982) Belgium (Stiff 1982) Germany (Stiff 1982) Netherlands (Stiff 1982) Sweden (Stiff 1982) New Zealand (Stiff 1983) Production and Context Produced by Peter Collins (A) for Loose End Productions, Alvin Stardust (B). Recorded in 1982. The lineup: Alvin Stardust (vocals), with session musicians. “A Picture Of You” was a ‘60s Joe Brown cover revival, while “Hold Tight” was Stardust’s original. Released amid Stiff’s punk/new wave roster, it followed A Picture Of You album and competed with Culture Club and Kajagoogoo. Singles Released and Chart Performance “A Picture Of You” was a non-album single: Chart Performance: UK: No chart entry. Legacy and Collectibility “A Picture Of You” is Stardust’s glam nostalgia hit, with “Hold Tight” a solid B-side. Original UK 7-inch vinyls fetch £3–£8 on eBay/Discogs, promo variants (£5–£12). Verify catalogue BUY 160. Streams on Spotify via compilations preserve the analog leather. This single is a must-have for Stardust fans and ‘80s glam collectors. Have you snagged this Stardust snapshot in your vinyl collection? Does A Picture Of You frame your day? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube What’s the next classic vinyl you’d like to feature? Share in the comments!9.3sFast

Elton's Good Times Re-Mix Elton John’s “All Quiet On The Western Front” 7-inch vinyl single, was released in the UK on November 12, 1982, on The Rocket Record Company (catalogue: XPRES 88). Backed with “Where Have All The Good Times Gone (Re-Mix),” this reflective rock track, written by Bernie Taupin and Elton John, was produced by Chris Thomas. The A-side’s poignant anti-war message did not chart in the UK. Issued in standard, grey injection label, promo, poster bag, and Netherlands variants./ Released as the fifth single from Jump Up! (Elton John album) following "Blue Eyes" Released: March 1982 "Empty Garden (Hey Hey Johnny)" Released: May 1982 "Princess" Released: 1982 "Ball and Chain" Released: September 1982 It’s a thoughtful gem from Elton’s early ‘80s era. Single Overview A-Side: “All Quiet On The Western Front” (Elton John, Bernie Taupin) Written-By – Bernie Taupin, Elton John. Producer – Chris Thomas. B-Side: “Where Have All The Good Times Gone (Re-Mix)” (Elton John, Bernie Taupin) Written-By – Bernie Taupin, Elton John. Producer – Chris Thomas. Release Details: Label: The Rocket Record Company (UK pressing, 45 RPM). Formats: Vinyl, 7" , 45 RPM, Single (XPRES 88): A: “All Quiet On The Western Front” (Elton John, Bernie Taupin) – Producer – Chris Thomas – Written-By – Bernie Taupin, Elton John B: “Where Have All The Good Times Gone (Re-Mix)” (Elton John, Bernie Taupin) – Producer – Chris Thomas – Written-By – Bernie Taupin, Elton John Variants: Single, Stereo (6000 915) Netherlands pressing. Promo (XPRDJ 88 / XPRESS 88) Poster Bag (XPRES 88 / XPRPO 88) Grey Injection Label (XPRES 88 / 6000 915)label. UK (Rocket XPRES 88): Released November 12, 1982. Standard, promo, poster bag, grey injection label. Production and Context Produced by Chris Thomas. Recorded in 1982 during Jump Up! sessions. The lineup: Elton John (vocals, piano), with session musicians. “All Quiet On The Western Front” was a war-themed ballad, while “Where Have All The Good Times Gone (Re-Mix)” reflected on youth. Chart Performance: UK: No chart entry. Legacy and Collectibility “All Quiet On The Western Front” is an Elton introspective cut, with the re-mix B-side a nostalgic bonus. Original UK 7-inch vinyls fetch £3–£8 on eBay/Discogs, poster bag variants (£10–£20) rarer. Verify catalogue XPRES 88. Streams on Spotify via Jump Up! reissues preserve the analog depth. This single is a must-have for Elton fans and ‘80s pop collectors. Have you snagged this Elton rarity in your vinyl collection? Does All Quiet speak to you? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Rockin' Live Extravaganza Rod Stewart’s Absolutely Live double LP, was released in the UK on November 6, 1982, on Riva Records (catalogue: RVLP 17). This 19-track live album captured Stewart’s 1981–1982 tour, with hits like “Maggie May” and “Da Ya Think I'm Sexy?.” Produced by George Tutko – engineer, mixing Ricky DeLena – assistant engineer, it featured guest vocals from Kim Carnes and Tina Turner on “Stay with Me.” Recorded at The Forum (Los Angeles), Long Beach Arena, San Diego Sports Arena, Wembley Arena (London), and The NEC (Birmingham), it peaked at No. 35 on the UK Albums Chart for 5 weeks. Issued in a gatefold sleeve, the CD version omitted “The Great Pretender” and “Guess I'll Always Love You” to fit a single disc. Liner notes state no overdubs. Album Overview Release Details: Label: Riva Records (UK). Formats: 2 x 12-inch vinyl LP (gatefold); later CD (single disc). ℗ & ©: 1982 Riva Records Ltd. Engineered by George Tutko. Assistant engineer: Ricky DeLena. Mixed by Rod Stewart and Jim Cregan. UK Release Formats and Track Listings Absolutely Live was released in the UK in 1982 as a double vinyl LP: 2 x 12-Inch Vinyl LP (Catalogue: RVLP 17): Side A: 1. “The Stripper” (0:10) 2. “Tonight I'm Yours (Don't Hurt Me)” (4:10) 3. “Sweet Little Rock and Roller” (4:25) 4. “Hot Legs” (4:52) 5. “Tonight's the Night (Gonna Be Alright)” (4:23) 6. “The Great Pretender” (3:34) Side B: 1. “Passion” (5:04) 2. “She Won't Dance with Me / Little Queenie” (4:34) 3. “You're in My Heart (The Final Acclaim)” (4:34) 4. “Rock My Plimsoul” (4:24) Side C: 1. “Young Turks” (5:28) 2. “Guess I'll Always Love You” (4:51) 3. “Gasoline Alley” (2:15) 4. “Maggie May” (5:08) 5. “Tear It Up” (3:26) Side D: 1. “Da Ya Think I'm Sexy?” (6:04) 2. “Sailing” (4:45) 3. “I Don't Want to Talk About It” (4:34) 4. “Stay with Me” (5:34) – Guest vocals: Kim Carnes, Tina Turner Packaging: Gatefold sleeve. Cassette, Album (Catalogue: RV4-17): Side A: “The Stripper” (0:12) “Tonight I'm Yours” (4:01) “Sweet Little Rock And Roller” (4:03) “Hot Legs” (4:13) “Tonight's The Night (Gonna Be Alright)” (3:58) “The Great Pretender” (3:34) “Passion” (5:04) “She Won't Dance With Me / Little Queenie” (4:34) “You're In My Heart (The Final Acclaim)” (4:34) “Rock My Plimsoul” (4:24) Side B: “Young Turks” (5:05) “Guess I'll Always Love You” (4:51) “Gasoline Alley” (2:14) “Maggie May” (5:03) “Tear It Up” (3:14) “Da Ya Think I'm Sexy?” (5:37) “Sailing” (4:27) “I Don't Want To Talk About It” (4:28) “Stay With Me” (5:14) Production and Context Produced by Rod Stewart. Co-producer/mixing: Jim Cregan. Engineered by George Tutko. Assistant engineer: Ricky DeLena. Band: Rod Stewart (vocals, producer, mixing), Jim Cregan (guitars, backing vocals, mixing), Robin Le Mesurier (guitars, backing vocals), Wally Stocker (guitars), Kevin Savigar (piano, keyboards, backing vocals), Jimmy Zavala (harmonicas, saxophones, keyboards, bells), Jay Davis (bass, backing vocals), Tony Brock (drums). Guests: Kim Carnes, Tina Turner (vocals on “Stay with Me”). Absolutely Live captured Stewart’s 1981–1982 tour, with no overdubs. Released amid his synth-rock phase, it followed Tonight I'm Yours (1981). Album Chart Performance Peak Position: 35 Weeks on Chart: - November 7, - December 11, 1982. UK Singles Released and Chart Performance No singles were released from the album in the UK, but "Guess I'll Always Love You" b/w "Rock My Plimsoul" was released throughout Europe and worldwide. Legacy and Collectibility Absolutely Live is a Stewart live peak, with “Stay with Me” featuring Carnes and Turner. First pressings with intact gatefold sleeves are valued—verify catalogue RVLP 17. Streams on Spotify via reissues preserve the live energy. This LP is a must-have for Stewart fans and ‘80s rock collectors. Do you have Absolutely Live in your vinyl stack? Which track rocks your night? Share in the comments Do you have Tonight I'm Yours in your vinyl stack? Which track owns the night? Share in the comments! Have you snagged this Python gem in your vinyl collection? Does “In A Broken Dream” haunt you? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube What’s the next classic vinyl you’d like to feature? Share in the comments!

Quatro's Polydor Pivot Suzi Quatro’s “Heart Of Stone” 7-inch vinyl single, was released in the UK on October 29, 1982, on Polydor Records (catalogue: POSP 477). Released as the lead single from her eighth studio album, Main Attraction, only in the UK and Spain, and was also her first single release by the record label, Polydor. It was co-written by Quatro and keyboardist Chris Andrews, the latter of whom also co-produced it. The single release features the song "Remote Control" as the B-side, which also appeared on the Main Attraction album. The song was recorded at The Studio Toppersfield, in Essex, England, while the mixing of the track was finished at The Townhouse, in London. Background The song is notably Quatro's last single to reach the top 75 in the UK. It is also one of only two of Quatro's self composed singles to chart, the other being "Mamma's Boy" in 1980. Despite several TV appearances and some radio airplay Heart of Stone failed to climb no higher than #60 in the United Kingdom, and stayed in the charts for three weeks As well as the song's single release, it has featured on a few compilation albums released by Quatro. It was initially included on The Best Of Suzi Quatro, in 1984. The song was then included on the 1991 compilation, Rock Hard. It was also included on the 4-disc box set The Girl From Detroit City. Single Overview Label: Polydor – POSP 477, Polydor – 2002 168 Format: Vinyl, 7", 45 RPM, Single Country: UK A Heart Of Stone B Remote Control Phonographic Copyright ℗ – Polydor International GmbH Copyright © – Polydor International GmbH Published By – Rak Publishing Ltd. Published By – Pepper Music Pressed By – PRS Ltd. Lacquer Cut At – CTS Studios Producer – Chris Andrews (3), Len Tuckey Taken from the forthcoming album Main Attarction Country Variations UK Label: Polydor – POSP 477 Format: Vinyl, 7", 45 RPM, Single, Silver-Injection Label in Picture Sleeve (as above) Country: Australia Label: Polydor – 2002 168 Format: Vinyl, 7", 45 RPM, Single, Stereo Country: Germany Label: Polydor – 2002 168 Format: Vinyl, 7", 45 RPM, Single Country: Bolivia Label: Polydor – HL/PLS-35-2, Polydor – AL/PLS - 35-2 Format: Vinyl, 7", 33 ⅓ RPM, Single Country: Guatemala Label: Polydor – 2002 168 Format: Vinyl, 7", 45 RPM, Single, Stereo Country: South Africa Label: Polydor – PS 8015 Format: Vinyl, 7", 45 RPM Country: Spain Label: Polydor – 20 02 168 Format: Vinyl, 7", Single Have you snagged this Quatro gem in your vinyl collection? Does “Heart Of Stone” resonate? Share in the comments! Sources Discogs: Heart Of Stone (1982) 45cat: POSP 866 Single Official Charts Company: Suzi Quatro Singles AllMusic: Suzi Quatro Discography Wikipedia: Heart of Stone (Suzi Quatro song) Wikipedia: Main Attraction YouTube: Heart Of Stone Official Audio (2014 upload, 100K+ views)

Glitter Bands "Heartbeat To Heartache" backed with "I Don't Want To See You Tonight" was released as a 7-inch vinyl single in the UK by Cheapskate Records (catalog number CHEAP 101 ) on October 1, 1982. This single marks one of the band's rare '80s comebacks, released in 1982 on the Precision label (a small UK indie). By then, the classic lineup had fragmented, but it featured a reunion of sorts with Shephard (guitar/vocals) and Springate (bass/vocals) as the creative core, joined by original drummer Tony Leonard. The track reflects an '80s pop sheen—polished production, synth-tinged melodies, and heartfelt lyrics—far removed from their glittery '70s stomp, aligning more with the era's radio-friendly hits like those from early Duran Duran or Soft Cell. A-Side: "Heartbeat To Heartache" Written by Shephard and Springate, this upbeat pop track clocks in at about 3:07 and explores themes of reconciliation after heartbreak. Lyrics like "I'm back in town to see you / I can't believe that I will be so near you / But you will see that you were wrong" capture a hopeful yet wistful vibe. It's a decent, catchy earworm with jangly guitars and soaring harmonies, but it didn't chart, overshadowed by the synth-pop explosion. Fans praise its melodic hook and as a "lost gem" from the band's later years. B-Side: "I Don't Want To See You Tonight" Also penned by Shephard and Springate, this slower, more melancholic ballad (around 3:30) delves into emotional avoidance post-breakup: "I don't want to see you tonight / 'Cause it hurts too much to say goodbye." It features tender vocals from Springate and subtle keyboard layers, emphasizing vulnerability over the band's usual bombast. Like the A-side, it's a solid '80s-style pop tune but flew under the radar commercially. The single was a low-key release, not promoted heavily, and represents the band's attempt to adapt to new wave and pop trends without recapturing their '70s glory. It's included on compilations like The Complete Singles Collection  (Disc 2, tracks 7 and 8), where collectors value it for its rarity—original vinyl copies are scarce and fetch modest prices on sites like Discogs. Audio clips are available on YouTube, showcasing the polished production that could have fit on early '80s BBC Radio playlists. If you're a fan of their glam hits, this single offers a softer, more mature evolution; otherwise, it's a curiosity for '80s pop completists. For deeper dives, check their Wikipedia page or the 2023 Cherry Red reissue for full context.

T.Rex’s "Deep Summer"  backed with "Oh Baby"  by Dib Cochrane & The Earwigs and "One Inch Rock"  by T.Rex, was released as a 12-inch vinyl extended play single in the UK by Thunderwing Records (catalog number TWR 001) on September 3, 1982. The sources do not provide a specific day or month for the 1982 release, only the year. Given that "Deep Summer" was recorded during the sessions for the T. Rex album between May and August 1970 at Trident Studios in London, it was an outtake from those sessions and not released until the 1982 EP.

A Synth-Pop Turks Rebellion Released as a 7-inch vinyl single in the UK on December 4, 1981, on Riva Records (catalogue: RIVA 34), Rod Stewart’s “Young Turks” was the second single from Tonight I’m Yours. Backed with “Tora, Tora, Tora (Out With The Boys),” this synth-pop/new wave anthem — written by Stewart/Appice/Savigar/Hitchings — peaked at No. 11 on the UK Singles Chart. Produced by Rod Stewart & Jim Cregan, it marked Stewart’s bold ‘80s reinvention. Single Overview Release Details Label: Riva Records. Format: Vinyl, 7", 45 RPM, Single. Full Track Listing Side A Young Turks (5:04) – Written-By: Stewart, Appice, Savigar, Hitchings – Producer: Rod Stewart, Jim Cregan Side B Tora, Tora, Tora (Out With The Boys) (4:35) – Written-By: Stewart – Producer: Rod Stewart, Jim Cregan Reissues & Global Variants Belgium - Warner Bros. - 1981 Germany - Warner Bros. - 1981 Ireland - Riva - 1981 Netherlands - Warner Bros. - 1981 Sweden - Warner Bros. - 1981 Australia - Warner Bros. - 1981 Production and Context Produced by Rod Stewart & Jim Cregan. Recorded at Record Plant, Los Angeles. First MTV-era Stewart hit with breakdancing video directed by Russell Mulcahy. Singles Released and Chart Performance - UK Official Singles Chart: 11 - US Billboard Hot 100: 5 - Canada: 2 - Australia: 3 - Belgium: 5 Legacy and Collectibility “Young Turks” is Rod Stewart’s synth-pop/new wave triumph — “be free tonight!” Original UK Riva pressings fetch £5–£15 on eBay/Discogs. Verify catalogue RIVA 34. Streams on Spotify keep the young hearts free. This single is a must-have for ‘80s Rod collectors. Do you have Young Turks in your vinyl stack? Are you still free tonight? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

Elton & Kiki's 24 Hours Flip Released as a 7-inch vinyl single in the UK on November 27, 1981, on Ariola Records (catalogue: ARO 269), Kiki Dee And Elton John’s “Loving You Is Sweeter Than Ever” was a soulful Four Tops cover from Kiki’s Perfect Timing album. Backed with “Twenty Four Hours,” the A-side — a remixed single version of the Stevie Wonder/Ivy Hunter classic — was produced by Pip Williams. No UK chart entry. A warm, overlooked Elton-Kiki reunion. Single Overview Release Details Label: Ariola Records. Format: Vinyl, 7", 45 RPM, Single. Full Track Listing Side A Loving You Is Sweeter Than Ever – Written-By: Ivy Hunter, Stevie Wonder – Producer: Pip Williams – Remixed single version Side B Twenty Four Hours – Written-By: Gary Osborne, Kiki Dee – Written By: Reid Kaelin – Producer: Pip Williams Reissues & Global Variants No major reissues or international variants noted. Production and Context Produced by Pip Williams. From Kiki Dee’s *Perfect Timing* (ARL 5050). Elton John duet on the Four Tops cover — their first collaboration since “Don’t Go Breaking My Heart” (1976). Singles Released and Chart Performance No UK chart entry. Legacy and Collectibility “Loving You Is Sweeter Than Ever” is Elton & Kiki’s soulful reunion single. Original UK Ariola pressings fetch £5–£20 on eBay/Discogs. Verify catalogue ARO 269. Streams limited (often on *Perfect Timing* reissues). This single is a must-have for Elton/Kiki collectors. Do you have Loving You Is Sweeter Than Ever in your vinyl stack? Is it sweeter than ever? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Glam Metal Deafening Return Slade’s Till Deaf Do Us Part LP, released in the UK on November 13, 1981, on RCA Records (catalogue: RCA LP 6021 / RCALP 6021 / PL 25400), was their tenth studio album. Produced/arranged by Slade for Perseverance Ltd. at Portland Studios, this 12-track hard rock/heavy metal shift—featuring Noddy Holder’s vocals, Dave Hill’s guitar, Jim Lea’s bass/keyboards, Don Powell’s drums—followed We'll Bring the House Down (No. 25 UK, 1981). With George “Porky” Peckham’s lacquer cut and ARUN etchings, it peaked at No. 68 on the UK Albums Chart for 2 weeks. Issued in vinyl, cassette, with reissues on CD (1996, 2007, 2024 mediabook), it’s a bold ‘80s Slade resurgence. Album Overview Release Details: Label: RCA Records (UK). Formats: Vinyl LP, cassette; CD reissues. ℗ & ©: 1981 RCA Ltd. Recorded/Mixed at Portland Studios. Pressed by EMI Records. Notes: Published by Whild John Music Ltd. UK Release Formats and Track Listings Till Deaf Do Us Part was released in the UK in 1981 in vinyl and cassette all with the same 12-track sequence: Vinyl Album (Catalogue: RCA LP 6021): Side A: Rock And Roll Preacher (Hallelujah I'm On Fire) (5:34) Lock Up Your Daughters (3:23) Till Deaf Do Us Part (3:22) Ruby Red (2:49) She Brings Out The Devil In Me (3:22) Side B: A Night To Remember (3:36) M'hat M'coat (1:53) It's Your Body Not Your Mind (3:00) Let The Rock Roll Out Of Control (3:55) That Was No Lady That Was My Wife (2:31) Knuckle Sandwich Nancy (3:09) Till Deaf Resurrected (1:01) Packaging: Runouts: A “A Porky prime divers boot no Gritty's cut Yaaaah.” B “A Porky prime cut. Comin' atcha gerrup gedown gerrin gerrout.” etched. Cassette Album (Catalogue: RCAK 6021 / PK 25400): Side A: Rock And Roll Preacher (Hallelujah I'm On Fire) (5:34) Lock Up Your Daughters (3:23) Till Deaf Do Us Part (3:22) Ruby Red (2:49) She Brings Out The Devil In Me (3:22) Side B: A Night To Remember (3:36) M'hat M'coat (1:53) It's Your Body Not Your Mind (3:00) Let The Rock Roll Out Of Control (3:55) That Was No Lady That Was My Wife (2:31) Knuckle Sandwich Nancy (3:09) Till Deaf Resurrected (1:01) Reissues: Vinyl Album BMG – BMGCAT726LP Limited Edition, Reissue, White And Black Splatter Europe Released February 23, 2024 A1 Rock And Roll Preacher (Hallelujah I'm On Fire) A2 Lock Up Your Daughters A3 Till Deaf Do Us Part A4 Ruby Red A5 She Brings Out The Devil In Me B1 A Night To Remember B2 M'hat M'coat B3 It's Your Body Not Your Mind B4 Let The Rock Roll Out Of Control B5 That Was No Lady That Was My Wife B6 Knuckle Sandwich Nancy B7 Till Deaf Resurrected CD Album Released 1996 (UK). (Castle Classics CLACD 415 / GAS 0000415CLA ACO): 1 Rock And Roll Preacher (Hallelujah I'm On Fire) 2 Lock Up Your Daughters 3 Till Deaf Do Us Part 4 Ruby Red 5 She Brings Out The Devil In Me 6 A Night To Remember 7 M'hat, M'coat 8 It's Your Body Not Your Mind 9 Let The Rock Roll Out Of Control 10 That Was No Lady That Was My Wife 11 Knuckle Sandwich Nancy 12 Till Deaf Resurrected Phonographic Copyright ℗ – RCA Ltd. Copyright © – Castle Communications PLC Licensed From – Perseverance Ltd. Recorded At – Portland Studios Mixed At – Portland Studios Glass Mastered At – Mayking Bass Guitar, Keyboards, Backing Vocals – James Whild Lea Design [Original] – Brian Burrows Drums – Don Powell Engineer [Cutting] – George 'Porky' Peckham Lead Guitar, Backing Vocals – Dave Hill Lead Vocals, Guitar – Noddy Holder Producer [Assistant], Engineer [Assistant] – Andy Miller Producer, Arranged By – Slade Tape Op – Mark O'Donoughue Written-By – Hill (tracks: 7), Lea (tracks: 1 to 6, 8 to 12), Holder (tracks: 1 to 6, 8 to 12) Barcode: 5017615641523 Label Code: LC 6448 Matrix / Runout: CLACD415 MASTERED BY MAYKING CD Album Reissue Remastered Released 2007 (UK). (Salvo SALVOCD008): Same 12 original tracks plus 13 Funk, Punk & Junk CD, Album, Reissue, Remastered, Mediabook Released February 23, 2024 (UK).  (BMG BMGCAT725CD): Mediabook with 8-page booklet. Two Bonus Tracks 13 Funk, Punk & Junk 2:58 14 Rock And Roll Preacher (Hallelujah I'm On Fire) (Radio Edit) 3:19 UK (RCA RCA LP 6021): Released November 13, 1981. Vinyl, cassette. Production and Context Produced/Arranged by Slade for Perseverance Ltd. Musicians: Noddy Holder (lead vocals, guitar), Dave Hill (lead guitar, backing vocals), Jim Lea (bass, keyboards, backing vocals), Don Powell (drums). Engineered by Andy Miller (assistant). Cutting by George “Porky” Peckham. Till Deaf Do Us Part was Slade’s heavy metal pivot post-Reading Festival revival. Singles Released and Chart Performance Till Deaf Do Us Part spawned four singles: Knuckle Sandwich Nancy (May 15, 1981). Lock Up Your Daughters (September 4, 1981): UK Top 30, Top of the Pops September 24. Ruby Red (March 12, 1982). Rock and Roll Preacher (Hallelujah I'm on Fire) (April 1982). UK Album Chart Performance Peak: No. 68. Weeks on Chart: 2 (November 28 – December 12, 1981). Chart Run: No. 68 (Nov 28), No. 99 (Dec 12). Legacy and Collectibility Till Deaf Do Us Part is Slade’s metal-era roar, with Lock Up Your Daughters a live staple. Original UK vinyls fetch £10–£30 on eBay/Discogs, cassettes (£5–£15). Verify catalogue RCA LP 6021. Streams on Spotify via reissues preserve the analog grit. This LP is a must-have for Slade fans and ‘80s metal collectors. Do you have Till Deaf Do Us Part in your vinyl stack? Which track deafens you? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

A Station To Station Windstorm David Bowie’s “Wild Is The Wind” was released as a 7-inch, and 12" vinyl single, in the UK on November 13, 1981, on RCA Records (catalogue: BOW 10 / PB 9815). Backed with “Golden Years,” this haunting ballad cover (written by Tiomkin/Washington) and funk-disco gem (Bowie), both arranged/produced by Bowie/Harry Maslin, released to promoted ChangesTwoBowie, it peaked at No. 24 on the UK Singles Chart for 10 weeks. Issued in four-prong push-out centre, solid centre, mislabelled solid centre, acetate, and 12-inch variants, it’s a timeless reissue pair. Single Overview A-Side: “Wild Is The Wind” (5:58) Written-By – Tiomkin, Washington. Arranged By, Producer – David Bowie, Harry Maslin. B-Side: “Golden Years” (3:56) Written-By – Bowie. Arranged By, Producer – David Bowie, Harry Maslin. Release Details: Label: RCA Records (UK pressing, 45 RPM). Published By – Carlin Music Corp. (A), Bewlay Bros. Music/Chrysalis Music Ltd./Fleur Music (B). Phonographic Copyright ℗ – RCA Corporation (1976 A, 1975 B). Marketed By – RCA Ltd. Lacquer Cut At – The Town House. Pressed By – EMI Records. UK Formats: Vinyl, 7" Single Four Prong Push Out Center (BOW 10 / PB 9815) A: “Wild Is The Wind” (5:58, Tiomkin, Washington) – Written-By – Tiomkin, Washington – Arranged By, Producer – David Bowie, Harry Maslin B: “Golden Years” (3:56, Bowie) – Written-By – Bowie – Arranged By, Producer – David Bowie, Harry Maslin Solid Centre (BOW 10 / PB 9815): A: “Wild Is The Wind” (5:58, Tiomkin, Washington) – Written-By – Tiomkin, Washington – Arranged By, Producer – David Bowie, Harry Maslin B: “Golden Years” (3:56, Bowie) – Written-By – Bowie – Arranged By, Producer – David Bowie, Harry Maslin Solid Centre Mislabelled (BOW 10 / PB 9815): A: “Wild Is The Wind” (5:58, Tiomkin, Washington) – Written-By – Tiomkin, Washington – Arranged By, Producer – David Bowie, Harry Maslin B: “Golden Years” (3:56, Bowie) – Written-By – Bowie – Arranged By, Producer – David Bowie, Harry Maslin Vinyl 10" Single Acetate, 45 RPM, Single Sided. A: “Wild Is The Wind” Vinyl, 12", Single 45 RPM, (BOW T 10 / PC 9815): A: “Wild Is The Wind” (5:58, Tiomkin, Washington) – Written-By – Tiomkin, Washington – Arranged By, Producer – David Bowie, Harry Maslin B: “Golden Years” (3:59, Bowie) – Written-By – Bowie – Arranged By, Producer – David Bowie, Harry Maslin Notes: A from ChangesTwoBowie (BOWLP 3), B from ChangesOneBowie (RS 1055). Sleeve © 1981. Country Variations: The single was released in several countries: UK (RCA BOW 10 / PB 9815) Released November 13, 1981. 7-inch (push-out/solid/mislabelled), acetate, 12-inch. Australia (RCA Victor 1981) Germany (RCA Victor 1981) Ireland (RCA 1981) Spain (RCA Victor 1981) Canada (RCA 1982) France (RCA Victor 1982) Production and Context Arranged/Produced by David Bowie/Harry Maslin. Recorded 1975–1976 at Cherokee Studios (Station To Station). The lineup: David Bowie (vocals, multi-instruments), with Carlos Alomar, Earl Slick, etc. “Wild Is The Wind” was a Nina Simone cover, “Golden Years” a disco-funk hit. Reissued for ChangesTwoBowie (No. 24 UK, 1981), amid Bowie’s Scary Monsters era. Chart Performance: UK: No. 24 (Official Singles Chart), charting for 10 weeks. Entry Date: November 28, 1981. Peak: No. 24 (December 26, 1981 – January 2, 1982). Weeks on Chart: 10 (Nov 28, 1981 – Jan 30, 1982). Chart Run: No. 59 (Nov 28), No. 28 (Dec 5), No. 25 (Dec 12), No. 27 (Dec 19), No. 24 (Dec 26), No. 24 (Jan 2), No. 28 (Jan 9), No. 29 (Jan 16), No. 32 (Jan 23), No. 48 (Jan 30). Legacy and Collectibility “Wild Is The Wind” is Bowie’s emotive cover masterpiece, with “Golden Years” a disco staple. Original UK 7-inch vinyls fetch £3–£10 on eBay/Discogs, 12-inch (£5–£15), acetates (£50+). Verify catalogue BOW 10. Streams on Spotify via compilations preserve the analog wind. This reissue is a must-have for Bowie fans and ‘80s collectors. Have you snagged this Bowie wind in your vinyl collection? Does Wild Is The Wind blow you away? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube.

A Synth-Rock Heartthrob's Peak Rod Stewart’s Tonight I'm Yours LP, was released in the UK on November 6, 1981, on Riva Records (catalogue: RVLP 14). This 10-track album, his eleventh, blended rock, synth-pop, and new wave, with hits “Tonight I'm Yours (Don't Hurt Me),” “Young Turks,” and “How Long.” Produced by Rod Stewart and co-producer Jim Cregan, it peaked at No. 8 on the UK Albums Chart for 20 weeks (over two runs). Included a custom printed inner sleeve with credits and a merchandise sheet in some copies. It featured three covers: “Tear It Up,” “How Long,” and “Just Like a Woman.” “Never Give Up on a Dream” was dedicated to Canadian athlete Terry Fox. Album Overview Release Details: Label: Riva Records (UK). Formats: 12-inch vinyl LP; later CD reissues. ℗ & ©: 1981 Riva Records Ltd. Recorded and mixed at Record Plant, Los Angeles. Mastered at Precision Lacquer. Lacquer cut at Strawberry Mastering. Pressed by Damont. Notes: Distributed by WEA Records Ltd. Record Company: Riva Records Ltd. / Warner Communications. Art Direction: Richard Seireeni. Photography: Raul Vega. Some copies included a merchandise sheet. UK Release Formats and Track Listings Tonight I'm Yours was released in the UK in 1981 as a 12-inch vinyl LP: 12-Inch Vinyl LP (Catalogue: RVLP 14): Side A: 1-Tonight I'm Yours (Don't Hurt Me) (Drums – Carmine Appice, Guitar – Jeff Baxter, Keyboards – Duane Hitchings, Percussion – Tony Brock, Tubular Bells – Tommy Vig, Vocals – Linda Lewis) – Written-By – Cregan, Savigar Stewart 2- How Long – Written-By – Carrack 3- Tora, Tora, Tora (Out With The Boys) (Backing Vocals – Rod Stewart, Saxophone – Jimmy Zavala) – Written-By – Stewart 4-Tear It Up Written-By – Burnette, Burnette, Burlison 5- Only A Boy (Fiddle – Byron Berline) Written-By – Cregan, Savigar, Stewart Side B: 1- Just Like A Woman (Pedal Steel Guitar – Jeff Baxter) – Written-By – Bob Dylan 2- Jealous (Guitar – Danny Johnson, Harmonica – Jimmy Zavala, Percussion – Paulinho Da Costa) – Written-By – Appice, Johnson, Davis, Stewart 3- Sonny Written-By – Taupin, Cregan, Savigar, Stewart 4 - Young Turks (Drums – Carmine Appice, Keyboards – Duane Hitchings, Percussion – Tony Brock) – Written-By – Appice, Hitchings, Savigar, Stewart 5- Never Give Up On A Dream (Accompanied By – Pentacostal Community Choir*, Soloist – Penny Jones, Tambourine – Tony Brock) – Written-By – Taupin, Cregan, Stewart Packaging: Single sleeve with custom printed inner sleeve containing credits. Some copies included a merchandise sheet. Cassette, Album(Catalogue: RV 414): A1 Tonight I'm Yours (Don't Hurt Me) A2 How Long A3 Tora, Tora, Tora (Out With The Boys) A4 Tear It Up A5 Only A Boy B1 Just Like A Woman B2 Jealous B3 Sonny B4 Young Turks B5 Never Give Up On A Dream Companies, Credits and Notes: Mastered At – Precision Lacquer Recorded At – Record Plant, Los Angeles Mixed At – Record Plant, Los Angeles Phonographic Copyright ℗ – WEA Records B.V. Phonographic Copyright ℗ – WEA Records Copyright © – Riva Records Ltd. Distributed By – WEA Records Ltd. Published By – Riva Music Ltd. Published By – Warner Bros. Music Ltd. Published By – Copyright Control Published By – Chappell Music Ltd. Published By – B. Feldman & Co. Ltd. Published By – EMI Music Ltd. Published By – Hot Rock Music Published By – Little Mole Music Published By – Warner Bros. Music Lacquer Cut At – Strawberry Mastering Pressed By – Damont Record Company – Riva Records Ltd. Record Company – Warner Communications Art Direction – Richard Seireeni Backing Vocals – Carmine Appice (tracks: A2, A3, B4), Jim Cregan (tracks: A2, A3, A5, B4), Tony Brock (tracks: A2, A3, A5, B4) Bass – Jay Davis Co-producer – Jim Cregan Drums – Tony Brock (tracks: A2 to B3, B5) Engineer – George Tutko Engineer [Assistant] – Ricky Charles Delena Guitar – Jim Cregan, Robin LeMesurier* (tracks: A2 to B1, B3, B5) Keyboards – Kevin Savigar Mastered By – Larry Emerine, Stephen Marcussen Photography By – Raul Vega Producer – Rod Stewart Publishers Side A: Riva Music/Warner Bros. Music Ltd .Copyright Control . Riva Music . Chappell Music . Publishers Side B: B. Feldman & Co. Ltd./EMI Music Ltd .Riva Music Ltd./Hot Rock Music .Riva Music Ltd./Little Mole Music/ Warner Bros. Music Ltd. .Riva Music Ltd. .Little Mole Music/Riva Music Ltd./Warner Bros. Music . Track 5, (The Pentecostal Community Choir) Directed By Keith Pringle Issued in a single sleeve and including a custom printed inner sleeve containing credits. Some copies also include a mechandise sheet. Album Chart Performance Peak Position: 8 First Charted: November 8-14, 1981 (No.8) Weeks on Chart: 20 (over two runs) UK Singles Released and Chart Performance Tonight I'm Yours spawned three singles: “Tonight I'm Yours (Don't Hurt Me)” (1981, Riva RIVA 3): Released: October 9 1981 Peak Position: 8 First Charted: October 11, 1981 Last Charted: January 3, 1982 Weeks on Chart: 13 “Young Turks” (1981, Riva RIVA 4): Released: December4, 1981 Peak Position: 11 First Charted: December 6, 1981 Last Charted: January 31, 1982 Weeks on Chart:9 “How Long” (1982, Riva RIVA 5): US No. 49. Released: February 26, 1982 Peak Position: 41 First Charted: February 27, 1981 Last Charted: March 20, 1982 Weeks on Chart:4 Legacy and Collectibility Tonight I'm Yours is a Stewart synth-rock peak, with “Young Turks” and “Tonight I'm Yours” as ‘80s staples. First pressings with intact inner sleeve and merchandise sheet are valued—verify catalogue RVLP 14. Streams on Spotify via reissues preserve the analog strut. This LP is a must-have for Stewart fans and ‘80s rock collectors. Do you have Tonight I'm Yours in your vinyl stack? Which track owns the night? Share in the comments! Have you snagged this Python gem in your vinyl collection? Does “In A Broken Dream” haunt you? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube What’s the next classic vinyl you’d like to feature? Share in the comments!

A Posthumous Glam Whisper Marc Bolan’s “Cat Black” 7-inch vinyl single, was released in the UK on November 6, 1981, on Cherry Red Records (catalogue: CHERRY 32). Backed with “Jasper C,” this posthumous release of two unreleased tracks showcased Bolan’s whimsical glam style. Produced by Simon Napier-Bell, the A-side’s quirky pop and B-side’s Debussy nod failed to chart. Single Overview Single 7" Vinyl (Commercial) Plastic Injection in Picture Sleeve A-Side: “Cat Black” (Marc Bolan) Composed by Marc Bolan. Produced by Simon Napier-Bell. B-Side: “Jasper C” (Marc Bolan) Composed by Marc Bolan (Debussy). Produced by Simon Napier-Bell. Release Details: Label: Cherry Red Records (UK pressing, 45 RPM). Formats: Companies, Credits and Notes: A: Acoustic Guitar – Marc Bolan Backing Vocals – Dyan Birch, Frank Collins, Paddy McHugh Bass – Brian Odgers Drums – Graham Jarvis Electric Guitar – Bernie Holland Piano – Graham Todd B: Acoustic Guitar – Marc Bolan Bass – John Paul Jones Drums – Clem Cattini Guitar – Jim Sullivan Piano – Nicky Hopkins Phonographic Copyright ℗ – Cherry Red Records Ltd. Copyright © – Lupus Copyright © – Essex Music International Mastered At – The Town House Pressed By – Polygram Industries Messageries Recorded At – De Lane Lea Studios Artwork [Artwork By] – James Wolf Engineer – Dave Siddle Producer, Arranged By – Simon Napier-Bell Written-By – Bolan* 'Cat Black' taken from the album "You Scared Me To Death" ERED20. Voice & acoustic guitar recorded at De Lane Lea Studios, Kingsway, London 1966 (P) 1981 Cherry Red Records Ltd. (C) Lupus Made in France Single Chart Performance Did not chart (Official Singles Chart) Legacy and Collection “Cat Black” is a Bolan rarity, verify catalogue CHERRY 32. Streams on Spotify via compilations preserve the analog whimsy. This single is a must-have for Bolan collectors. Have you snagged this Bolan rarity in your vinyl collection? Does “Cat Black” purr for you? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Prince Vault, Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and UTube

A Legendary Rock Collaboration Queen and David Bowie’s “Under Pressure” 7-inch vinyl single, was released in the UK on October 30, 1981, on EMI Records (catalogue: EMI 5250). Backed with Queen’s “Soul Brother,” this iconic collaboration, written by Queen and David Bowie, emerged from a spontaneous jam session in Montreux, Switzerland. Produced by Queen and Bowie, the single featured Freddie Mercury’s soaring vocals, Bowie’s distinctive delivery, and John Deacon’s unforgettable bassline, peaking at No. 1 on the UK Singles Chart for 2 weeks. Issued in a picture sleeve with a minimalist design, it’s a landmark of ‘80s rock. Single Overview A-Side: “Under Pressure” (4:02, Queen/David Bowie) A powerful rock anthem blending Queen’s theatrical flair with Bowie’s art-rock edge, driven by a pulsing bassline and lyrics about compassion under stress. Produced by Queen and Bowie, it became a timeless classic. B-Side: “Soul Brother” (3:36, Freddie Mercury) A soulful, upbeat Queen track with Mercury’s playful vocals and a funky groove, exclusive to the single. Produced by Queen, it showcased their versatility. Release Details: 7-Inch Vinyl (EMI 5250) UK: “Under Pressure” / “Soul Brother.” In a picture sleeve with minimalist artwork. No cassette or CD formats for this single in 1981; later included in CD reissues of Hot Space (1982). Notes: ℗ & © 1981 EMI Records. Matrix numbers (e.g., EMI 5250 A-1) confirm authenticity. The single preceded Queen’s Hot Space album (1982). 12-Inch Vinyl (EMI – 1A 052Z-64626) EU: Format: Vinyl, 12", 45 RPM, Single, Stereo Country: Europe Released: 1981 A Queen & David Bowie– Under Pressure Performer, Composed By, Producer [Produced By] – David Bowie, Queen 4:03 B Queen– Soul Brother Co-producer [Co-produced By] – Mack Producer [Produced By] – Queen 3:34 Production and Context Recorded in July 1981 at Mountain Studios, Montreux, and The Power Station, New York, the single was produced by Queen and David Bowie. The lineup featured Freddie Mercury (vocals, piano), Brian May (guitar), Roger Taylor (drums), John Deacon (bass), and David Bowie (vocals, keyboards). “Under Pressure” arose from an impromptu session, blending Queen’s operatic rock with Bowie’s experimental flair. Released during the new wave and post-disco era, it competed with The Police and The Rolling Stones, becoming a cultural touchstone. Singles Released and Chart Performance “Under Pressure” was a standalone single, later included on Hot Space (1982): “Under Pressure” (1981, EMI 5250): UK Chart Data: Entry November 8, 1981 - November 14, 1981; Peak No. 1; 11 weeks Chart Run: No. 7 (Nov 7), No. 1 (Nov 14), No. 1 (Nov 21), No. 2 (Nov 28), No. 3 (Dec 5), No. 4 (Dec 12), No. 6 (Dec 19), No. 8 (Dec 26), No. 10 (Jan 2, 1982), No. 13 (Jan 9). International: US No. 29 (Billboard Hot 100, 12 weeks), Australia No. 6 (Kent Music Report, 14 weeks), Ireland No. 2, Germany No. 21, Netherlands No. 1, New Zealand No. 6, Canada No. 3 (RPM), Switzerland No. 10, Austria No. 10, Norway No. 6, Sweden No. 10. Single Chart Performance “Under Pressure” reached No. 1 in the UK, charting for 11 weeks, and achieved strong international success, particularly in the Netherlands (No. 1) and Canada (No. 3), reflecting its universal appeal. Legacy and Collectibility “Under Pressure” is a rock masterpiece, with its iconic bassline and heartfelt duet enduring in pop culture, later sampled by Vanilla Ice. Verify catalogue EMI 5250. Streams on Spotify via Hot Space or Queen compilations preserve the analog energy. This single is a must-have for Queen, Bowie, and ‘80s rock fans. Have you snagged this iconic single in your vinyl collection? Does “Under Pressure” still give you chills? Share in the comments! Sources Discogs: Under Pressure (1981) Official Charts Company: Queen Singles Official Charts Company: David Bowie Singles AllMusic: Queen Discography AllMusic: David Bowie Discography Wikipedia: Under Pressure Billboard Chart History: Queen Billboard Chart History: David Bowie

A Crown Jewel of Rock Classics Queen’s Greatest Hits LP, was released in the UK on October 26, 1981, on EMI Records (catalogue: EMTV30). The album consisted of Queen's biggest hits since their first chart appearance in 1974 with "Seven Seas of Rhye", up to their 1980 hit "Flash" (although in some countries, "Under Pressure", the band's 1981 UK number one single with David Bowie, was included). There was no universal track listing or cover art for the album, and each territory's tracks were dependent on what singles had been released there and which were successful. In 1992, the US version of the album Classic Queen was released following the band's rekindled popularity in the nation. Greatest Hits is the band's best-selling album to date, with total sales of over 25 million copies, making it one of the best-selling albums of all time. It spent four weeks at number one in the UK Albums Chart, and sold consistently well throughout the 1980s, becoming the fourth-biggest selling album of the decade. As of October 2025, Greatest Hits has spent 1,176 weeks on the UK Albums Chart and has been certified 23× platinum with sales of over seven million copies, making it the best-selling album of all time in the UK. Overview Format:Vinyl, LP, Compilation, Stereo, No Barcode, Round Cornered Innersleeve Country: UK Released: 26 Oct 1981 Track List A1 Bohemian Rhapsody 5:50 A2 Another One Bites The Dust 2:32 A3 Killer Queen 2:58 A4 Fat Bottomed Girls 3:16 A5 Bicycle Race 2:57 A6 You're My Best Friend 2:48 A7 Don't Stop Me Now 3:25 A8 Save Me 3:44 B1 Crazy Little Thing Called Love 2:40 B2 Somebody To Love 4:51 B3 Now I'm Here 4:10 B4 Good Old Fashioned Lover Boy 2:52 B5 Play The Game 3:21 B6 Flash 2:45 B7 Seven Seas Of Rhye 2:45 B8 We Will Rock You 2:00 B9 We Are The Champions 2:57 Published By – Queen Music Ltd. Published By – EMI Music Publishing Ltd. Published By – Trident Music Published By – Wide Music Inc. Phonographic Copyright ℗ – EMI Records Ltd. Manufactured By – EMI Records Ltd. Pressed By – EMI Records Record Company – EMI Records Ltd. Printed By – Garrod & Lofthouse Made By – Trademasters Ltd Phonographic Copyright ℗ – Queen Productions Ltd. Phonographic Copyright ℗ – Raincloud Productions Ltd. Phonographic Copyright ℗ – Queen Phonographic Copyright ℗ – Starling Productions Ltd. Bass Guitar – John Deacon Drums, Vocals – Roger Taylor Engineer, Co-producer – Mack (tracks: A1 to B1, B5) Guitar, Vocals – Brian May Photography By – Snowdon Producer – May* (tracks: B6), Mack (2) (tracks: B6), Queen (tracks: A1 to B5, B7 to B9), Roy Thomas Baker (tracks: A1, A3 to A7, B3, B7) Producer [Assistant] – Mike Stone (tracks: B8, B9) Sleeve, Design – Cream (7) Vocals, Piano – Freddie Mercury Written-By – May (tracks: A4, A8, B3, B6, B8), Mercury* (tracks: A1, A3, A5, A7, B1, B2, B4, B5, B7, B9), Deacon* (tracks: A2, A6) Issued with a printed inner sleeve with rounded corners. No barcode on the back of the sleeve. Manufactured in the UK. Publishers: A1, A3, A6, B3, B7: Trident Music A2, A4, A5, A7-B2, B4, B5, B8, B9: Queen Music Ltd./ EMI Music Publishing Ltd. B6: Queen Music Ltd./ Wide Music Inc./ EMI Music Publishing Ltd. A1, A6: (P) 1975 Queen Productions Ltd. A2, A8, B5: (P) 1980 Raincloud Productions Ltd A3: (P) 1974 Queen A4, A5, A7: (P) 1978 Raincloud Productions Ltd. B1: (P) 1979 Raincloud Productions Ltd. B2, B4: (P) 1976 Queen Productions Ltd. B3, B7: (P) 1974 Queen B6: (P) 1980 Queen Productions Ltd./Starling Productions Ltd B8, B9: (P) 1977 Queen Productions Ltd. This compilation (P) 1981 EMI Records Ltd. Runouts: Variant 12's 'Y' and Variants 14 & 16's 'X 3' are etched. Durations do not appear on this release. Chart (1981–1982) Peak position Australian Albums (Kent Music Report) 2 Austrian Albums (Ö3 Austria) 1 Dutch Albums (Album Top 100) 1 German Albums (Offizielle Top 100) 1 New Zealand Albums (RMNZ) 1 Norwegian Albums (VG-lista) 21 UK Albums (OCC)[35] 1 Sources Discogs: Greatest Hits (1981) 45cat: Queen Singles Official Charts Company: Queen Albums AllMusic: Greatest Hits Wikipedia: Greatest Hits Billboard Chart History: Queen YouTube: Greatest Hits Full Album (2014 upload, 5M+ views)

A Surreal New Wave Nibble The Tubes’ “Sushi Girl” 7-inch vinyl single, was released in the UK on October 9, 1981, on Capitol Records (catalogue: CL 219). Backed with “Mr. Hate,” this eccentric new wave track, written by the band, was from their sixth album, The Completion Backward Principle. Produced by David Foster, the A-side’s satirical lyrics and quirky melody parodied exotic romance and consumerism. The single was a UK only release. Single Overview Label: Capitol Records – CL 219 Format: Vinyl, 7", 45 RPM, Single Country: UK only Released: 1981 A Sushi Girl 3:26 B Mr. Hate 3:41 Recorded By – Capitol Records, Inc. Producer – David Foster Written-By – The Tubes Have you snagged this Tubes rarity in your vinyl collection? Does “Sushi Girl” tickle your fancy? Share in the comments! Sources Discogs: Sushi Girl (1981) 45cat: CL 219 Single Official Charts Company: The Tubes Singles AllMusic: The Tubes Discography Wikipedia: The Completion Backward Principle Billboard Chart History: The Tubes YouTube: Sushi Girl Official Video (2008 upload, 1M+ views)

A Hawkmen Arena Rock Odyssey Released as a vinyl LP and TC in the UK on December 8, 1980, on EMI Records (catalogue: EMC 3351 / OC 062-64 203), Queen’s Flash Gordon (Original Soundtrack Music) — the score to the cult film — was their ninth studio album. Produced by Brian May & Mack, recorded at Townhouse, Music Centre, Advision, and Utopia Studios, this 18-track concept featured dialogue from the movie and the hit single “Flash.” Peaked at No. 10 on the UK Albums Chart for 15 weeks. Album Overview Release Details Label: EMI Records. Formats: Vinyl LP, TC cassette. Full Track Listing Side A 1. Flash's Theme 2. In The Space Capsule (The Love Theme) 3. Ming's Theme (In The Court Of Ming The Merciless) 4. The Ring (Hypnotic Seduction Of Dale) 5. Football Fight 6. In The Death Cell (Love Theme Reprise) 7. Execution Of Flash 8. The Kiss (Aura Resurrects Flash) Side B 1. Arboria (Planet Of The Tree Men) 2. Escape From The Swamp 3. Flash To The Rescue 4. Vultan's Theme (Attack Of The Hawk Men) 5. Battle Theme 6. The Wedding March 7. Marriage Of Dale And Ming (And Flash Approaching) 8. Crash Dive On Mingo City 9. Flash's Theme Reprise (Victory Celebrations) 10. The Hero Cassette Album (TC-EMC 3351) – UK Side A/B identical to vinyl. UK Variants - LP, Album – EMI EMC 3351 – UK – 1980 - Cassette, Album – EMI TC-EMC 3351 – UK – 1980 Production and Context Produced by Brian May & Mack (Reinhold Mack). Additional orchestral arrangements by Howard Blake. Recorded February–March & October–November 1980. Queen’s first full soundtrack — dialogue-heavy, synth-driven, and gloriously over-the-top. Singles Released and Chart Performance - Flash (November 24, 1980) – UK No. 10 Album Chart Performance - UK: 10 (15 weeks) – entry December 20, 1980 Legacy and Collectibility Flash Gordon is Queen’s cult cinematic soundtrack — pure ‘80s camp and grandeur. Original UK EMI gatefold vinyls fetch £20–£60 on eBay/Discogs, cassettes £10–£30. Verify catalogue EMC 3351. This album is a must-have for Queen soundtrack collectors. Do you have Flash Gordon in your vinyl stack? Ah-ah, saviour of the universe? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube Whilst every effort is made to provide accurate information, mistakes do happen. Simply leave a comment and the post will be updated. Thank you.

A Cheapskate Christmas Party Cracker Released as a 7-inch vinyl single in the UK on November 28, 1980, on Cheapskate Records (catalogue: CHEAP 11 / LYN 9116 / LYN 9117), Slade’s *Xmas Ear Bender* was their festive party assault. Featuring the Reading Choir on “Merry Xmas Everybody,” a wild “Okey Cokey,” and a live “Get Down And Get With It” (mixed by Mike Robinson & Slade), this three-track holiday romp — pressed by Lyntone with solid and knockout centres — peaked at No. 70 on the Official Singles Chart. Lacquer cut by Porky, plated by Max. A raucous Slade Christmas classic. Single Overview Release Details Label: Cheapskate Records. Formats: Vinyl, 7", 45 RPM, Single (solid centre / knockout centre). Full Track Listing Side A 1. Merry Xmas Everybody (with The Reading Choir) – Written-By: Lea, Holder 2. Okey Cokey – Producer: Slade – Written-By: Jimmy Kennedy Side B Get Down And Get With It (Live) – Mixed By: Mike Robinson, Slade – Written-By: B. Marchand Production and Context “Merry Xmas Everybody” with The Reading Choir. “Okey Cokey” produced by Slade. “Get Down And Get With It” live, mixed by Mike Robinson & Slade. A Cheapskate Christmas party single. Official Singles Chart Data Peak position: 70 Legacy and Collectibility "Xmas Ear Bender" is Slade’s chaotic Christmas party single — “Merry Xmas Everybody” with choir, “Okey Cokey,” and live “Get Down.” Original Cheapskate pressings (solid/knockout centre) fetch £10–£30 on eBay/Discogs. Verify catalogue CHEAP 11. Streams available via Merry Xmas Everybody EP This single is a must-have for Slade Christmas collectors. Do you have Xmas Ear Bender in your vinyl stack? Are you ready to Okey Cokey? Share in the comments! Sources Information is drawn from my personal knowledge and supplemented by web sources, including Discogs, 45cat, AllMusic, Rate Your Music, Wikipedia, BBC Official Charts Company, Billboard Chart History and YouTube

NME SAHB, Tubes and more November 12, 1977 Cleminson 'saboteur' slams Alex ALEX HARVEY has been accused of "disloyalty" and "sabotage", following his shock decision to retire totally from_the rock busi-ness. A statement issued by Zal Cleminson guitarist and vocalist with the Sensa-tional Alex Harvey Band, who takes over as front man in Harvey's absence reveals the bitterness felt by the other members of the outfit towards their former leader. In his statement, Cleminson says: "I feel it should be made crys-tal clear just how big a shock this decision was to his fellow musi-cians. I want Alex Harvey to know he has sabotaged a great band. "SAHB had just completed 'Rock Drill', which in my opin- NME CONTACTED Alex Harvey for his comments on Cleminson's statement. It was the first he had heard of it and, after it was read to him, his first reaction was: "How can Zal say it came as a sudden shock, in the same breath as claiming that I actually retired 12 months ago? And how can he regard 'Rock Drill' as our best album, if the past year has been musically frustrating?" Harvey added: "I don't mind Zal saying that, and it doesn't really come as a surprise. I wanted to move on and I couldn't do it in this situation. There comes a time when you WILL CLEMINSON ion is the best album the band has made to date. I have always admired Alex, and he has taught me more about performance than anyone else; but where's the idealism now? "In reality, Alex Harvey have to move on, and I had to make a decision, though I didn't feel particularly happy about it. "I have no complaints about the band. I have been in touch and, besides, they all know my phone number. Everybody seemed to understand at the time. A slanging match won't help and I'm not going to put anybody down. I couldn't sabot-age the band, because I really wish them luck, and I'll always be their A-1 supporter. "Over the past year I've made suggestions to ease the situation, but they weren't really taken up. The were depending on me too much, like I was Spider Man, retired a year ago, and the past 12 months have been totally musically frustrating. I want to play electric music, not mind games. "I have been with Alex for five years, and I expect a hell of a lot more loyalty than he has shown. Since he decided on the spot to walk out of a rehearsal and retire, he has not been in touch with any member of his former band, either to explain or apologise, You don't treat follow members of a band this way." Cleminson added that he is now going to form his own band, and plans to be ready to go on the road by January. "This will give me the chance to play the music I want and to control my own future", he said. It seems likely that the other remaining SAHB members will join him in the venture. I'll be back, says Harvey and I think this will be the best thing for them as well as for me." Alex then refuted the sugges-tion that he had retired completely, insisting that he will return to the rock scene in due course. He told NME: "I never said I'd never play again - I just said I didn't want to play this again. I've got a lot of stuff in my mind, and I'll be back. With what, I don't yet know." Alex Harvey's British tour was this week cancelled offi-cially. Ticket-holders should now apply for cash refunds from the point of purchase.

A Rocker's Fancy Footwork Rod Stewart’s Foot Loose & Fancy Free LP, was released in the UK on November 4, 1977, on Riva Records (catalogue: RVLP 5). This 8-track album, his eighth studio effort, blended rock, soul. Produced by Tom Dowd it peaked at No. 3 on the UK Albums Chart remaing for for 26 weeks. Initial release Included a 12-page illustrated booklet, it’s a vibrant snapshot of Stewart’s post-Faces solo peak. Album Overview Vinyl LP (Catalogue: RVLP 5): Fast Side A1 Hot Legs 5:06 Guitar – Billy Peek Saxophone – Phil Kenzie Written-By – Stewart A2 You're Insane 4:37 Percussion – Paulinho Da Costa, Tommy Vig Saxophone – Phil Kenzie Written-By – Chen, Stewart A3 You're In My Heart 4:42 Acoustic Guitar – Fred Tackett Synthesizer [String Synthesizer] – Nicky Hopkins Violin – Richard Greene Written-By – Stewart A4 Born Loose 5:51 Blues Harp [Harp] – John Mayall Guitar – Billy Peek Percussion – Paulinho Da Costa Written-By – Grainger, Cregan, Stewart Slow Side B1 You Keep Me Hangin' On 8:21 Arranged By [Strings] – Del Newman Written-By – Holland, Dozier, Holland B2 (If Loving You Is Wrong) I Don't Want To Be Right 4:12 Arranged By [Strings] – Del Newman Drums – Roger Bethelmy Electric Piano – David Foster Guitar – Steve Cropper Saxophone – Phil Kenzie Written-By – Hampton, Banks, Jackson B3 You Really Got A Nerve 4:48 Written-By – Grainger, Stewart B4 I Was Only Joking 5:55 Written-By – Grainger, Stewart Packaging: 33⅓ RPM, stereo, with 12-page color illustrated cartoon booklet. Sleeve: Made in England. Notes: Published By – Jobete Music (UK) Ltd. Published By – Island Music Ltd. Published By – Riva Music Ltd. Published By – Warner Bros. Music Ltd. Published By – Skylark Music Ltd. Bass – Phil Chen Drums – Carmine Appice (tracks: A1 to B1, B3, B4) Engineer – Andy Johns Engineer [Mastering] – Lee Hulko Guitar – Gary Grainger (tracks: A1, A2, A4, B1, B3, B4), Jim Cregan Lacquer Cut By – AC Mastered By – Arun Chakraverty Organ – John Jarvis Photography By [Cover] – David Alexander Photography By [Sleeve] – Kent Gavin Piano – John Jarvis Producer – Tom Dowd Side "A" (otherwise known as "Fast Side") Riva Music Ltd (1-3), Riva Music Ltd/Skylark Music/Warner Bros. Music Ltd. (4). Side "B" (otherwise known as "Slow Side") Jobette Music (UK) Ltd. (1), Island Music Ltd. (2), Riva Music Ltd. (3,4). Transition from track 1 to track 2 (side 2), composed by John Jarvis. All songs arranged by Rod and the Boys. Special effects Aphex Aural Exciter. Issued with a booklet containing lyrics and credits. Matrix / Runout (Runout, A-side, etched variant 1): RVLP 5 - A4 Matrix / Runout (Runout, B-side, etched variant 1): RVLP 5 - B4 AC Matrix / Runout (Runout A side etched variant 2): RVLP-5-A2 Matrix / Runout (Runout B side etched variant 2): RVLP-5-B1 Additional personnel Fred Tackett – acoustic guitar (A3) Steve Cropper – guitar David Foster – keyboards Nicky Hopkins – synthesizer Roger Bethelmy – drums (B2) Paulinho Da Costa, Tommy Vig – percussion John Mayall – harmonica on "Born Loose" Phil Kenzie – saxophone Richard Greene – violin Mark Stein – background vocals on "You Keep Me Hangin' On" Andy Johns – background vocals, recording and mixing Wally Heider – engineering John Naslen – engineering Sy Potma – engineering Lee Hulko – mastering Kosh – art design and direction Cassette Album (Catalogue: RV4 5): Label: Riva Format: Cassette, Album A1 Hot Legs A2 You're Insane A3 Born Loose A4 I Was Only Joking B1 You Keep Me Hanging On B2 If Loving You Is Wrong B3 You Got A Nerve B4 You're In My Heart Same 8-track sequence. Packaging: Standard cassette case with J-card. Cartridge Album 8-Track (RV8-5 ) Label: Riva Format: 8-Track Cartridge, Album A1 Hot Legs A2 Born Loose B1 You Keep Me Hanging On B2 If Loving You Is Wrong (Part 1) C1 If Loving You Is Wrong (Part 2) C2 You're Insane C3 You're In My Heart D1 You Got A Nerve D2 I Was Only Joking Published By – Jobete Music (UK) Ltd. Published By – Island Music Ltd. Published By – Riva Music Ltd. Published By – Warner Bros. Music Ltd. Published By – Skylark Music Ltd. Producer – Tom Dowd Chart (1977-78) Peak position Australian Albums (Kent Music Report) 1 Canada Top Albums/CDs (RPM)1 Dutch Albums (Album Top 100) 1 German Albums (Offizielle Top 100) 34 Japanese Albums (Oricon) 19 New Zealand Albums (RMNZ)] 1 Norwegian Albums (VG-lista) 6 Swedish Albums (Sverigetopplistan)] 6 UK Albums (OCC) 3 US Billboard 200 2 Country Variations The album was released worldwide with minor variations: Album Chart Performance US: No. 2 (Billboard 200, 24 weeks). Australia: No. 2 (Kent Music Report, 16 weeks). Canada: No. 2 (RPM, 20 weeks). Germany: No. 8 (GfK, 12 weeks). Netherlands: No. 3 (Dutch Album Top 100, 10 weeks). New Zealand: No. 1 (RMNZ, 12 weeks). France: No. 5 (SNEP, 8 weeks). Sweden: No. 10 (Sverigetopplistan, 6 weeks). Norway: No. 4 (VG-lista, 7 weeks). Austria: No. 7 (Ö3 Austria Top 40, 6 weeks). Switzerland: No. 6 (Swiss Hitparade, 7 weeks). Singles Released and Chart Performance "You're in My Heart (The Final Acclaim)" Released: September 1977 "Hot Legs" Released: January 1978 "I Was Only Joking" Released: April 1978 "You Keep Me Hangin' On" Released: August 1978 (Japan) Do you have Foot Loose & Fancy Free in your vinyl stack? Which track strums your heart? Share in the comments! Sources Discogs: Foot Loose & Fancy Free (1977) 45cat: Rod Stewart Singles YouTube: Foot Loose & Fancy Free Full Album Wikipedia: Foot Loose & Fancy Free Official Charts Company: Rod Stewart Albums AllMusic: Foot Loose & Fancy Free Billboard Chart History: Rod Stewart

Marc Bolan's article from Bravo magazine, November 3, 1977. (original and translation) Picture of the Week MARC BOLAN Marc Bolan is dead. But he lives on in the hearts of his many fans. We want to commemorate him with the Picture of the Week at BRAVO headquarters. Marc was born on September 30, 1947, in London. At just 14, the handsome boy was a model, showcasing his own designs of shirts and suits. At 16, he hitchhiked to Paris and apprenticed with a magician. In August 1969, Marc met Mickey Finn and together they founded the band T. Rex. Marc Bolan died on September 16 of this year in the wreckage of a car driven by his girlfriend, Gloria Jones

David Bowie’s Random Notes a one-page article in Rolling Stone, November 3, 1977.