Alice Cooper: (Solo Nightmare)

This striking full-page advertisement from June 1980 promotes Alice Cooper’s album Flush The Fashion and its lead single “Clones (We’re All)”, positioning the shock-rock legend as a rebellious force ready to dominate the new decade with his most blistering work in years. Publication: Music Magazine Advert Date: June 1980 Country: United States Section / Pages: Full-Page Advertisement Title: ALICE COOPER IS FED UP. THE STORY The advert features a striking black-and-white photo

three‑page Circus feature exploring the dark theatricality of Alice Cooper’s Madhouse Rock! tour and From The Inside era, framing him through gothic imagery, sardonic humour, and the twisted pageantry that defined his late‑1970s persona.

This Super Rock magazine feature from January 1979 dives into the eccentric world of Alice Cooper, exploring his theatrical madness and the psychological themes behind his album From the Inside. Written with tongue‑in‑cheek humor, the article examines Cooper’s reputation as rock’s original “certifiable” showman. Publication: Super Rock Magazine Date: January 1 1979 Country: United States THE STORY The feature opens with the bold headline “Crazy Is as Crazy Does”, introduc

In May 1979, Hit Parader magazine ran a major four-page interview with Alice Cooper, in which the shock-rock pioneer reflected on his identity, career, and sobriety. SOURCE DETAILS Publication: Hit Parader Date: May 1979 Country: United States Section / Pages: 4-page interview feature (pp. 26–29) THE STORY Titled “Alice Cooper Says He Knows Who He Is”, this in-depth interview by Deane Zimmerman sees Alice discussing his return to the stage, his personal struggles, family life

In May 1979, Creem magazine ran a major multi-page feature on Alice Cooper, boldly declaring “Alice Doesn’t Flop Here Anymore” as the shock-rock legend proved he was back and stronger than ever. SOURCE DETAILS Publication: Creem Date: May 1979 Country: United States Section / Pages: Multi-page feature (including cover insert) THE STORY This extensive article celebrates Alice Cooper’s return to form, covering his recent touring success, new material, theatrical stage show, an

This vivid blue‑and‑red promotional poster advertises Alice Cooper’s Mad House Rock! tour stop at the Pacific Coliseum  in Vancouver,  British Columbia, on Wednesday, April 4, 1979. Presented by CFUN Radio, the design features Cooper’s haunting face in stark contrast, surrounded by dripping red lettering and bold star‑filled typography. Publication: Concert Poster  (Vancouver, British Columbia, Canada) Date: April 4 1979 Country: Canada Event: Alice Cooper live concert promot

This Evening Express article from September 19 1978, written by Robert Hilburn of The Los Angeles Times, explores Alice Cooper’s personal transformation and the creation of his album From the Inside, inspired by his struggle with alcoholism and recovery. Publication: Evening Express Date: September 19 1978 Country: United States Hilburn’s feature reveals that From the Inside was born from Cooper’s real‑life experiences in a rehabilitation clinic, marking a departure from his

Titled “Return to the Bizarre,” the piece explores Cooper’s evolving persona in the wake of Alice Cooper Goes to Hell and Lace & Whiskey, presenting him as a self-aware rock showman fully embracing the absurdity, spectacle, and psychological shadows of his own creation — just before the personal struggles that would inspire the landmark concept album From the Inside.

This Jersey Journal feature from August 29 1977, written by Al Rudis of the Chicago Sun‑Times, chronicles Alice Cooper’s return to touring and his transformation from shock‑rock provocateur to mainstream entertainer. The article captures Cooper’s shift toward theatrical revue‑style performances and his desire to be recognized as a versatile showman rather than merely a rock star. Publication: The Jersey Journal and Jersey Observer Date: 29 August 1977 Country: United States

The August 1977 issue of Creem features a multi-page article on Alice Cooper’s current tour, including interview comments on the show, the new album, and his stage plans. Publication: Creem Date: August 1977 Country: United States The feature opens with details of Alice Cooper’s tour schedule, originally 65 shows in 70 days now cut to a solid 30 dates. It describes the $400,000 stage set shaped like a TV, the band line-up including Dick Wagner and Steve Hunter, and the return