Faces: (Boozy Glam)

A feature article in Melody Maker focusing on Ron Wood’s burgeoning interest in filmmaking, alongside his role as guitarist in The Faces. PUBLICATION: Melody Maker Date: June 2, 1972 Country: United Kingdom Section / Pages: Feature Title: RON WOOD MOVIE MAKER THE STORY The piece explores Ron Wood’s creative ventures beyond music, particularly his passion for making films and home movies. It includes a large portrait of a smiling Ron Wood and discusses his artistic side during

A dynamic front-page cover from New Musical Express (NME) dated 13 May 1972, featuring a powerful live shot of Rod Stewart and announcing The Faces’ upcoming Summer Roadshow UK tour. SOURCE DETAILS Publication: New Musical Express (NME) Date: May 13, 1972 Country: United Kingdom Section / Pages: Front Cover – News Feature Title: Faces Summer Roadshow THE STORY This NME cover announces The Faces’ first major British concert tour of the summer, set for June and July 1972. The p

A lively concert review feature from New Musical Express (NME) dated 13 May 1972, headlined “Rod-nee, Rod-nee, Faces win the cup”, celebrating The Faces’ dynamic live show. SOURCE DETAILS Publication: New Musical Express (NME) Date: May 13, 1972 Country: United Kingdom Section / Pages: Front Row Reviews – Page 20 Title: Rod-nee, Rod-nee, Faces win the cup THE STORY This enthusiastic NME review captures Rod Stewart and The Faces at the height of their live powers, using footba

This Record Mirror & Disc issue from September 6 1975 spotlights an exclusive CBS competition offering readers the chance to meet David Essex in New York. The front cover features Essex smiling in a maroon shirt beneath the headline banner, while the inside page expands on the contest details and his rising international fame. Publication: Record Mirror Date: September 11 1971 Country: United Kingdom The article opens with reflections on Britain’s youth culture and its conn

This Record Mirror article from September 11, 1971 reports that the Faces were among the British acts scheduled to perform at a charity concert for Bangla Desh. The piece highlights the band’s participation alongside The Who, reflecting the growing involvement of major UK artists in humanitarian causes following George Harrison’s landmark U.S. event earlier that summer. Publication: Record Mirror Date: September 11, 1971 Country: United Kingdom The article notes that the Face

This Melody Maker issue from September 4 1971 spotlights the headline “Rock Giants to Aid Bangla Desh,” reporting on the growing wave of charity concerts inspired by George Harrison’s landmark Concert for Bangla Desh. The front page captures the spirit of early‑1970s rock activism, with a large photograph of The Faces performing at the Weeley Festival. Publication: Melody Maker Date: 4 September 1971 Country: United Kingdom The lead article by Chris Charlesworth announces t

A dynamic front-page feature from Melody Maker dated 8 May 1971, dominated by a powerful live shot of Rod Stewart and announcing forthcoming UK dates for The Faces, set against major news of the Fillmore East and West closures. SOURCE DETAILS Publication: Melody Maker Date: 8 May 1971 Country: United Kingdom Section / Pages: Front Page Title: Faces Tour Announcement / Fillmores to Close THE STORY This Melody Maker cover captures The Faces at the height of their live reputatio

Faces’ raucous, soulful cover of Paul McCartney’s “Maybe I’m Amazed” became one of the band’s most celebrated non-album singles, capturing the raw, loose, pub-rock energy that defined their live shows. Released on April 6, 1971 across the US and several European territories, the single paired the McCartney cover with the Faces-penned “Oh Lord I’m Browned Off,” a swaggering B-side that showcased the

Released in the United States on October 21, 1970, "Had Me A Real Good Time" captured The Faces at a point when their reputation was being built on a combination of loose musicianship, powerful live performances and an unmistakable sense of camaraderie. Issued by Warner Bros. under catalogue number 7442, the single paired one of the group's most exuberant recordings with the energetic "Rear Wheel Skid" on the reverse side. The release reflected the group's raw and unpolished

A Japanese pressing of Small Faces (billed as Faces on this release) covering Bob Dylan’s “Wicked Messenger” backed with the original track “Shake, Shudder Shiver”. Released during the band’s transitional period, this single features both commercial and promotional white-label variants and came in a thin plastic sleeve with a picture insert containing lyrics on the back. THE RELEASE Label: Warner Bros. Format: 7" Vinyl Single Country: Japan Catalogue: BR-2552 Release Date: Ju