Glam Slam Chronicles (Everything)

David Bowie’s Boys Keep Swinging – Amusingly Similar appeared as a one‑page review on April 28, 1979, assessing the Lodger‑era single’s sharp, satirical edge. The piece highlighted the song’s playful subversion of gender norms, its raw, garage‑leaning sound, and its role in signalling Bowie’s shift toward the fractured, modernist pop that defined the close of the 1970s.

David Bowie’s "Boys Keep Swinging"  backed with "Fantastic Voyage" , was released as a 7-inch vinyl single in the UK by RCA Records...

David Bowie’s "All in a Little Name," a one-page article in Record Mirror, September 22, 1979.

David Bowie’s Lodger Reveal appeared as a one‑page article in Melody Maker on April 21, 1979, offering an early glimpse into the final chapter of the Berlin Trilogy. The piece reflected the press’s curiosity about Bowie’s shift toward a more fragmented, globally influenced sound, capturing the anticipation surrounding an album that blended experimental edges with sharp, modern pop instincts.

Lou Reed’s Bops Bowie! – Last Tuesday Night appeared as a cover and one‑page feature in Melody Maker on April 21, 1979, capturing the renewed creative dialogue between Reed and Bowie at the close of the 1970s. The piece highlighted their intertwined histories, Reed’s sharp reflections on Bowie’s evolving artistry, and the lingering cultural impact of their collaborative and competitive dynamic during the glam and post‑glam eras.

David Bowie’s "New Album Maybe Released," a one-page article in unknown publication, April 14, 1979.

A widescreen, late‑night anthem from Hunter’s 1979 golden run. (March 1979)

Hunter’s finest hour — a razor‑sharp, streetwise masterpiece powered by the E Street Band. (March 27, 1979)

A cosmic electro‑disco breakthrough that redefined Sparks’ future. (March 23, 1979)

Alice Cooper’s 1979 resurgence wasn’t just a comeback — it was a reclamation of identity, artistry, and theatrical power.