Glam Slam Chronicles (Everything)

Lulu’s "Lulu's Man", a one-page advert in Music Scene Magazine, February 1, 1974.

Alice Cooper Group’s "Which Way Do You Want Him?," a three-page article in 16 Magazine, February 1, 1974. As every 16 reader knows there...

David Bowie’s "The Rock Lovers", a one-page article in Circus Magazine, February 1, 1974.

Mott The Hoople’s "The Mott Radio" , a three-page article in Circus Magazine , February 1, 1974.

David Bowie’s "Rock Theatre, Lindsay Kemp", a one-page article in Music Scene Magazine, February 1, 1974.

Mick Ronson’s "Ronson Prepares" , a one-page article in Circus Magazine , February 1, 1974.

T.Rex’s "Truck Off Dates" , a one-page article in Music Scene Magazine , February 1, 1974.

Slade’s "Slade Spring Tour" , a one-page article in Music Scene Magazine , February 1, 1974.

Faces’ "Faces Live Coast to Coast" , a one-page album review in Music Scene Magazine , February 1, 1974..

Mick Ronson’s "Free Ronson" , a one-page article in Music Star , February 1, 1974.

Ronnie Lane’s "Ronnie Speaks Out" , a one-page article in Music Scene Magazine , February 1, 1974.

Alice Cooper Group’s "Circus And Alice," a one-page article in Circus Magazine, February 1, 1974.

Genesis’ Band of the Month , a cover and one-page article in Music Scene Magazine , January 1, 1974.

Circus Magazine, January 1, 1974 – a one-page article.

Alice Cooper Group’s "Geishas Peel For Alice," a one-page feature in Circus Magazine, January 1, 1974.

Alice teaches the class – shock rock’s ultimate lesson in pop sex! cover and six-page feature in Circus Magazine, January 1, 1974. More shock-rock scandals added weekly.

Elton John’s "The Yellow Brick Road Mob" , a three-page feature in Music Scene Magazine , January 1, 1974.

Roxy Music’s Roxy on the Road , a two-page article in Music Scene magazine, January 31, 1974.

Alice Cooper Group’s "A Chance To See Alice Live!," a two-page feature in Music Scene Magazine, January 1, 1974.

David Bowie’s "Bowie Unfazed", a Diamond Dogs photo session article, January 30, 1974. Terry O'Neil says of that days session "I had shot the dog first and then a few frames of Bowie posing in his inimitable way - which was at ease but totally in control. Then I said, "What about trying one with you and the dog?" Just as I started shooting, the bloody dog leapt up into the air towards the camera. It was quite aggressive and I was a bit taken aback, but I kept thinking: "Thank