Wolves’ finest export: Slade – loud, proud, and unapologetically Brummie!

Released on March 27, 1981, “Future Management” marked Roger Taylor’s first major solo statement since his 1977 debut single “I Wanna Testify.” Serving as the lead single from his debut album Fun in Space, the track introduced Taylor’s distinctive blend of electronic textures, sardonic lyricism, and minimalist production — a stark contrast to Queen’s grandiose arrangements.

Queen’s second album marked a dramatic leap in ambition, theatricality, and sonic identity. Built around a dual‑side concept — “Side White” and “Side Black” — the record introduced the dense vocal layers, stacked guitars, and fantasy‑driven narratives that would define Queen’s early sound. Released on April 9 1974 by Elektra Records (EKS‑75082), the album represented Queen’s first major artistic statement in the US market. Produced by Roy Thomas Baker, with additional product

“Be My Lover,” backed with “You Drive Me Nervous,” was released as a 7‑inch vinyl single in the United States on February 8, 1972 (Warner Bros. WB 7568). Written by guitarist Michael Bruce and produced by Bob Ezrin.

Alice Cooper's Shock-Rock Breakthrough

Billboard Magazine, November 9, 1971 A striking one‑page promotion for the Alice Cooper Group’s fourth studio album *Killer*, spotlighting the explosive momentum behind the record and its breakout single “Be My Lover.” The advert leaned into the band’s growing reputation for danger, theatre, and shock value, presenting *Killer* as a volatile new force in early‑’70s rock. It marked a key moment in the group’s ascent, capturing the swagger and intensity that pushed them from c