A late‑80s Iggy Pop single that bridged cinema, alternative radio, and the final glow of the post‑punk era — charting modestly in the UK while making a stronger impact on the US Alternative Airplay chart.

John Lennon’s final concert appearance — preserved in one electrifying EP.

Slade’s Reading‑fueled comeback — loud, raw, and ready to tear the roof off.

Published February 24, 1979, this two‑page Veronica Magazine feature presents a raw, unguarded Alice Cooper reflecting on alcoholism, identity, and survival. Promoting his new LP From the Inside and the hit single “How You Gonna See Me Now,” the article captures the man behind the makeup — Vincent Furnier — emerging from the wreckage of his own legend.

A one‑page news item reporting that the Village People have re‑cut “Just A Gigolo” for the soundtrack of David Bowie’s new film, replacing the previously planned track “I Am What I Am.”

A candid, unguarded Alice Cooper reflects on addiction, recovery, theatricality, and the myths that shaped his public image — presented across a cover and three‑page spread in Joepie, February 18, 1979.

An eight‑page Melody Maker special tracing Bowie’s journey from Brixton roots to Berlin reinvention, blending exclusive interviews, film‑set reportage, and reflections on fame, creativity, and the Eno–Visconti era.

A dual‑voiced portrait of Bowie at a moment of reinvention — Welch analysing the myth, Bolan revealing the man.

A three‑page chronicle of chaos, discipline, and the strange brotherhood that powered Iggy Pop’s 1977 resurrection.

A minimalist NME advert from February 19, 1977 promoting Bowie’s single “Sound & Vision,” capturing the cool, detached aesthetic of his Berlin period.