A vibrant new mural celebrating Bowie’s Ziggy debut is unveiled in Tolworth, paired with the release of grazing cattle onto London’s largest suburban rewilding site — a rare moment where music history and ecological renewal meet.

A modest suburban pub becomes the launchpad for one of music’s most iconic personas, as David Bowie introduces Ziggy Stardust to an unsuspecting Tolworth audience on February 10, 1972.

A new 140g vinyl edition of the Faces’ final studio album Ooh La La brings the 1973 classic back into circulation. The reissue highlights the album’s enduring appeal and the distinctive Art Deco‑inspired packaging that made the original LP a standout release.

A new large‑scale immersive exhibition, David Bowie: You’re Not Alone, will open at London’s Lightroom in April 2026. Using newly reconfigured spatial audio, rare archive material, and floor‑to‑ceiling projection, the show offers a sweeping journey through Bowie’s creative life — from Space Oddity to Blackstar.

A confirmed concert date from T. Rex’s early‑1971 UK run, performed during the rise of “Ride a White Swan” and days before the release of “Hot Love.”

Born Kathleen Victoria Hetzekian on February 22, 1952, Cyrinda Foxe became a defining figure of the New York rock underground — a MainMan insider, a Bowie muse, a Warhol performer, and a magnetic force whose life burned bright and fast.

A short but striking NME preview urging readers to catch David Bowie in Tolworth — celebrating his glamour, rising reputation, and the growing buzz around his emerging Ziggy persona. Though printed as “The Fox, Tolworth,” all surviving evidence suggests the venue was misidentified.

A ferocious industrial‑electronica track born from Reeves Gabrels’ “Moondust” and reshaped by Bowie and Brian Eno, “Hallo Spaceboy” became a 1996 hit through the Pet Shop Boys’ remix — a high‑velocity fusion of disco, apocalypse, and Major Tom mythology.

A chart‑topping reinvention that reframed Bowie’s past for a new decade

A bold, high‑impact advert promoting Poster Express, Metal Hammer’s poster‑focused spin‑off, capturing the magazine’s graphic, attitude‑driven style at the dawn of the 1990s.