A dramatic one‑page Scrapbook advert from February 21, 1976 promoting Bowie’s Station to Station — an album of towering ambition released alongside his starring role in The Man Who Fell to Earth.

A bold, sci‑fi‑styled one‑page advert from Melody Maker promoting the Spiders From Mars’ self‑titled debut album — a rare and fascinating artefact from the band’s brief post‑Ziggy chapter.

Published across Sounds and Record Mirror/Disc on February 28, 1976, these reviews capture T. Rex’s Lyceum Ballroom performance: a night of tight musicianship, heavy nostalgia, theatrical staging, and a Bolan who dazzles, frustrates, and fascinates in equal measure.

A restless, shape‑shifting Bowie stands on the edge of reinvention — denouncing rock, embracing film, and preparing to unveil the Thin White Duke.

A vibrant 1976 POP magazine cover celebrating The Sweet’s continued dominance in German fan polls, surrounded by a swirl of mid‑70s rock icons, gossip, and rising stars.

Elton John’s explosive 1975 remake of “Pinball Wizard” became the only Who cover to reach the UK Top 10.

Published February 23, 1975, this New Musical Express feature captures Bowie in one of his most unfiltered interviews — discussing extraterrestrials, authoritarian symbolism, and the manipulation of mass consciousness while surrounded by his entourage in a U.S. hotel suite.

A February 22, 1975 Melody Maker advert promoting Mick Ronson’s Play Don’t Worry, highlighting his evolution as a solo artist following Slaughter on 10th Avenue and his tenure with Bowie.

Published February 22, 1975, this Scrapbook review crowns “Young Americans” as the top Single of the Week, praising Bowie’s fusion of English rhythmic sensibility, gospel‑driven backing vocals, and a daring new soul identity.

Published February 22, 1975, this review of Play Don’t Worry critiques both the album’s music and its striking sleeve design. The writer frames Ronson as a gifted multi‑instrumentalist wrestling with identity, image, and the expectations left in the wake of Bowie’s Ziggy era.