A minimalist portrait, a wall of dates, and a promise: Bowie returns to the stage with the precision and emotional clarity of his Berlin‑era sound.

Music writer Benoit Clerc notes that the band chose it as a single partly because they regretted not releasing Deacon’s earlier “You and I” from A Day at the Races. Critics praised its emotional clarity and subtle power, often comparing its message to “We Are the Champions,” but delivered with more restraint and melancholy.

Les Gray’s 1977 solo single “What Do You Want To Make Those Eyes At Me For” was released on September 30, 1977, on Warner Bros. Records but did not chart in the UK.

Alice Cooper softens his sound and scores a major hit with this 1977 soft‑rock ballad.

A sweater, a keyboard, and a refusal to sing — Bowie’s Berlin persona plays out in real time.

Marc Bolan’s final studio album — a sharp, soulful late‑period resurgence.

Queen’s 1977 hard‑rock single Tie Your Mother Down, backed with “You and I,” peaked at No. 31 in the UK.

A Somerset nightclub, a neon glow, and a performer who turns cabaret into a kind of living theatre — Angie Bowie’s world is never ordinary.

A final week, a final bow — and a reminder that Lindsay Kemp’s influence echoes through every performer he touched.

A chase across Europe, a silent star, and a press corps left grasping at rumours — Bowie’s Berlin era was as much about absence as presence.