The Tony Visconti ’87 Remix of “Children of the Revolution” entered the UK Singles Chart on February 22, 1987, supported by multiple formats including a shaped picture disc.

David Bowie’s sweeping 1986 theme song that outlived the film and became a global hit.

Bowie’s Baal is a vision of what he could be — a complete artist, a complete actor, a complete man — if he could ever stop being Bowie.

A 1982 posthumous Marc Bolan single pairing late‑period recordings with a Tyrannosaurus Rex rarity.

A 1982 Slade single revived from a 1978 idea, issued in both 7" and double‑pack formats and peaking at No. 51 in the UK.

Label: RCA Records PB 110 Date: February 26, 1982 (UK) Tracklist: 5 tracks Length: Approx. 8–10 min read David Bowie’s Baal, backed with “All the Madmen,” was released as a 7-inch vinyl EP single in the UK by RCA Records (catalog number PB 110) on February 26, 1982. Featuring recordings of songs composed for Bertolt Brecht’s play Baal, this EP marked Bowie’s final release of new material with RCA before his transition to EMI. 🔘 – Sub‑Heading Bowie’s stark, theatrical farewel

A triptych of transformation — Bowie between decades, between selves, and between the last breath of the Berlin years and the sharp edge of Scary Monsters.

David Bowie’s “Alabama Song,” backed with a new version of “Space Oddity,” was released on February 22, 1980, debuting at No. 23 and charting for five weeks.

Released in January 1980, Suzi Quatro’s Mama’s Boy delivered a high‑energy glam‑rock punch and spent five weeks on the UK Singles Chart.

A minimalist portrait, a list of dates, and a promise: Bowie returns to the stage with the precision and intensity of his Berlin‑era sound.