This Record Mirror concert advertisement from July 29, 1972 announces an additional London performance by David Bowie following the sell‑out of his August 19 show. The extra date, August 20 at 7:30 p.m., features Roxy Music and Lloyd Watson as supporting acts, marking a significant moment in Bowie’s early 1970s live career. Publication: Record Mirror Date: July 29 1972 Country: United Kingdom Presented by promoter Mel Bush, the advert highlights Bowie’s growing popularity d

These Melody Maker adverts from July  29, 1972 promote two consecutive Lou Reed concerts in England — one at Friars, Aylesbury on July 29 and another at the Greyhound, Croydon on July 30. Both listings mark Reed’s early solo appearances. Publication: Melody Maker Date: July 29,  1972 Country: United Kingdom The first advert announces Lou Reed’s headline performance at Friars, Market Square, Aylesbury — billed as “Britain’s finest Rock Club.” Supporting acts include The Tots

This Record Mirror feature from July 1972, written by Val Mabbs, concludes “The Noddy Holder Story” with an in‑depth look at Slade’s transformation from their early skinhead image to a more accessible, mainstream rock identity. The article captures the band’s reflections on fame, image, and musical evolution during their rise to national prominence. Publication: Record Mirror Date: July 29 1972 Country: United Kingdom Under the bold headline “WHY THE SKINHEADS HAD TO GO,” t

This Melody Maker double‑page feature from July 1972 profiles Roxy Music at the height of their early success. Written by Richard Williams with photographs by Barrie Wentzell, it examines each band member’s role and personality, capturing the group’s avant‑garde spirit and rapid rise within Britain’s glam‑rock scene. Publication: Melody Maker Date: July 29 1972 Country: United Kingdom The article opens with Bryan Ferry’s reflections on Roxy Music’s first year, recalling hi

This Melody Maker review from July 1972 praises Mott the Hoople’s new single “All the Young Dudes,” written and produced by David Bowie. The critic predicts the track will elevate the band from cult status to mainstream success, while noting Bowie’s unmistakable creative imprint throughout. Publication: Melody Maker Date: July 29 1972 Country: United Kingdom The review opens by declaring the single “sounds like a smash” and will propel Mott the Hoople “from their current st

This full‑page advertisement from Melody Maker and NME dated July 29 1972 promotes Rod Stewart’s new album Never a Dull Moment, released on Mercury Records. The bold, playful typography and monochrome design capture the confident energy of Stewart’s early‑1970s success, following the acclaim of Every Picture Tells a Story. Publication: Melody Maker and NME Date: July 29 1972 Country: United Kingdom THE STORY The advert features the album title Never a Dull Moment in large

The July 1972 issue of German magazine Bravo names Rod Stewart as Star des Monats Juli and features a large colour poster of him performing in a leopard-print suit. Publication: Bravo Date: July 1972 Country: Germany The poster shows Rod Stewart singing into a microphone, wearing an open leopard-print jacket and matching trousers with a black shirt. Below the main image is a full calendar for Juli 1972 listing birthdays of various artists including Leslie Crow, Graham Bonney,

This Melody Maker feature from July 1972, titled “Alice Malice,” examines the shock‑rock theatrics of Alice Cooper at the height of his fame. The article questions the performer’s use of macabre stage stunts — from toy decapitations to simulated hangings — while acknowledging his undeniable ability to captivate audiences. Publication: Melody Maker Date: July 22 1972 Country: United Kingdom THE STORY The piece opens with a critical reflection on Cooper’s controversial stag

This Melody Maker album review from July 1972 celebrates Rod Stewart’s Never a Dull Moment as one of the year’s most anticipated releases. The critic praises Stewart’s consistency and charm, declaring that he remains “as good as you think,” while capturing the relaxed confidence of his post‑Every Picture Tells a Story success. Publication: Melody Maker Date: July 22 1972 Country: United Kingdom The review opens with admiration for Stewart’s ability to deliver another stron

This Melody Maker feature from July 1972 introduces the New York Dolls to British readers with a mix of fascination and shock. Roy Hollingworth’s report from New York captures the band’s raw charisma and chaotic energy, describing them as “the best rock and roll band in the world” — whether audiences were ready to believe it or not. Publication: Melody Maker Date: July 22 1972 Country: United Kingdom The article opens with Hollingworth’s declaration that the Dolls demand at