This Melody Maker full‑page feature from August 30 1972 showcases David Bowie’s handwritten setlist for his third Rainbow Theatre concert, accompanied by an original stage pass from the same date. The document captures Bowie’s Ziggy Stardust era at its creative peak — a moment of theatrical brilliance and musical transformation. Publication: Melody Maker Date: 30 August 1972 Country: United Kingdom The handwritten setlist, penned in blue ink on lined paper, lists eighteen s

This Rock magazine issue from August 28 1972 spotlights Alice Cooper’s arrival in London, capturing the shock‑rock icon at the height of his fame. The cover headline “Alice in London” and interior feature “Alice Cooper, or Going to London to See the Queen” frame his theatrical persona against the backdrop of British rock culture, blending provocation with pop spectacle. Publication: Rock Date: 28 August 1972 Country: United States Written by Steve Peacock, the feature follo

This printed advertisement from August 1972 promotes David Bowie’s appearance at Bristol’s Locarno Centre, presented by Electric Village. The show formed part of the Ziggy Stardust Tour, with support from Thin Lizzy and Gnidrolog, and a screening of the concert film Supershow. The event ran from 5 p.m. to 11 p.m., marking Bowie’s 49th date on the tour. Publication: Local Press Advert / Electric Village Promotional Flyer Date: August 27 1972 Country: United Kingdom The advert

This New Musical Express feature from August 26 1972 profiles Birmingham band Blackfoot Sue, celebrating their first chart success after eight years of persistence. Written by Tony Norman, the article captures the group’s excitement and humility as they finally break through with their hit single “Standing in the Road.” Publication: New Musical Express Date: August 26 1972 Country: United Kingdom The piece opens with Norman’s reflection on the magic of a first hit record — t

This Melody Maker news brief from August 26 1972 announces additional concert dates for David Bowie following the sell‑out success of his Rainbow Theatre performances. The short report captures the growing demand for Bowie’s live shows during the height of his Ziggy Stardust fame. Publication: Melody Maker Date: August 26 1972 Country: United Kingdom The article confirms that Bowie will play an extra show at London’s Rainbow Theatre on August 30, alongside new dates at Manche

This New Musical Express issue from August 26 1972 pairs two distinct features: Bryan Ferry’s reflections on musical influences under the column “Whatever Turned Me On” and James Johnson’s interview with Steve Marriott, boldly headlined “I don’t believe the kids really identify with Bolan or Bowie.” Together, they capture the tension between emerging glam rock and the established British rock tradition. Publication: New Musical Express Date: August 26 1972 Country: United Kin

This Melody Maker review from August 26 1972 documents David Bowie’s spectacular live show at London’s Rainbow Theatre, capturing the theatrical intensity and avant‑garde staging that defined his Ziggy Stardust era. The piece highlights Bowie’s fusion of music, drama, and visual spectacle — a performance that left audiences both exhilarated and bewildered. Publication: Melody Maker Date: August 26 1972 Country: United Kingdom The article opens with the note that Music from A 

This 1972 issue of Record Mirror captures Alice Cooper at the height of his shock‑rock fame, with the cover headline "Cooper Showdown" and a smiling portrait of Cooper beneath the banner masthead. The feature centres on his chart‑topping success with School's Out and the arrival of British rival Screaming Lord Sutch, who flew to Los Angeles to renew his challenge to Cooper's outrageous stage crown. The piece frames the moment as a transatlantic contest of theatrical rock prov

HEADLINE PARAGRAPH This Melody Maker advertisement from August 26 1972 announces David Bowie’s return to London’s Rainbow Theatre as part of his UK tour. The stark monochrome portrait of Bowie, hand to mouth and eyes fixed forward, captures the intensity of his Ziggy Stardust persona at its peak — a moment when glam rock was reshaping British pop culture. Publication: Melody Maker Date: August 26 1972 Country: United Kingdom The full‑page advert promotes Bowie’s upcoming co