The 9 August 1973 issue of Bravo features Suzi Quatro under the headline “Suzi Quatro: Das Mädchen mit dem heißen Baß.” Publication: Bravo Date: August 9, 1973 Country: Germany The multi-page feature introduces Suzi Quatro as the girl with the hot bass who scored a hit with “Can the Can.” She is described as loud, cheeky and sexy, with music that is genuine and wild. Photographs show her with her English band (Alistair Mackenzie on organ, Dave Neal on drums and Len Tuckey on

School Days: The Early Recordings is a compilation album by Alice Cooper, released in 1973. It contains the band’s first two albums, Pretties for You and Easy Action. The original albums were released by Straight Records, but since Warner signed the band later on, they got the rights to re-release the material. The album was not released in the U.S. Pretties For You Titanic Overture 1:09 10 Minutes Before The Worm 1:27 Sing Low Sweet Cheerio 5:33 Today Mueller 1:38 Living 3:

The 4 August 1973 issue of Veronica 538 features Alice Cooper on the cover for its Top 40 en Platennieuws section, while a related Popjournaal page promotes Alice Cooper and his boa-constrictor with a full-colour T-shirt offer available as a premiere in the Netherlands. Publication: Veronica 538 / Popjournaal Date: 4 August 1973 Country: Netherlands Veronica 538 presents its Top 40 en Platennieuws with a striking black-and-white portrait of Alice Cooper wearing heavy black ey

The August 1973 issue of Circus magazine reports that Ronnie Lane has left The Faces, under the heading “Lane Calls It Quits With Faces. Publication: Circus Date: August 1973 Country: United States The item recounts that after Rod Stewart reportedly slammed the Faces’ new LP as “a bloody disgrace,” tension rose within the band. Following their seventh U.S. tour, Ronnie Lane announced he was quitting, stating “It’s time for me to move on.” The round-faced bassist and songwrite

The August 1973 issue of Show magazine features Rod Stewart in a photo spread titled “...But, Baby, Look at You Now! Rock Stars of the ’60s Restyle Themselves for the ’70s.” Publication: Show Date: August 1973 Country: United States The page presents a large colour photograph of Rod Stewart in a yellow jacket and patterned shirt, holding a drink, alongside a smaller black-and-white performance shot. The accompanying caption notes that Stewart moved from an early folk stage in

The August 1973 issue of Circus magazine features a “Our Back Pages” item titled “Alice Gang Beats Business Kings to Moneybags,” highlighting Alice Cooper’s substantial earnings. Publication: Circus Date: August 1973 Country: United States The piece notes that Alice Cooper and his group are among the highest-paid rock acts, with the band hauling between two and six million dollars in the previous year. It contrasts their success with traditional business executives and mentio

The August 1973 issue of Show magazine features an article by James Lichtenberg titled “Alice Through the Looking Glass—Darkly,” describing Alice Cooper as Rock’s Ghoulish Master of Sex and Sadism. Publication: Show Date: August 1973 Country: United States The feature examines Alice Cooper’s stage persona, commercial success and personal background. It discusses the shock elements of his act, the album Billion Dollar Babies, the scale of his recent tour, and Cooper’s own comm

The August 1973 issue of Circus magazine features an article by Steve Gaines titled “How To Start Your Own Rock Band,” using Alice Cooper’s early career as the central example. Publication: Circus magazine Date: August 1973 Country: United States The piece recounts how Vincent Furnier (Alice Cooper), Dennis Dunaway and Glenn Buxton formed a band in high school in Phoenix, Arizona, initially to meet girls and later evolving through names such as the Earwigs, the Spiders and Na

The August 1973 issue of Circus magazine includes a short “Back Pages” item titled “Roxy Meets Dali, Climbs Out On Ledge,” recounting Roxy Music’s encounter with Salvador Dali in Paris. Publication: Circus Date: August 1973 Country: United States The piece describes how England’s super-svelte trans-sexual band Roxy Music decided a day with Salvador Dali might help polish their already shimmering career. The group visited Dali’s apartment at the Hotel Meurice, only to find the

This New Musical Express singles review page from July 1973 features Ian MacDonald’s critique of Suzi Quatro’s single “48 Crash,” headlined “A Lot of Noisy Nonsense.” The piece captures the sharp tone of early‑1970s British music journalism, where emerging glam‑rock acts were often met with both fascination and skepticism. Publication: New Musical Express Date: July 28 1973 Country: United Kingdom THE STORY The review opens with MacDonald’s assessment of Suzi Quatro’s “48