The 2015 remastered CD edition of David Essex’s 1975 album All The Fun Of The Fair, featuring the hit “Hold Me Close” and bonus 7" versions, bringing the classic pop-rock release to a new audience with improved sound quality. RELEASE / PUBLICATION DETAILS Artist: David Essex Title: All The Fun Of The Fair Date: November 13, 2015 (Remastered CD) Label: 7T's Records Format / Type: CD Album (Remastered) Country: United Kingdom Catalogue: GLAM CD 158 TRACK LIST All The Fun Of The

This original Wilkes College window card advertises a joint concert featuring Leslie West (of Mountain and West, Bruce & Laing) and Slade, held on Friday, November 14, 1975, at the Wilkes College Gym in Wilkes‑Barre, Pennsylvania. The poster’s design uses bold contrasts of blue, pink, and yellow‑green, with stylized illustrations of seated figures and lightning‑bolt motifs typical of mid‑1970s rock graphics. Publication: Concert Poster / Promotional Print (Wilkes‑Barre, Penns

Show Overview Supersonic was a British television music programme that aired on ITV from 1975 to 1977. Produced by London Weekend Television, it featured popular artists of the era performing their current hits in front of a teenage studio audience. The show was known for its energetic, behind-the-scenes production style with visible cameras and gallery shots, and served as one of ITV’s main attempts to rival the BBC’s Top of the Pops. Article Context & Main Highlights Show 8

Show Overview Supersonic was a British television music programme that aired on ITV from 1975 to 1977. Produced by London Weekend Television, it featured popular artists of the era performing their current hits in front of a teenage studio audience. The show was known for its energetic, behind-the-scenes production style with visible cameras and gallery shots, and served as one of ITV’s main attempts to rival the BBC’s Top of the Pops. Article Context & Main Highlights Show 7

Show Overview Supersonic was a British television music programme that aired on ITV from 1975 to 1977. Produced by London Weekend Television, it featured popular artists of the era performing their current hits in front of a teenage studio audience. The show was known for its energetic, behind-the-scenes production style with visible cameras and gallery shots, and served as one of ITV’s main attempts to rival the BBC’s Top of the Pops. Article Context & Main Highlights Show 6

Show Overview Supersonic was a British television music programme that aired on ITV from 1975 to 1977. Produced by London Weekend Television, it featured popular artists of the era performing their current hits in front of a teenage studio audience. The show was known for its energetic, behind-the-scenes production style with visible cameras and gallery shots, and served as one of ITV’s main attempts to rival the BBC’s Top of the Pops. Article Context & Main Highlights Show 5

A full-page Creem Magazine advertisement promoting Rod Stewart’s album Atlantic Crossing and the accompanying Faces tour. The striking advert features the bold headline “Worth Wading For.” alongside a dramatic black-and-white illustration of crashing waves with the album cover emerging from the surf.

Alice Cooper’s one‑page feature in Belgium’s More Magazine, dated October 1, 1975, offering a sly, offbeat glimpse beneath the shock‑rock persona as he reveals the humour, grit, and contradictions powering his mid‑’70s theatrics.

A full-page Creem Magazine advertisement promoting David Cassidy’s new album The Higher They Climb. The advert features the bold headline “David Cassidy. ‘The Higher They Climb.’”, a striking black-and-white photograph of Cassidy holding an electric guitar in front of a large crowd, and notes that it was produced by David Cassidy and Bruce Johnston.

Creem Magazine’s three‑page feature “Reflections in a Cyclops Eye” offered one of the most vivid and irreverent portraits of Alice Cooper during the Welcome to My Nightmare era. Written in Creem’s signature mix of satire, gonzo humour, and rock‑journalistic bite, the article explored Cooper’s surreal stage world, his fascination with horror‑cabaret theatrics, and the psychological undercurrents driving his most ambitious solo project to date.