Published February 24, 1973, this Record Mirror centre‑spread presents Alice Cooper in full stage regalia: dark makeup, leather, menace, and charisma. The feature celebrates Cooper as the era’s most notorious performer — a glam‑horror showman whose concerts blurred the line between rock, theatre, and nightmare

A stark, atmospheric Popswop portrait capturing Alice Cooper in a contemplative pose — a quiet counterpoint to the theatrical chaos of the band’s stage persona.

A vivid, theatrical two‑page Disc feature capturing Alice Cooper in New York — reflecting on fame, fans, touring, and the spectacle of show‑business at the height of the group’s glam‑shock era.

A striking NME cover showcasing the exclusive Alice Cooper flexi‑disc “Slick Black Limousine,” offered as a free 4:20 single to readers at the height of the Billion Dollar Babies era.

A dramatic, illustrated Billboard advert unveiling Alice Cooper’s “Hello Hurray” single and a sprawling 1973 U.S. tour schedule — a theatrical declaration of the band’s rising dominance.

A tongue‑in‑cheek NME item revealing that Alice Cooper’s apparent “bust” was nothing more than a decorated T‑shirt — a visual gag that sparked reader confusion and amusement.

Alice Cooper's Mood Shift Single The one-page single review in New Musical Express (February 3, 1973) covered Alice Cooper’s “Hello Hurray” (Warners). The reviewer noted Alice’s intentional departure from frantic rockers to avoid being branded with an “Alice sound.” Fans would be surprised by this slow mood piece with an eery mellotron filling the gaps. It’s a Rolf Kempf song that opens his new show, with Alice sounding depressed as he invites the crowd to come in and have a

A bold, all‑caps NME cover promoting a 4‑minute, 20‑second Alice Cooper track pressed exclusively for NME readers — a one‑time release unavailable anywhere else.

New Musical Express, February 3, 1973 A one‑page article announcing Alice Cooper’s upcoming lecture at the Eastman School of Music in Rochester, N.Y., scheduled for March 5 — the same day the group would perform at War Memorial Stadium. The piece frames the event as the launch point for an enormous run: 60 concerts across 56 cities through March, April, and May. According to the band’s publicist, it promised to be “the biggest rock and roll tour an American group has ever don

Circus Magazine, January 1, 1973 A four‑page feature pairing Alice Cooper and David Bowie as twin lightning rods of early‑’70s shock and style, spotlighting their boundary‑pushing theatrics, gender‑bending glamour, and the cultural uproar they stirred as rock’s most flamboyant provocateurs. Alice & Bowie's 1973 Outrage Spotlight Published in the US on January 1, 1973, Circus Magazine’s four-page feature “Most Outrageous Rock Stars” highlighted the wild public reactions to Ali