The June 26, 1976 edition of Record Mirror & Disc features its Newsdesk section with several major stories, including Alice Cooper’s return with a new band and album, Gary Glitter’s personal life, David Essex’s stage comeback, and more. Publication: Record Mirror & Disc Date: June 26, 1976 Country: United Kingdom Location: London Section: Newsdesk (Page 3) THE STORY This packed news page includes: Alice Cooper forming a new band and preparing a new album after a period away.

Alice Cooper released the emotional ballad “I Never Cry” as a 7" single from the album Alice Cooper Goes to Hell. Backed with the hard-rocking “Go To Hell”, this Warner Bros. release became one of his biggest US hits and a staple of his catalogue. RELEASE DETAILS Artist: Alice Cooper Label: Warner Bros. Date: June 7, 1976 Catalogue: WBS 8228 Format: 7" Vinyl Single Country: United States A-Side: “I Never Cry” Written by: Alice Cooper / Dick Wagner Produced by: Bob Ezrin B-Sid

The German teen magazine presented Alice as the “Horror Show des Jahres” during his Welcome to My Nightmare European tour, blending dramatic visuals with coverage of his arrival in Germany.

The 9 August 1975 issue of Melody Maker carries a full-page advertisement for Alice Cooper’s exclusive British dates under the banner “The Alice Cooper Show ‘Welcome to my Nightmare’.” Publication: Melody Maker Date: August 9, 1975 Country: United Kingdom Presented by Harvey Goldsmith for John Smith Entertainments, the advert announces exclusive British dates starring Alice Cooper. Empire Pool, Wembley is listed for 11–12 September at 8 pm (tickets £2.50 / £2.00 / £1.50) and

The 2 August 1975 issue of New Musical Express announces Alice Cooper’s confirmed British dates under the headline “ALICE gigs set.” Publication: New Musical Express Date: August 2, 1975 The news item confirms three British dates for Alice Cooper after much speculation: Wembley Empire Pool on September 11 and 12, and Bingley Hall, Stafford on September 14. He will be starring in his new production “Welcome To My Nightmare,” with which he has recently been touring America, and

The August 1975 issue of Circus Raves features an article by Ron Ross titled “Alice Escapes From His Own Nightmare,” focusing on Alice Cooper during a rare day off on the Welcome to My Nightmare tour. Publication: Circus Raves Date: August 1975 Country: United States The piece describes Alice Cooper lounging on the terrace of his Tampa hotel suite, sipping a 16-ounce Budweiser and watching Star Trek after a night of limited sleep following a concert in Atlanta. It covers the

A major multi-page cover story in Cream magazine that humanizes Alice Cooper, contrasting his notorious shock-rock theatrics with candid interviews and photos revealing the man behind the makeup as surprisingly down-to-earth, witty, and thoughtful. [Magazine Cover + Interior Pages Images Here] THE STORY WHAT THE CLIPPING SHOWS This extensive Cream feature presents a revealing and often humorous portrait of Alice Cooper. Lester Bangs’ article “Punch & Judy Play The Toilets” go

The July 1975 issue of Hit Parader features an interview with Alice Cooper by Richard Robinson, in which he discusses his invented “human shock absorber,” a moat idea for Beverly Hills homes, television, and his new album Welcome to My Nightmare. Publication: Hit Parader Date: July 1975 Country: United States Alice Cooper talks about turning down Robert Young, inventing a moat that goes around houses in the canyons of Beverly Hills with sprinkling systems, and a human shock a

A substantial multi-page (over six pages) Cream magazine feature exploring Alice Cooper’s powerful new solo backing band, the exceptional guitar work of Steve Hunter and Dick Wagner, and updates on the original Alice Cooper Group members as Alice transitioned into his highly successful solo career. THE STORY WHAT THE CLIPPING SHOWS This extensive feature delves into Alice Cooper’s formidable new solo lineup, particularly praising the dynamic guitar partnership of Steve Hunter