Creem Magazine in-depth interview with Alex Harvey, the charismatic and hard-living frontman of The Sensational Alex Harvey Band, exploring his raw, street-smart approach to rock 'n' roll, his working-class roots, and his uncompromising attitude toward music and life during the height of the band's cult success in the mid-1970s. WHAT THE CLIPPING SHOWS THE STORY Publication: Creem Magazine Date: July 1, 1975 Country: United States Section: Feature Interview Multi-panel layout

A dramatic full-page promotional advertisement in Creem Magazine for Jeff Beck’s groundbreaking new album Blow by Blow, billed as ISSUE Publication: Creem Magazine Date: June 1, 1975 Country: United States Section / Pages: Advertisement / Promo Page Title: THE RETURN OF THE AXE MURDERER — Jeff Beck’s New Album Blow by Blow THE STORY This striking black & white ad features a powerful image of Jeff Beck playing his guitar and promotes his instrumental jazz-rock album Blow by Bl

The “Rock ’n’ Roll News” gossip and news page from the June 1, 1975 issue of Creem Magazine, featuring multiple stories including Alice Cooper training for his next international tour with John Denver, updates on The Faces, Ian Hunter, and other rock scene happenings. PUBLICATION Creem Magazine Date: June 1, 1975 Country: United States Section / Pages: Rock ’n’ Roll News / Gossip Page Title: ROCK ’N’ ROLL NEWS THE STORY This packed news page includes: Alice Cooper preparing f

In May 1974, Creem — America’s Only Rock ’n’ Roll Magazine — celebrated the biggest names in rock with a star-packed cover highlighting the winners of their annual readers’ poll. SOURCE DETAILS Publication: Creem Date: May 1974 Country: United States Section / Pages: Front Cover THE STORY This vibrant cover showcases a grid of rock stars under the headline “THE WINNERS!”, featuring Alice Cooper, David Bowie, Jimmy Page, Led Zeppelin, The Who, The Kinks, and many more. It also

A minimalist, modernist Creem layout dominated by a circular photograph of Roy Wood: wild hair, geometric face paint, and a theatrical stare. The title — “Thoughts on The Move and Roy Wood in Particular” — curves around the image, giving the page a poster‑like visual punch. The upper half is almost entirely image; the lower half flows into a single column of text, clean serif type, and Creem’s trademark blend of wit and critique.