A Disco-Glam Double Dancing Return Released as a 7-inch vinyl single in the UK on December 14, 1979, on RCA Records (catalogue: BOW 4 / PB 9482), David Bowie’s “John, I'm Only Dancing (Again) (1975)” — the disco re-recording from the Young Americans sessions at Sigma Sound — was backed with the original “John, I'm Only Dancing (1972)” from the Ziggy Stardust era. Produced by Bowie & Tony Visconti (A) and Bowie (B), this glam-disco hybrid peaked at No. 12 on the Official Singl

Bowie’s silver-screen gigolo era begins – the Thin White Duke goes Hollywood! one-page preview in New Musical Express, December 23, 1978. More Bowie film magic added weekly

Bowie’s golden years in one glorious stack – from Space Oddity to Lodger! David Bowie’s Back Catalogue - One Man in His Time Plays Many Parts, a three-page advert in Melody Maker, December 16, 1978.

Melody Maker, December 9, 1978

Bowie's Heroes-Era Single Launch Published in the UK on January 20, 1978, Melody Maker’s one-page advert “Beauty and the Beast - The New Single” promoted David Bowie’s latest single from the Heroes album. The eye-catching ad highlighted the track’s dark, experimental energy, positioning it as a bold follow-up in Bowie’s Berlin Trilogy phase, with striking visuals and text emphasizing his ongoing creative reinvention. Advert Overview Publication Details Magazine: Melody Maker

Bowie's Bodyguard & Iggy Pop Bond Published in the UK on January 14, 1978, New Musical Express’s one-page article “Bowie’s Big Buddy” profiled Tony Mascia — David Bowie’s longtime bodyguard — offering a candid, colourful glimpse into Bowie’s life during the Berlin Trilogy era. Mascia shared stories of driving rock stars, working on The Man Who Fell To Earth, protecting Bowie from crowds, and his thoughts on Bowie’s friends (Iggy Pop, John Lennon, Mick Jagger, Marc Bolan). The

An NME Heroes Celebration Promo Published in the UK on January 14, 1978, New Musical Express’s one-page advert “Beauty and the Beast - From NME's Album of the Year” promoted David Bowie’s Heroes album as NME’s Album of the Year. Advert Overview Publication Details Magazine: New Musical Express (UK). Date: January 14, 1978. Format: One-page single advert. Do you have this NME advert in your archive? Ready for the beauty and the beast? Share in the comments!

Bowie's Beast & RCA Right Call Published in the UK on January 14, 1978, review “Beauty and the Beast - RCA Publicity Dept. are Right” celebrated David Bowie’s “Beauty and the Beast” single from Heroes. The enthusiastic review agreed with RCA’s publicity push, praising the track’s dark, innovative energy and Bowie’s ongoing role as a trendsetter in glam and experimental rock. Review Overview Publication Details Magazine: Scrapbook (UK). Date: January 14, 1978. Format: Si

A Heroes-Era Dark Glam Cut Released as a 7-inch vinyl single in the UK on January 13, 1978, on RCA Records (catalog number PB 1190), David Bowie’s “Beauty and the Beast” — backed with “Sense of Doubt” — was a brooding, experimental track from the Heroes album. Produced by Bowie, Tony Visconti, and Brian Eno, this dark glam single entered the UK Singles Chart on January 21, 1978, peaked at No. 39, and charted for 3 weeks. A Berlin Trilogy gem. The opening music, a disjointed c

A Melody Maker Gigolo Film Update Published in the UK on January 13, 1979, Melody Maker’s one-page article “David Hemmings re-cuts Just A Gigolo” covered director David Hemmings’ decision to re-edit his 1978 film Just A Gigolo — starring David Bowie in his first major acting role post-The Man Who Fell To Earth. The article detailed the changes to the film’s structure and tone, amid mixed reviews and Bowie’s Berlin era spotlight. WHILE David Hemmings re-cuts Just A Gigolo, whi

A Rolling Stone Bowie Berlin Portrait Published in the US on January 12, 1978, Rolling Stone’s four-page feature “Plays Himself” offered an in-depth look at David Bowie during his Berlin Trilogy peak — exploring his *Low* and *Heroes* era, his move to Berlin, the influence of Brian Eno and Tony Visconti, and his deliberate reinvention as the Thin White Duke. The article captured Bowie at his most introspective and experimental. Feature Overview Publication Details Magazine:

Bowie & Bing duet on Christmas Eve – the oddest, most magical TV moment ever!* The TV show was broadcast on December 24, 1977, starring Bing Crosby and his family with special guests Twiggy, David Bowie, Ron Moody, Stanley Baxter, and the Trinity Boys Choir. It features a duet by the unusual pairing of Crosby and Bowie on "Peace on Earth/Little Drummer Boy". More festive Bowie magic added weekly. The TV show was broadcast on December 24, 1977, starring Bing Crosby and his fam

Bowie drops the punk bombshell – “there’s old wave, there’s new wave… and there’s David Bowie”! There's Old Wave, There's New Wave..., a one-page article in New Musical Express, 1977.

Bowie's 1977 Rock Star Persona Probe Published in the UK on January 22, 1977, Rock Star magazine’s cover and four-page feature “King, Queen, or Joker?” offered an in-depth look at David Bowie during his Low era transition and reviewed the album. Exploring his shifting personas — from Ziggy Stardust to the Berlin experimental phase — and questioning whether he was rock royalty, a regal figure, or a playful trickster. The piece examined his artistic evolution, the influence of

A Melody Maker Low Album Announcement Published in the UK on January 15, 1977, Melody Maker’s one-page cover “Bowie’s Back” announced the imminent release of David Bowie’s new album Low — the follow-up to Station To Station — arriving in shops that week. The cover featured Bowie in dramatic pose, with the article listing key details: recorded in France and Berlin last autumn, featuring Eno, Iggy Pop, and British rock 'n' roller Roy Young, alongside the core band (Carlos Aloma

A Melody Maker Bowie Berlin Release Published in the UK on January 15, 1977, Melody Maker’s one-page advert announced the release of David Bowie’s new album Low — out that Friday, January 14. Produced by Bowie and Tony Visconti, recorded at Château d'Hérouville in France and Hansa By The Wall in Berlin, featuring Brian Eno (tapes, synthesisers, ARPs), George Murray (bass), Dennis Davis (percussion), Carlos Alomar and Ricky Gardiner (guitar), Roy Young (piano, organ), and Iggy

A Berlin Trilogy Ambient Masterpiece Released as a vinyl LP in the UK on January 14, 1977, on RCA Victor (catalogue: PL 12030), David Bowie’s Low — the first of his Berlin Trilogy — was a groundbreaking ambient/experimental rock album. Produced by Bowie & Tony Visconti at Château d’Hérouville and Hansa Tonstudios, this 11-track set featured “Sound And Vision,” “Be My Wife,” and the instrumental side B. side it peaked at No. 2 on the Official U.K. Albums Chart where it resided

Bowie’s Thin White Duke storms Wembley – the ultimate Station to Station spectacle! Rock Scene Magazine, January 1, 1976. More Bowie tour triumphs added weekly. Have you details of the concerts David Bowie intends to do in H Britain in the Spring and what sort of backing is he likely to have? When is his album "Station To Station" going to be issued and what happened to his film? Andy Grey, Hornchurch. David Bowie will be coming to Britain after a coast-to-coast tour in North

Bowie's Thin White Duke Epic Released as in the UK by RCA Victor on January 23, 1976, David Bowie’s Station To Station was his tenth studio album and a pivotal transitional work — blending soul/funk grooves with experimental rock, marking the birth of the Thin White Duke persona. Produced by Bowie and Harry Maslin, it featured George Murray (bass), Dennis Davis (drums), Earl Slick (lead guitar), Carlos Alomar (rhythm guitar), and Roy Bittan (piano). The title track clocked in

A Rolling Stone Station To Station Tour Tease Published in the US on January 15, 1976, Rolling Stone’s one-page article “Bowie To Tour” announced David Bowie’s upcoming 1976 North American tour in support of his forthcoming album Station to Station. The piece detailed the plans for Bowie’s return to the stage after his Berlin retreat, highlighting the Thin White Duke persona and the anticipation for the new sound. Article Overview Publication Details Magazine: Rolling Stone