By April 1973, Bowie was at the height of his glam‑rock fame. This advert served as a dual campaign: promoting Drive‑In Saturday, his follow‑up to The Jean Genie, and previewing the May tour that would culminate in the legendary Ziggy Stardust farewell at Hammersmith. The image — a ghostly close‑up of Bowie’s face — captures the tension between celebrity and alienation that defined his work at the time. The accompanying text lists fourteen UK dates, from Earls Court to Blackb