A highly anticipated and eye-catching NME "What's On Pull-Out" page speculating on the possibility of Lou Reed joining David Bowie on stage, capturing the excitement and buzz surrounding two of the most influential figures in early 1970s rock during a pivotal summer for both artists. Publication: New Musical Express (NME) Date: July 8, 1972 Country: United Kingdom Section: What's On Pull-Out / News & Preview THE STORY WHAT THE CLIPPING SHOWS This pull-out page creates huge an

A packed New Musical Express “What’s On Pull-Out” page bursting with live gig advertisements and concert information for the week, reflecting the incredibly active British rock scene in the peak summer of 1972 with major acts and open-air events. Publication: New Musical Express (NME) Date: July 8, 1972 Country: United Kingdom Section: What’s On Pull-Out / Gig Guide (Page 23) THE STORY WHAT THE CLIPPING SHOWS This full pull-out page serves as the essential weekly gig guide, p

A landmark early New Musical Express double-feature spread on the dazzling rise of Roxy Music, capturing the band’s bold artistic vision, Bryan Ferry’s charismatic style, and the provocative reactions they were already generating in the British music press during their breakthrough summer of 1972. Publication: New Musical Express (NME) Date: July 1, 1972 Country: United Kingdom Section: Feature / Album Review & Profile (Page 28) THE STORY WHAT THE CLIPPING SHOWS This substant

A prominent review in New Musical Express’s weekly “The New Singles” column, where Roy Carr assesses the Alice Cooper Group’s latest single “School’s Out” during their explosive rise in 1972. Publication: New Musical Express (NME) Date: July 1, 1972 Country: United Kingdom Section: The New Singles (reviewed by Roy Carr) Alice Cooper Group The Partridge Family Middle of the Road THE STORY WHAT THE CLIPPING SHOWS Roy Carr reviews the Alice Cooper Group’s new single “School’s Ou

A stylish full-page concert advertisement in New Musical Express promoting Roxy Music’s major show at Wembley on June 30th, capturing the band during their explosive breakthrough period with their debut album riding high in the charts. Publication: New Musical Express (NME) Date: July 1, 1972 Country: United Kingdom Section: Concert Advertisement THE STORY WHAT THE CLIPPING SHOWS This eye-catching advertisement announces Roxy Music’s appearance at Wembley, highlighting their

A bold, provocative full-page New Musical Express feature on the Alice Cooper Group, capturing the band at the height of their shock-rock notoriety and exploring the intense public fascination with their theatrical blend of horror, sex, and violence in early 1970s rock. Publication: New Musical Express (NME) Date: July 1, 1972 Country: United Kingdom Section: Feature / Artist Profile (Page 12) THE STORY WHAT THE CLIPPING SHOWS This striking NME feature dives into the controve

Roy Wood explains why he left The Move to form Electric Light Orchestra, describing the ambitious new project as a difficult but necessary evolution blending rock with classical elements. Publication: New Musical Express (NME) Date: June 10, 1972 Country: United Kingdom Location: London Section: Feature / Page 14 THE STORY In a major feature by Keith Altham, Roy Wood discusses the formation of Electric Light Orchestra after The Move. He describes ELO as a complex, ambitious p