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Genesis (August 19, 1972) – “Curiouser and Curiouser” Feature – New Musical Express

Aug 19, 1972
2 min read

Updated: Aug 20

This New Musical Express feature from August 1972 profiles Genesis as they stand on the brink of major success. Written by Keith Altham, the article explores Peter Gabriel’s theatrical vision and the band’s growing reputation for innovation in progressive rock.


Publication: New Musical Express   Date: August 19 1972 Country: United Kingdom


Under the headline “Genesis – Curiouser and Curiouser,” Altham introduces the band as “something completely different,” praising their originality and Gabriel’s eccentric stage presence.


The piece opens with a vivid description of Gabriel’s painted face and surreal performance style, noting how Genesis had begun to redefine rock music through theatrical storytelling and complex arrangements.



Gabriel discusses the band’s creative process, their recording sessions in the West Country, and their commitment to pushing musical boundaries.


He reflects on the group’s evolution from obscurity to recognition, emphasizing their desire to combine visual spectacle with emotional depth.


The article portrays Genesis as poised for breakthrough, with Gabriel’s imaginative leadership and the band’s intricate compositions setting them apart from their contemporaries.


CONTEXT AND NOTES  

By 1972, Genesis were emerging as one of Britain’s most distinctive progressive rock acts.


Their album Foxtrot was nearing release, and Gabriel’s theatrical performances — complete with costumes and face paint — were transforming live rock into performance art.

This NME feature captures the moment before Genesis achieved widespread acclaim, highlighting their artistic ambition and Gabriel’s fascination with myth, surrealism, and stage drama.


FEATURE HIGHLIGHTS  

Event: Genesis profiled ahead of their Foxtrot breakthrough

Era: 1972 – Progressive Rock Expansion / Art‑Rock Transformation

Tone: Analytical, imaginative, and anticipatory Photography: Black‑and‑white portrait of Peter Gabriel with painted eyes on his face, symbolizing his theatrical persona


WHAT THE CLIPPING SHOWS

  • NME feature interview with Peter Gabriel by Keith Altham

  • Discussion of Genesis’s creative direction and recording process

  • Emphasis on Gabriel’s stage artistry and the band’s growing influence

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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