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Tin Machine (July 8, 1989) "Gary Numan, Fear Not" – Live Review at London Town & Country Club

  • Jul 8, 1989
  • 2 min read

A highly entertaining and sharply written live review from 1989 capturing Tin Machine’s raw, high-energy performance at the London Town & Country Club, with Steven Wells delivering a vivid, witty, and sometimes irreverent account of the band’s intense rock ‘n’ roll assault fronted by David Bowie during their early live outings.

Publication: Melody Maker (or similar music weekly)

Date: July 8, 1989

Section: Live Review / Concert Feature

THE STORY

WHAT THE CLIPPING SHOWS

Steven Wells provides a colourful, opinionated, and energetic review of Tin Machine’s gig at the London Town & Country Club, praising the band’s powerful, no-nonsense rock approach while drawing humorous parallels to Gary Numan and other artists. The piece captures the intensity of the performance, the band’s loud, riff-heavy sound, and Bowie’s commanding presence in this new hard-rock project, offering a snapshot of the group’s early live reputation.

Full-page review with the bold headline “GARY NUMAN, FEAR NOT” and a striking black-and-white photo of David Bowie performing intensely with the band. Dense columns of witty, descriptive text by Steven Wells detailing the gig atmosphere, songs, and overall impact. Classic late-1980s music weekly layout.

CONTEXT AND NOTES

FEATURE HIGHLIGHTS

Published on July 8, 1989, this review comes during the early phase of Tin Machine, David Bowie’s loud, collaborative hard-rock band with Reeves Gabrels, Tony and Hunt Sales. It reflects Bowie’s deliberate shift away from his more commercial solo work of the 1980s toward a raw, guitar-driven sound, generating strong reactions from both fans and critics at the time.

Event: Detailed live concert review Era: 1989 (Tin Machine early live period) Tone: Witty, energetic, irreverent Photography: Intense onstage shot of David Bowie with Tin Machine RELATED MATERIAL: For other related posts, see the tags at the foot of the page.

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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