Glam Slam Chronicles (Everything)

Sweet's "Blockbuster" is up five places to number one on the NME British Singles Chart as published in New Musical Express, January 27, 1973. Sweet released "Block Buster!" (often stylized as "Blockbuster") in January 1973 as a single, later included on the US version of their album The Sweet  (1973), on RCA Records in the UK and Bell Records in the US. Written by Nicky Chinn and Mike Chapman, the glam rock anthem features a wailing siren (inspired by air-raid warnings), Bria

Elton's 1973 DJM Album Triumph Published in the UK on January 27, 1973, New Musical Express featured a one-page advert and review of Elton John’s Don't Shoot Me I'm Only the Piano Player (DJM). The review hailed it as “another fine Elton John album,” praising its blend of gentle, amusing, and bruising songs — from the soulful “Daniel” to the nostalgic “Crocodile Rock” and heavier tracks like “Have Mercy On The Criminal” and “Midnight Creeper.” It noted the emergence of Davey

1972/73 Readers Poll as published in New Musical Express, January 27, 1973.

Slade's NME Live Band Crown Claim Published in the UK on January 27, 1973, New Musical Express’s advert “Ta Very Much Best Live Band” proudly proclaimed Slade as the UK’s top live act, celebrating their explosive stage energy and fan mania during their rapid glam-rock rise. The bold, cheeky ad with Noddy Holder’s signature “Ta very much!” catchphrase front and center, thanking fans for voting them the best live band in recent polls or reader surveys. It highlighted Slade’s r

Rod Stewart's NME Poll Sweep Celebration The No.1 That Hit January 27 1973's Rod Dominance in Print Published in the UK on January 27, 1973, New Musical Express’s half-page advert “HE'S OUR NO1, TOO” proudly showcased Rod Stewart’s dominant results in the 1972 NME Readers Poll, celebrating his massive breakthrough year following Never a Dull Moment and the global success of “You Wear It Well.” Advert Text Highlights HE'S OUR NO1, TOO No 1 WORLD ALBUM "NEVER A DULL MOMENT" No

Slade's NME Poll Double Victory Published in the UK on January 27, 1973, New Musical Express’s one-page advert “MANY THANKS TO ALL OUR FANS FOR MAKING US No. 1 BRITISH GROUP and No. 1 BRITISH LIVE BAND” was a heartfelt thank-you from Slade to their fans for topping two major categories in the 1972 NME Readers Poll. The ad featured the band’s classic logo and a simple, grateful message signed by Jim (Lea), Don (Powell), Dave (Hill), and Nod (Holder), with production credits fo

Slade's "Slayed" retains its number one place on the NME British albums chart as published in New Musical Express, January 27, 1973. Slade released Slayed?  in November 1972, their third studio album, on Polydor Records. The British glam rock band's follow-up to the live sensation Slade Alive! , it captures their high-octane energy with raw, stomping tracks blending hard rock and pop hooks. Written primarily by Noddy Holder and Jim Lea, and produced by Chas Chandler at Olympi

Released as a 7-inch vinyl single in the UK by Warner Bros. Records (catalog number K 16248) on January 26, 1973, the Alice Cooper Group’s "Hello Hurray," backed with "Generation Landslide," entered the singles chart at number 44 during the week of February 4-10, 1973, staying on the chart for 12 weeks and peaking at number 6 in the week starting March 11. A NEW SINGLE RELEASE FROM WARNER BROS. K 16248 ALICE COOPER "HELLO HURRAY"/"GENERATION LANDSLIDE" HELLO HURRAY!! A new Al

Alice Cooper's Hit Parader Shock Philosophy Published in the US on January 1, 1973, Hit Parader magazine’s cover and four-page feature “Alice Cooper: Pupil Power captured the Alice Cooper Group at the height of their early 1970s shock-rock breakthrough. The cover showcased Alice in full theatrical menace, with the article diving into the band’s philosophy of performance and audience interpretation. Alice Cooper stated: "You see, there's actually no point whatsoever to our ac

The Piano Player That Hit No. 1 Released as an LP album in the UK by DJM Records (catalogue: DJLPS 427) on January 22, 1973, Elton John’s Don’t Shoot Me I’m Only the Piano Player was his sixth studio album. The first of two albums in 1973 (followed nine months later by Goodbye Yellow Brick Road), it marked his second consecutive No. 1 on the US Billboard 200 and his first No. 1 on the UK Albums Chart. The lead single "Crocodile Rock" gave John his first No. 1 hit in both the

Alice Cooper's Early Glam Pin-Up Published in the UK on January 20, 1973, Popswop Magazine’s centerfold “Alice's Popswop” featured the Alice Cooper Group in a striking, full-page picture spread. The glossy insert captured the band at the height of their early shock-glam phase — theatrical makeup, wild outfits, and menacing poses — designed to thrill teenage fans during the rise of Love It to Death and Killer. A classic early 1973 piece of Alice Cooper memorabilia. Feature Ove

Bolan's Fan Q&A in Popswop Published in the UK on January 20, 1973, Popswop magazine’s cover and one-page article “Marc Bolan Answers” featured Marc Bolan responding to fan questions submitted by Pat Cooper of Wigan, Lancashire. The cover showcased Bolan in full early glam splendour, with the article offering a charming, personal glimpse into his ambitions, family, tastes, and off-stage life during the rapid rise of T. Rextasy. Article Overview Publication Details Magazine: P

Brian Connolly's Bravo Germany Tour Hype Published in Germany on January 18, 1973, Bravo Magazine’s cover and one-page article “Sweet Coming to Germany!” featured Brian Connolly and The Sweet at the peak of their early glam breakthrough. The cover showcased Brian in full glittered-up glory, with the article announcing the band’s upcoming German tour and building excitement around their hit-making rise in Europe. Cover Text Excerpts “SWEET come to Germany!” “Brian Connolly: SW

A Billboard Alice Cooper Group Shock Promo Published in the US on January 15, 1972 (likely a typo in query for 1973 context), Billboard Magazine’s one-page advert “Whew!” promoted the Alice Cooper Group’s upcoming era — building hype for Billion Dollar Babies and the band’s theatrical shock-rock dominance. The bold, eye-catching ad captured the group’s wild energy and rising fame. Dec. 27th: Pittsburgh Civic Arena Promoter: Pat DiCaesar 14,400 Paid Attendance $91,000 Gross De

A Melody Maker Warm Calypso Praise Published in the UK on January 13, 1973, Melody Maker’s one-page single review “ELTON JOHN: “Daniel”” hailed the track as a warm, attractive song that grows with each hearing. Set to a lilting calypso beat with electric piano and steel drum effects, the review called it a fine song and convincing hit. The Bernie Taupin lyrics about an elder brother who flies away have a cloudy, floating quality, and the old firm (Elton & Bernie) believe it's

A Melody Maker Sweet Siren Blast Published in the UK on January 13, 1973, Melody Maker’s one-page advert promoted The Sweet’s “Block Buster!” single (RCA). The bold ad highlighted the track’s theatricality — sirens wailing, hidden menace in chants and yodels — as the band’s new tilt at the top. A classic early 1973 glam-pop campaign. Advert Overview Publication Details Magazine: Melody Maker (UK). Date: January 13, 1973. Format: One-page single advert. Do you have this Me

Slade’s "Match of the Day" , a one-page article, 1973. A POLICEMAN singing Mama, Weer All Crazee Now," and beating time on his helmet,...

A Melody Maker Warm Calypso Praise Published in the UK on January 13, 1973, Melody Maker’s one-page single review “ELTON JOHN: “Daniel”” hailed the track as a warm, attractive song that grows with each hearing. Set to a lilting calypso beat with electric piano and steel drum effects, the review called it a fine song and convincing hit. The Bernie Taupin lyrics about an elder brother who flies away have a cloudy, floating quality, and the old firm (Elton & Bernie) believe it's

Billion Dollar Babies Preview Published in the UK on January 13, 1973, — spotlighting their upcoming single and the launch of the Billion Dollar Babies era. Alice Cooper Group’s New Year New Single, a cover insert and one-page article in Melody Maker, January 13, 1973. ALICE COOPER are pulling out all the stops in the New Year with a new single, new album and a mammoth 60-date tour of America and Canada. The single, "Hello, Hurrah," has been intended as the opening song of

A Melody Maker Sweet Blockbuster Spotlight Published in the UK on January 13, 1973, Melody Maker’s one-page review “Lot's of Gimmicks” covered The Sweet’s “Block Buster!” single (RCA). The enthusiastic review praised the track’s theatricality: sirens wailing, hidden menace in chants and yodels, a convincing version with a “boring riff in the final bars that shows the band ran out of ideas.” A classic early 1973 glam-pop critique. Review Overview Publication Details Magazine: