A dense, analytical two‑page NME feature exploring Bowie’s pre‑Ziggy catalogue — a “sinister odyssey through a treacherous landscape,” tracing the themes, characters, and transformations that shaped his early work.

A candid, revealing NME feature capturing Elton John at a creative crossroads — reflecting on his image, his band, his American breakthrough, and his determination to reshape the music business on his own terms.

A warm, candid NME profile capturing Ian MacLagan’s humour, modesty, and deep love of soul‑driven rock — a portrait of the Faces’ quiet anchor at the height of their swaggering fame.

A raucous NME review hailing “Cum On Feel the Noize” as unmistakably Slade — a guaranteed chart‑topper powered by Noddy Holder’s vocals and the band’s signature stomp.

A striking NME cover showcasing the exclusive Alice Cooper flexi‑disc “Slick Black Limousine,” offered as a free 4:20 single to readers at the height of the Billion Dollar Babies era.

A dramatic, illustrated Billboard advert unveiling Alice Cooper’s “Hello Hurray” single and a sprawling 1973 U.S. tour schedule — a theatrical declaration of the band’s rising dominance.

T.Rex’s “Solid Gold Easy Action” climbed to No. 3 on December 17, 1972, peaked at No. 2 on January 6, 1973, and charted for 11 weeks.

A spirited interview with Ron Wood capturing the Faces’ combustible energy — a band whose sessions, shows, and friendships were equal parts brilliance and bedlam.

A tongue‑in‑cheek NME item revealing that Alice Cooper’s apparent “bust” was nothing more than a decorated T‑shirt — a visual gag that sparked reader confusion and amusement.

A playful, personality‑driven PopFax profile capturing Dave Hill’s style, humour, and glam‑rock identity through rapid‑fire facts and a bold monochrome portrai