A candid, surprisingly grounded portrait of David Cassidy — a superstar determined to prove he’s more than the hysteria that surrounds him.

A snapshot of March 1973 in full colour — glam at its peak, soul rising, and the charts shifting beneath the glitter.

A brief but significant Billboard announcement marking the start of Alice Cooper’s massive 1973 American tour, opening March 5 in Rochester, N.Y.

The Billion Dollar Babies tour began twice — once on paper, once on stage — and the surviving adverts tell the story. Between the planned March 1 launch and the verified March 3–5 performances lies the true scale of the production: too large for a single narrative, too ambitious for a single date.

On a single March day in 1973, Alice Cooper bridged two worlds: the academic halls of Eastman and the roaring spectacle of the Billion Dollar Babies tour. The announcement alone captures the era’s fascination with Cooper as both provocateur and cultural figure.

A rare holographic portrait merging Dalí’s surrealist vision with Alice Cooper’s theatrical persona — a true artefact of 1973’s experimental spirit.

T. Rex’s “20th Century Boy” — released March 2, 1973 — became one of the most iconic glam‑rock singles of the decade.

A sharply paired UK single from Reed’s Transformer era, uniting the bite of “Vicious” with the soaring emotion of “Satellite of Love,” shaped by Bowie and Ronson’s signature production.

Stewart reflects on the strange path from London football pitches to American tours, from blues‑club grit to chart‑topping success — a journey marked by instinct, humour, and a voice unlike any other.

Published February 24, 1973, this Record Mirror letter sees Eileen Mitchell responding to claims that David Bowie sings “Can’t Drive Marc Bolan” in “The Jean Genie.” A loyal Bolan fan herself, she dismisses the accusation, clarifies the lyric, and questions the motives behind the rumour.