This short Melody Maker single review from July 1967 captures a moment of early recognition for Scottish musician Alex Harvey, assessing his Decca release The Sunday Song with a mix of curiosity and restraint. The reviewer praises its lively rhythm and “nice sounds,” yet doubts its commercial potential — a snapshot of Harvey’s pre‑Sensational  Alex  Harvey  Band years. Publication: Melody Maker Date: July 22 1967 Country: United Kingdom THE STORY The review describes The 

The July 15, 1967 edition of Melody Maker reviews David Bowie’s new Deram single “Love You Tuesday”, praising him as one of the few truly original solo singers operating in the British music scene. Publication: Melody Maker Date: July 15, 1967 Country: United Kingdom Section: Singles Review THE STORY The reviewer highlights Bowie’s very unusual material and good voice with Anthony Newley connotations. While noting that his voice matters little when he makes fine songs of thi

THE RELEASE WHAT THE LABEL SHOWS Release Date: July 14, 1967 Label: Deram Records (UK) Format: 7" Vinyl Single Country: United Kingdom Catalogue Number: DM 135 David Bowie’s early Deram single featuring the whimsical, music-hall influenced “Love You Till Tuesday” backed with the gentler melodic pop track “Did You Ever Have a Dream”. Both songs were written by Bowie and produced by Mike Vernon, showcasing his pre-glam theatrical style and experimentation with character-drive

RELEASE INFORMATION Released July 7, 1967 7" Vinyl Single Reference: UK: DB 8227 A. Tallyman (Graham Gouldman) – 2:47 B. Rock My Plimsoul (Jeffrey Rod) – 3:33 Notes "Tallyman" / "Rock My Plimsoul" (single version). Produced by Mickie Most. UK pressings include solid and knockout center variations. UK VARIANTS: • UK - Columbia – DB 8227 - 1967 (4 Prong Centre) • UK - Columbia – DB 8227 - 1967 (Promo) • UK - Columbia – DB 8227 - 1967 (Solid Centre) CHART PERFORMANCE UK: Peak

A front‑page cover from New Musical Express dated May 13 1967, showcasing John’s Children and their single Desdemona. The design captures the height of British pop’s psychedelic transition, with bold monochrome typography and four photographic headshots of the band arranged in a striking composition. The issue also highlights contemporary chart acts including Sandie Shaw, The Mama’s and The Papa’s, Elvis Presley, Jimi Hendrix, and The Monkees.