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Alex Harvey (July 22 1967) – “The Sunday Song” Melody Maker

  • Jul 22, 1967
  • 2 min read

This short Melody Maker single review from July 1967 captures a moment of early recognition for Scottish musician Alex Harvey, assessing his Decca release The Sunday Song with a mix of curiosity and restraint. The reviewer praises its lively rhythm and “nice sounds,” yet doubts its commercial potential — a snapshot of Harvey’s pre‑Sensational  Alex  Harvey  Band years.


Publication: Melody Maker   Date: July 22 1967 Country: United Kingdom


THE STORY  

The review describes The Sunday Song as “nice sounds — yeah. Wow,” noting its strong drum presence while avoiding clutter. The critic observes that “the people in the background seem to be raving a bit more than the people in front,” speculating whether Harvey’s group might be English or akin to John’s Children.


The piece concludes that, while the track is “very snappy,” it’s unlikely to become a hit — a typical mid‑’60s pop‑press verdict balancing enthusiasm with scepticism.

CONTEXT AND NOTES  

At the time, Alex Harvey was still establishing himself as a solo artist after years on the Glasgow club circuit and a stint with the Blues Council.


The Sunday Song represented his attempt to break into mainstream pop before his later transformation into one of Britain’s most theatrical rock frontmen. This review reflects the cautious tone of the music press toward emerging acts in 1967, when psychedelic and beat influences were rapidly reshaping the UK scene.


FEATURE HIGHLIGHTS  

Event: Single review of The Sunday Song  

Era: 1967  Pre‑Sensational Alex Harvey  Band period

Tone: Brief, conversational, and mildly amused

Photography: Text‑only column; no accompanying image


WHAT THE CLIPPING SHOWS

  • Printed Melody Maker review under the singles section

  • Commentary on Harvey’s Decca release

  • Comparison to John’s Children and other youthful pop groups

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied



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