“A Funky Future,” explores the Strawbs’ transformation following internal changes and their second American tour. The article details the band’s split, new lineup, and evolving sound under Dave Cousins’ leadership, signalling a shift from folk‑rock roots toward a funkier, more contemporary direction. Publication: Melody Maker Date: July 14 1973 Country: United Kingdom THE STORY The article opens by confirming the Strawbs’ lineup changes after their U.S. tour, with John Fo

This Melody Maker “Mailbag” feature from July 1973 presents a reader’s letter titled “Alice, Bowie — victims of Vietnam,” reflecting on how the cultural climate of the late 1960s and early 1970s shaped artists like Alice Cooper and David Bowie. The piece argues that their theatricality and alienation stemmed from the social upheaval and disillusionment of the Vietnam War era. Publication: Melody Maker Date: July 14 1973 Country: United Kingdom THE STORY The letter opens b

This Melody Maker music‑paper clipping from July 1973 captures the aftermath of David Bowie’s legendary “farewell” concert at London’s Hammersmith Odeon. The photograph shows Bowie seated with Lou Reed and Mick Jagger at his post‑show party, marking the end of the Ziggy Stardust era and the beginning of a new creative chapter. Publication: Melody Maker Date: July 14 1973 Country: United Kingdom The page features several short news items from the week’s music scene. The cent

This full‑page advertisement from Melody Maker promotes Lonesome Stone, a new multi‑media rock musical staged at London’s Rainbow Theatre in the summer of 1973. The design combines psychedelic illustration and live‑performance imagery, capturing the era’s fascination with rock theatre and spiritual counterculture. Publication: Melody Maker Date: July 14 1973 Country: United Kingdom The advert announces Lonesome Stone as “The New Multi‑Media Rock Musical,” performed Wednesda

These Melody Maker adverts from July  29, 1972 promote two consecutive Lou Reed concerts in England — one at Friars, Aylesbury on July 29 and another at the Greyhound, Croydon on July 30. Both listings mark Reed’s early solo appearances. Publication: Melody Maker Date: July 29,  1972 Country: United Kingdom The first advert announces Lou Reed’s headline performance at Friars, Market Square, Aylesbury — billed as “Britain’s finest Rock Club.” Supporting acts include The Tots

This Melody Maker double‑page feature from July 1972 profiles Roxy Music at the height of their early success. Written by Richard Williams with photographs by Barrie Wentzell, it examines each band member’s role and personality, capturing the group’s avant‑garde spirit and rapid rise within Britain’s glam‑rock scene. Publication: Melody Maker Date: July 29 1972 Country: United Kingdom The article opens with Bryan Ferry’s reflections on Roxy Music’s first year, recalling hi

This Melody Maker review from July 1972 praises Mott the Hoople’s new single “All the Young Dudes,” written and produced by David Bowie. The critic predicts the track will elevate the band from cult status to mainstream success, while noting Bowie’s unmistakable creative imprint throughout. Publication: Melody Maker Date: July 29 1972 Country: United Kingdom The review opens by declaring the single “sounds like a smash” and will propel Mott the Hoople “from their current st

This full‑page advertisement from Melody Maker and NME dated July 29 1972 promotes Rod Stewart’s new album Never a Dull Moment, released on Mercury Records. The bold, playful typography and monochrome design capture the confident energy of Stewart’s early‑1970s success, following the acclaim of Every Picture Tells a Story. Publication: Melody Maker and NME Date: July 29 1972 Country: United Kingdom THE STORY The advert features the album title Never a Dull Moment in large

This Melody Maker feature from July 1972, titled “Alice Malice,” examines the shock‑rock theatrics of Alice Cooper at the height of his fame. The article questions the performer’s use of macabre stage stunts — from toy decapitations to simulated hangings — while acknowledging his undeniable ability to captivate audiences. Publication: Melody Maker Date: July 22 1972 Country: United Kingdom THE STORY The piece opens with a critical reflection on Cooper’s controversial stag

This Melody Maker album review from July 1972 celebrates Rod Stewart’s Never a Dull Moment as one of the year’s most anticipated releases. The critic praises Stewart’s consistency and charm, declaring that he remains “as good as you think,” while capturing the relaxed confidence of his post‑Every Picture Tells a Story success. Publication: Melody Maker Date: July 22 1972 Country: United Kingdom The review opens with admiration for Stewart’s ability to deliver another stron