This Melody Maker double‑page feature from September 7 1991 documents David Bowie’s impromptu performance at Los Angeles Airport celebrating the release of Tin Machine II. Written by Chris Roberts, the article captures Bowie’s reflections on fame, reinvention, and the artistic philosophy behind his band Tin Machine, blending live reportage with a candid interview. Publication: Melody Maker Date: September 7, 1991 Country: United Kingdom The article opens with Bowie performi

This Melody Maker review from August 27 1977 critiques Iggy Pop’s Lust For Life album, produced by David Bowie. The piece, titled “No Lust for Iggy,” offers a sharp and skeptical take on Pop’s second RCA release, questioning whether the record’s energy matches the intensity of his earlier work. Publication: Melody Maker Date: August 27 1977 Country: United Kingdom Written by one of Melody Maker’s regular reviewers, the article opens with a detailed credit list — Iggy Pop on v

This Melody Maker issue from August 1977 announces Iggy Pop’s upcoming British tour dates and highlights his close collaboration with David Bowie. The feature captures Iggy’s renewed creative energy following the release of The Idiot and Lust for Life, albums that defined his late‑1970s resurgence. Publication: Melody Maker Date: August 13 1977 Country: United Kingdom Under the bold headline “IGGY DATES,” the article describes Iggy Pop as the “grandfather of punk and close

This Melody Maker feature from September 4 1976 presents David Bowie through the lens of a student essay contest, written by Chris Brazier of Nottingham University, who won second prize for his piece titled “Bowie: Beauty Before Outrage.” The essay offers an articulate, introspective analysis of Bowie’s artistry, exploring his evolution from Hunky Dory to Station to Station and his impact on modern music and culture. Publication: Melody Maker Date: 4 September 1976 Country:

A full-page Melody Maker advertisement promoting Alice Cooper’s “Welcome to My Nightmare” UK shows at Wembley Empire Pool (11–12 September) and Liverpool Empire (14 September). The striking advert highlights the theatrical extravagance of the tour and features the classic monster imagery that defined the era.

Alice Cooper’s one‑page Melody Maker advert from September 6, 1975, promoting his hard‑hitting, theatrical brand of shock‑rock with the swagger of a headline act turning metal into spectacle. The striking full-page piece announces sold-out UK shows with special guests Heavy Metal Kids and highlights the upcoming single “Ain’t Nothing But A House Party / You Got Me Rollin’”.

This Melody Maker article from September 7 1974 reports that David Bowie was considering abandoning the theatrical staging of his U.S. tour for a simpler, more direct performance style. The piece captures Bowie’s transitional moment between his elaborate Diamond Dogs shows and the stripped‑down soul direction that would define his Young Americans period. Publication: Melody Maker Date: September 7, 1974 Country: United Kingdom The article explains that Bowie planned to open

This Melody Maker feature from August 25 1973 captures Rod Stewart at a pivotal moment in his career, declaring that his next solo album would be his last — and that it “had to be a classic.” Written by Chris Welch, the piece reflects Stewart’s confidence and transition from band frontman to international solo star. Publication: Melody Maker Date: August 25 1973 Country: United Kingdom The article opens with the line “Good Luck Rod!” and details Stewart’s busy schedule betwee

This Melody Maker advertisement from August 1973 promotes Queen’s debut album and their first single, Keep Yourself Alive. The artwork combines regal symbolism and fantasy illustration, introducing the band’s distinctive visual identity that would define their early career. Publication: Melody Maker Date: August 11 1973 Country: United Kingdom The monochrome advertisement features an ornate, hand‑drawn design framing a black‑and‑white photograph of Queen’s four members —...

“A Funky Future,” explores the Strawbs’ transformation following internal changes and their second American tour. The article details the band’s split, new lineup, and evolving sound under Dave Cousins’ leadership, signalling a shift from folk‑rock roots toward a funkier, more contemporary direction. Publication: Melody Maker Date: July 14 1973 Country: United Kingdom THE STORY The article opens by confirming the Strawbs’ lineup changes after their U.S. tour, with John Fo