David Bowie (September 7, 1974) – “Bowie Considers Dropping Theatre Act” – Melody Maker
This Melody Maker article from September 7 1974 reports that David Bowie was considering abandoning the theatrical staging of his U.S. tour for a simpler, more direct performance style. The piece captures Bowie’s transitional moment between his elaborate Diamond Dogs shows and the stripped‑down soul direction that would define his Young Americans period.

Publication: Melody Maker Date: September 7, 1974 Country: United Kingdom
The article explains that Bowie planned to open the second leg of his U.S. tour at the Universal Amphitheatre in Los Angeles, initially retaining the theatrical set before later dropping the dancers and props.
He told Melody Maker correspondent Robert Hilburn that he wanted to return to a “more basic show” now that he had proven his ability to stage a full theatrical production.
Bowie had just completed mixing a live album from the first leg of the tour — tentatively titled David Live — and recorded a new rhythm‑and‑blues‑influenced studio album, provisionally called One Damn Sing.
The article also notes that bassist Herbie Flowers was expected to leave the band, and that Bowie was considering further lineup changes. The piece closes with a mention of Bowie’s celebrity audience, including Bob Dylan and George Harrison, who were rumored to attend the upcoming shows.
CONTEXT AND NOTES
By late 1974, Bowie was moving away from the dystopian spectacle of Diamond Dogs toward the sleek, soulful sound of Young Americans.
This Melody Maker report documents that shift in real time, showing his desire to evolve artistically and redefine his stage persona. The article’s tone reflects both anticipation and curiosity about Bowie’s next creative phase.
FEATURE HIGHLIGHTS
Event: Bowie’s decision to simplify his U.S. tour performances
Era: 1974 – Diamond Dogs / Soul Transition Era
Tone: Informative, transitional, and reflective
Photography: Text‑only clipping with a small cartoon illustration of a clown
WHAT THE CLIPPING SHOWS
Bowie’s plan to drop theatrical elements from his U.S. tour
Mention of David Live and a forthcoming rhythm‑and‑blues album
Notes on band changes and celebrity interest in his performances
All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.





Comments