top of page

David Bowie & Marc Bolan (September 17, 1977) – “Bowie and Bolan get it on”  – Melody Maker

Sep 17, 1977
1 min read

This Melody Maker feature from September 17 1977 captures David Bowie’s guest appearance on Marc Bolan’s television show, Marc. The headline—“Bowie and Bolan get it on”—celebrates the reunion of two glam‑rock icons performing together in what would become Bolan’s final TV appearance.

Publication: Melody Maker Date: September 17 1977 Country: United Kingdom


Written by Chris Welch, the article reports from Manchester on Bowie’s appearance during the filming of Bolan’s Marc show.


It describes the electric atmosphere as the pair performed Heroes and jammed together, rekindling the spirit of early‑1970s glam. The piece highlights their mutual admiration and the playful energy between them on stage, noting how Bowie’s sleek professionalism met Bolan’s exuberant charm.



The accompanying photograph shows Bowie and Bolan side by side with guitars, joined by their band members under bright studio lights.


Welch’s commentary reflects both nostalgia and excitement, recognizing the cultural significance of their collaboration.


CONTEXT AND NOTES  

This performance, recorded shortly before Bolan’s death, stands as a poignant moment in music history.


It symbolized the closing of the glam‑rock era that both artists helped define.


The Melody Maker coverage captures the bittersweet tone of the occasion—celebrating Bolan’s vitality while unknowingly documenting his final days.


Bowie’s participation underscored his respect for Bolan, his early mentor and rival, making this feature a lasting tribute to their intertwined legacies.


FEATURE HIGHLIGHTS   Event: David Bowie’s appearance on Marc Bolan’s TV show Marc  

Era: 1977 – Heroes / Late Glam Period

Tone: Energetic and nostalgic Photography: Black‑and‑white image of Bowie and Bolan

 performing with guitars on stage

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


Comments


bottom of page