A fascinating 1972 newspaper feature captured Alice Cooper at the height of his shock-rock notoriety, openly embracing his theatrical persona and provocative stage show. Published on 29 April 1972 in The State Journal-Register, this in-depth piece offered readers a rare behind-the-scenes look at the man behind the macabre. 📰 Publication Details Publication: The State Journal-Register (Springfield, Illinois) Date: Saturday, 29 April 1972 Country: United States Section / Page:

This Rolling Stone feature captures Alice Cooper at the moment he becomes more than a musician — a cultural force blending theatre, horror, satire, and rock into a new form of performance art. The cover and feature stand as early documentation of a persona that would shape the aesthetics of rock for decades.

A swaggering hard‑rock confession that became one of the Alice Cooper Group’s defining early singles.

“Be My Lover,” backed with “You Drive Me Nervous,” was released as a 7‑inch vinyl single in the United States on February 8, 1972 (Warner Bros. WB 7568). Written by guitarist Michael Bruce and produced by Bob Ezrin.

Alice Cooper's Survival & Ezrin Rise

A cover insert and expansive three‑page feature, “What Makes Alice Run,” found Circus magazine diving deep into the rising phenomenon of the Alice Cooper Group at the dawn of 1972. With Love It to Death and Killer igniting national attention, Circus framed Alice as both ringleader and runaway cultural force — a shock‑rock engine tearing through America with theatrical menace, black humour, and a flair for chaos that no other band could match. The feature explored: The band’s

Words Magazine, January 1, 1972 A one‑page Words Magazine primer on the fast‑rising Alice Cooper Group, “Who Is Alice Cooper?” served as an early attempt to decode the band’s shock‑rock mystique for a mainstream UK readership. Published on January 1, 1972, the article introduced Alice as a theatrical provocateur leading a tight, hard‑driving band whose blend of horror, humour, and glam flamboyance was beginning to unsettle — and fascinate — the rock establishment. Words posit

Disc, January 1, 1972 A striking two‑page centrefold poster in Disc magazine, the Superpop Alice Poster captured the Alice Cooper Group at the height of their early shock‑rock mystique. Published on January 1, 1972, the spread presented Alice in full theatrical command — a glam‑horror icon poised between menace and charisma — perfectly timed with the band’s rapid ascent following Love It to Death and Killer. A bold, high‑impact visual piece, it became one of the earliest wide

A snapshot of the UK music scene in early 1972 — the moment glam rock ignited and Bowie stepped into a landscape ready for transformation.

A twelve‑page Winter Pop programme issued for the December 31, 1971 event, capturing the Alice Cooper Group’s presence during their late‑’71 momentum as they transitioned from the Killer era into their breakthrough year. The programme served as a period snapshot of the band’s rising notoriety, placing them alongside other contemporary acts in a festive end‑of‑year showcase. If you want a more detailed breakdown of the programme’s contents (acts listed, Cooper‑related imagery,