A full-page promotional advertisement in Kerrang! for Alice Cooper’s single “Feed My Frankenstein”, highlighting its appearance in the hit movie Wayne’s World. PUBLICATION Publication: Kerrang! Magazine Date: 1992 Country: United Kingdom Section / Pages: Advertisement / Promo Page Title: ALICE COOPER — FEED MY FRANKENSTEIN THE STORY The striking ad promotes the “Monster New Single” performed in the motion picture Wayne’s World. It lists available formats including 7", 4-cut 1

A high-energy two-page spread capturing the multi-band spectacle of the Operation Rock ’N’ Roll tour at Irvine Meadows, California, featuring Judas Priest, Alice Cooper, Motörhead, Dangerous Toys, and Metal Church.

The June 26, 1991 issue of Raw Magazine features a major article on Alice Cooper titled “Alice is playing it shamefully safe”, critiquing his recent direction while reviewing his album Hey Stoopid. Publication: Raw Magazine Date: June 26, 1991 Country: United Kingdom Location: London Section: Major Feature / Album Review THE STORY The piece examines Alice Cooper’s career trajectory, discussing his return with the album Hey Stoopid featuring guest appearances by Ozzy Osbourne,

The 8 August 1989 issue of Raw features an extensive interview with Alice Cooper under the headline “SINGLE MANIAC,” tied to the release of the album Trash and the single “Poison.” Publication: Raw Date: August 8, 1989 Country: United Kingdom The multi-page article discusses Alice Cooper’s legendary status in hard rock, his new record deal, and the forthcoming album Trash. It explores his shift toward a more commercial slant while still examining bizarre sexual themes. Cooper

The 5 August 1989 issue of Kerrang! features Alice Cooper on the cover under the headline “TRASH ON DELIVERY THROWWAY REMARKS FROM ALICE COOPER,” with an extensive interior interview titled “LESS GORE, MORE WHORE.” Publication: Kerrang! Date: August 5, 1989 Country: United Kingdom The cover shows Alice Cooper holding a knife against a dramatic red background, with additional cover lines for other bands. Inside, a multi-page interview discusses the new album Trash, written wit

The 8 August 1989 issue of Raw carries a full-page advertisement for Alice Cooper’s single “Poison.” Publication: Raw Date: August 8, 1989 Country: United Kingdom The advert is headed “The return of…” and features a large black-and-white photograph of Alice Cooper in a studded leather jacket over a T-shirt printed with a screaming face. Bold text announces “POISON – The brand new single 7 · 12 · CD Produced by Desmond Child.” Additional copy notes that the 12″ and CD include

The August 1977 issue of Creem features a multi-page article on Alice Cooper’s current tour, including interview comments on the show, the new album, and his stage plans. Publication: Creem Date: August 1977 Country: United States The feature opens with details of Alice Cooper’s tour schedule, originally 65 shows in 70 days now cut to a solid 30 dates. It describes the $400,000 stage set shaped like a TV, the band line-up including Dick Wagner and Steve Hunter, and the return

The June 23, 1977 issue of Circus magazine features an article titled “Coopermania In Australia”, detailing Alice Cooper’s highly successful yet controversial Australian tour, including his arrest and financial disputes with promoters. Publication: Circus Magazine Date: June 23, 1977 Country: United States Location: New York Section: News / Feature THE STORY The piece reports on Alice Cooper’s record-breaking Australian tour, which drew a sell-out crowd of 40,000 in Sydney. I

The June 16, 1977 edition of Rolling Stone features a full-page promotional advertisement for Alice Cooper’s new album, complete with a Summer 1977 tour schedule and his signature tongue-in-cheek tough-guy persona. Publication: Rolling Stone Date: June 16, 1977 Country: United States Location: New York Section: Album Promotion / Advertisement THE STORY The bold ad shows Alice Cooper in character holding a gun, promoting his latest release on Warner Bros. Records. It includes

lice Cooper’s Circus Magazine cover story and four‑page feature from August 24, 1976, plunging into his darkly theatrical battle between persona and performer as he stages a grand satanic showdown at the height of his mid‑’70s spectacle.