a two-page feature in Circus Magazine, August 7, 1979.

A world of promos, pirates, and loopholes — Carr’s 1979 feature exposes the strange, unregulated dance between labels and radio that shaped an entire era of music discovery.

Before Ziggy, before Berlin, before the world knew his name — Bowie was already experimenting, failing, learning, and reaching. These reissues capture that fragile, fascinating beginning.

A one‑page news item reporting that the Village People have re‑cut “Just A Gigolo” for the soundtrack of David Bowie’s new film, replacing the previously planned track “I Am What I Am.”

Bowie’s silver-screen gigolo era begins – the Thin White Duke goes Hollywood! one-page preview in New Musical Express, December 23, 1978. More Bowie film magic added weekly

Bowie’s golden years in one glorious stack – from Space Oddity to Lodger! David Bowie’s Back Catalogue - One Man in His Time Plays Many Parts, a three-page advert in Melody Maker, December 16, 1978.

Melody Maker, December 9, 1978

A rumour, a signing, and a spark of possibility — DEVO’s future collided with Bowie’s orbit in a single paragraph of 1978 press

A mischievous wink from the music press: NME’s 1978 take on the Bowie–Iggy bootleg that blurred the line between myth and memorabilia.

A minimalist portrait, a list of dates, and a promise: Bowie returns to the stage with the precision and intensity of his Berlin‑era sound.