This major Toronto Star feature, reprinted from Rolling Stone, examines David Bowie during the transition between the theatrical excess of the Diamond Dogs tour and the soul-influenced direction that would soon emerge on Young Americans. The article focuses on Bowie's evolving musical interests, changing stage presentation and growing fascination with American soul and R&B music. Publication: Toronto Star Date: October 5, 1974 Country: Canada Written by Richard Cromelin and M

The 3 August 1974 issue of Melody Maker carries a “Caught in the Act” review of David Bowie under the heading “Bowie: the same once again.” Publication: Melody Maker Date: August 3, 1974 Country: United Kingdom The review describes a recent Bowie performance in Toronto, noting that few people would go to see the same show twice in a month, yet the writer found the second viewing still impressive. It comments on the precision of the presentation, the theatrical elements and Bo

The 1 August 1974 issue of Rolling Stone reviews David Bowie’s album Diamond Dogs under the headline “New Bowie: a Dog.” Publication: Rolling Stone Date: August 1, 1974 Country: United States Written by Ken Emerson, the review discusses Diamond Dogs (RCA CPL1-0576) and places it in the context of Bowie’s recent work. It notes that Aladdin Sane was uneven and suggests Diamond Dogs may be his worst album in six years, while acknowledging that two considerations make it worth ex

Spectacular two-page promotional spread for David Bowie’s album Diamond Dogs, featuring iconic surreal artwork and bold marketing as the top-selling album in the UK. PUBLICATION: Date: June 15, 1974 Country: United Kingdom Section / Pages: Two-Page Advertisement Spread Title: THE YEAR OF THE DIAMOND DOGS THE STORY The dramatic spread showcases Guy Peellaert’s groundbreaking artwork with Bowie in a powerful, animalistic pose surrounded by grotesque figures. It proudly declare