A single page, a single pose, and a single line of text — yet the advert for The Idiot signalled a seismic shift. It marked the moment Iggy Pop and David Bowie began reshaping the future of modern music from the shadows of Berlin

Iggy Pop’s Lust For Life , a one-page review in Rolling Stone, January 1, 1978. Pop RCA AFLI-2488 By Billy Altman IGGY POP'S SECOND comeback album leaves one with ambivalent feelings: glad that Iggy is alive, apparently well, writing, singing and performing again, but upset because his new stance is so utterly unchallenging and cautious. Taken purely on its own terms, Lust for Life is a successful album. Side one is quite good, starting with the title cut, which rocks with a